영화 속의 자연 요소 활용 분석- <자객 섭은낭(刺客聶隱娘)> 을 중심으로 = Application and Analysis of Natural Elements in Film -A Case Study of The Assassin

다국어 초록 (Multilingual Abstract)

This study examines Hou Hsiao-hsien's film, The Assassin (刺客聶隱娘), to analyze how the fluid expressions of natural elements such as wind, water, and fog are integrated with the traditional Chinese aesthetic principles of qìyùn shēngdòng (氣韻生動), xūshí xiāngshēng (虛實相生), and liúbái (留白) to shape its narrative, emotional, and aesthetic framework. By employing a textual and scenographic analysis that incorporates traditional aesthetic and philosophical thought, this study demonstrates that the dynamic contrast of the wind reveals the characters' internal conflicts, the fluctuations of water represent the instability of emotion and fate, and the empty space created by fog facilitates a poetic sublimation of the violent narrative. This research posits that the film translates traditional aesthetics into a sensory, audiovisual experience, presenting a new paradigm for the innovation of the wuxia genre and the global proliferation of Eastern aesthetics.