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      『애프터 다크(アフターダーク)』에 나타난 양면성현대사회와 인간 내면에 잠재된 중층성 고찰 = The double-sidedness in “After Dark” Consideration of the diversity lurking inside modern society and the human

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      다국어 초록 (Multilingual Abstract)

      This study shows the double-sidedness of Mari and Takahashi in “After Dark”, with a persecution complex, harmful behavior, problems implied by harmful behavior and the meaning of different endings. Due to her inferiority to her sister, Mari is caught up in a victim mentality even h after she becomes an adult. She makes a hobby of torturing herself. Takahashi cannot recover his relationship with his parents because of his grudge against his father. These two people are obsessed with the victim mentality and take the attitude of a bystander who turns away from Eri's “silent cry” represented by others. However, they recognize their problems through the process of knowing each other. However, they arrive at different endings.
      She returns home and feels guilty to Eri and tears, but Takahashi still wanders around the dark streets. In other words, the figure of Mari ,who recognized her harmful behavior, shows the possibility of communication with the other, but the figure of Takahashi, who does not, passes the message that the problem will appear again in another form unless the problem is solved. The double-sidedness and the two different conclusions can be seen as a setting that Haruki Murakami intended to objectively show the reality in order to “provide readers with the multiple possibilities”. In other words, he wanted to depict the ambiguous meaning inherent in the human and society that he felt after the incident of Aum Shinrikyo.
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      This study shows the double-sidedness of Mari and Takahashi in “After Dark”, with a persecution complex, harmful behavior, problems implied by harmful behavior and the meaning of different endings. Due to her inferiority to her sister, Mari is cau...

      This study shows the double-sidedness of Mari and Takahashi in “After Dark”, with a persecution complex, harmful behavior, problems implied by harmful behavior and the meaning of different endings. Due to her inferiority to her sister, Mari is caught up in a victim mentality even h after she becomes an adult. She makes a hobby of torturing herself. Takahashi cannot recover his relationship with his parents because of his grudge against his father. These two people are obsessed with the victim mentality and take the attitude of a bystander who turns away from Eri's “silent cry” represented by others. However, they recognize their problems through the process of knowing each other. However, they arrive at different endings.
      She returns home and feels guilty to Eri and tears, but Takahashi still wanders around the dark streets. In other words, the figure of Mari ,who recognized her harmful behavior, shows the possibility of communication with the other, but the figure of Takahashi, who does not, passes the message that the problem will appear again in another form unless the problem is solved. The double-sidedness and the two different conclusions can be seen as a setting that Haruki Murakami intended to objectively show the reality in order to “provide readers with the multiple possibilities”. In other words, he wanted to depict the ambiguous meaning inherent in the human and society that he felt after the incident of Aum Shinrikyo.

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      참고문헌 (Reference)

      1 권택영, "현대 문명의 이면에 가려진 몸의 실존적 의미, 어둠의 저편" 문학사 280-297, 2005

      2 村上春樹, "解題. 村上春樹全作品 1990∼2000 約束された場所で、村上春樹、河合隼雄に会いにいく, 7" 講談社 377-395, 2003

      3 清水良典, "終章 鏡よ、鏡よ!『アフターダーク』. 村上春樹はくせになる" 朝日新聞社 207-232, 2006

      4 土居豊, "第3章 アフターダークからはじまる新時代の論理─暴力の系譜. いま、村上春樹を読むこと" 関西学院大学出版会 58-78, 2014

      5 村上春樹, "目じるしのない悪夢. 村上春樹全作品 1990∼2000 アンダーグラウンド, 6" 講談社 637-673, 2003

      6 河合隼雄, "河合隼雄のベストセラー診断 村上春樹『アフターダーク』にみる「コミットメントの条件」" 39 (39): 94-101, 2005

      7 吉原千明, "村上春樹論--『アフターダーク』にみる救い" 17 : 63-70, 2008

      8 渥美孝子, "村上春樹『アフターダーク』の居場所--アダルト・チルドレンと 監視社会と" 28 : 97-111, 2008

      9 岩宮恵子, "思春期体験と現実の多層性--村上春樹『アフターダーク』から(特集 ファンタジーの世界)" 7 (7): 115-120, 2006

      10 村上春樹, "これだけは、村上さんに言っておこう" 朝日新聞社 2006

      1 권택영, "현대 문명의 이면에 가려진 몸의 실존적 의미, 어둠의 저편" 문학사 280-297, 2005

      2 村上春樹, "解題. 村上春樹全作品 1990∼2000 約束された場所で、村上春樹、河合隼雄に会いにいく, 7" 講談社 377-395, 2003

      3 清水良典, "終章 鏡よ、鏡よ!『アフターダーク』. 村上春樹はくせになる" 朝日新聞社 207-232, 2006

      4 土居豊, "第3章 アフターダークからはじまる新時代の論理─暴力の系譜. いま、村上春樹を読むこと" 関西学院大学出版会 58-78, 2014

      5 村上春樹, "目じるしのない悪夢. 村上春樹全作品 1990∼2000 アンダーグラウンド, 6" 講談社 637-673, 2003

      6 河合隼雄, "河合隼雄のベストセラー診断 村上春樹『アフターダーク』にみる「コミットメントの条件」" 39 (39): 94-101, 2005

      7 吉原千明, "村上春樹論--『アフターダーク』にみる救い" 17 : 63-70, 2008

      8 渥美孝子, "村上春樹『アフターダーク』の居場所--アダルト・チルドレンと 監視社会と" 28 : 97-111, 2008

      9 岩宮恵子, "思春期体験と現実の多層性--村上春樹『アフターダーク』から(特集 ファンタジーの世界)" 7 (7): 115-120, 2006

      10 村上春樹, "これだけは、村上さんに言っておこう" 朝日新聞社 2006

      11 村上春樹, "『悪』を抱えて生きる. 村上春樹全作品 1990∼2000 約束された場所で、村上春樹、河合隼雄に会いにいく, 7" 講談社 211-233, 2003

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2022 평가예정 재인증평가 신청대상 (재인증)
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-04-22 학회명변경 영문명 : FOREIGN STUDIES CENTER -> FOREIGN STUDIES INSTITUTE KCI등재
      2012-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2011-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2009-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2007-09-03 학회명변경 한글명 : 외국어문학연구소 -> 외국학연구소
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.28 0.28 0.25
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.22 0.2 0.437 0.12
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