羅濟書風 比較硏究

다국어 초록 (Multilingual Abstract)

'Baek-Jae was mainly based on immigrant society, while Shil-La was based on native society. Immigrants from the north and the group of setters in Han River combined to form Baek-Jae community. The group of immigrants practicing excellent culture came into the setters and took control over them. One of the culture that they had was the culture of writing art. Shil-La's northwest was blocked by a mountain chain so it wasn't easy for them to relocate. Therefore, unlike Baek-Jae, Shil-La had powerful strength in settling, so the immigrants was absorbed and united by native power. As a result, Shil-La had little chance to keep in contact with Soe-Ae Culture.
Baek-Jae was able to develop the culture of writing art very early by trading with Nam-Joe. On the other hand, Shil-La was too late trading with China, but they were capable of growing writing art of Shil-La that had the mind of native.
Baek-Jae transferred their capital for three times to shape into a very unique culture. During the time of Han-Sung, as you can see in most of Juk-Suk-Buen that exists in Suk-Chon-Dong, that they had very Go-Gu-Ryo-like character. But after Woung-Jin and Sa-Be times, they adopted Nam-Joe culture from China and made it graceful and refined. They also adapted chinese culture through Dong-Jin, Song, Jae, Yang and handed over to We to take an important role in improving Japanese culture.
Baek-Jae's best Guem-Suck-Mun, Mu-Nung-Wang-Ji-Suck and Bua, adapted forms from the Northern We and adapted information from the Nam-Joe that added beautifulness to Baek-Jae; you can definitely say Baek-Jea royal's best writing. And arch like temple with a necklace over, so smooth as writing with a brush pen, after it was found in Bujo-Reungsanli-Sarigam, wonder why it adds to be more touching. Plus; that, stroke of the brush pen, so beautiful, and wonder why I shed tears when I see the generous Satek-Jijok-Be. It could be the King's sad behind look, but fortunatly the information is praye for comming age, it's a cry of hatred diminishing heart.
Sil-La was behind on expansion from the Three Countries of on south-east Korean Peninsula. But they propelled reformation anti repairing business in order to increase production like the following Youngil-nangsuri-Be, Youngchun-Chmgge-Be, Deagu-Musulsal-Be. They took seize of reginal authority and the main thing they had was the influence of the country, for example, Wulgin-Bongpung-Be. Danyang-joksong-Be, King jitihung-Sunsu-Be. On the other hand, you. Can figure Shil-La's young man with can-do mind W alsong-Imsin-Sagisok, is it. This set of dignified Shil-La-Be, I fee writing of art as not an art pursuing beautifulness, I feel it as a plan for mental gathering. You can see the end at King jinhung-Sunsu-Be.
Compared to Shil-La, you can suppose that Baek-Jae's trend o:,' writing is more refined. You can see the South's smoothness and the North's strength at the same time. If you can say Baek-Jae's art of writing as a song of completion, you can say Shil-La's Soe-Ae as song of incompletion.
"Back-Jae's art of writing is beautiful but not to sexy, while Still-La's trend of writing is heavy but not too dark."

목차 (Table of Contents)

• I. 序論 = 1
• II. 百濟의 金石文 = 4
• 1. 武寧王誌石(252년, 圖1) = 4
• 2. 武寧王妃誌石(529년, 圖2) = 7
• 3. 夫餘陵山里舍利龕(568, 圖5) = 12
• 4. 砂宅智積碑(654년 圖6) = 14
• III. 百濟의 書風 = 18
• IV. 新羅의 金石文 = 21
• 1. 迎日冷水里碑(443, 503년? 圖10) = 21
• 2. 蔚珍鳳坪碑(524년, 圖10) = 26
• 3. 永川堤碑(536년, 圖11) = 30
• 4. 丹陽赤城碑(545∼550년, 圖12) = 33
• 5. 月城壬申誓記石(552, 612년? 圖13) = 35
• 6. 眞興王巡狩碑 = 37
• 6-1 昌寧眞興王巡狩碑(561년, 圖14-1) = 39
• 6-2 北韓山巡狩碑(568, 圖14-2) = 40
• 6-3 黃草領眞興王巡狩碑(568년, 圖14-3) = 41
• 6-4 摩雲領巡狩碑(568년), 圖14-4 = 42
• 7. 大邱戊銘塢作碑(578년? 圖15) = 43
• 8. 慶州南山新城碑(591년 圖16) = 47
• V. 新羅의 書風 = 47
• VI. 結論 = 52
• 圖板 = 54
• 參考文獻 = 78
• 英文抄錄 = 81