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    中國 拙政園의 空間特性과 風格에 關한 硏究 = A Study on the Space Characteristics and Landscape Style of Zhuo Zheng Yuan in China

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    https://www.riss.kr/link?id=T12187841

    • 저자
    • 발행사항

      완주 : 우석대학교 대학원, 2010

    • 학위논문사항

      학위논문(석사) -- 우석대학교 대학원 , 조경학과 , 2010. 8

    • 발행연도

      2010

    • 작성언어

      한국어

    • 발행국(도시)

      전북특별자치도

    • 형태사항

      13, 113 p. ; 26cm

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    A Study on the Space Characteristics and Landscape Style of Zhuo Zheng Yuan in China

    Zhang, Zhi Feng

    Dept. of Landscape Architecture
    Graduate School of Woosuk University

    ABSTRACT

    The Chinese traditional garden as an important part of the Oriental landscape has become the most popular topics of many researchers. So it is very necessary and important for creative landscape design and planning to perform a research about Chinese traditional Garden. The Zhuo Zheng yuan(拙政園) is a representative model of the traditional garden in southern China.
    The purpose of this study is to inherit the landscape technique of traditional garden and to identify the principles of modem landscape design.
    Therefore, comparisons of Zhuo Zheng yuan in different era and distinctions between them and other traditional gardens was performed. And then the architectural style and characteristics from its architecture style, composition of space, essential factors and skills of landscape architecture was summarized.
    The results are as follows.
    1. House and garden of Zhuo Zheng Yuan are separated from each other, which makes them both integrated and independent.
    2. Zhuo Zheng yuan has a bidirectional layout for the inside and outside.
    3. Zhuo Zheng yuan has a natural landscape structure.
    4. The whole garden and courtyard are both inter-penetrated in details and displayed a picture of variety in unity.
    5. The inner part of the garden uses a combination of static, middle and dynamic landscape effects.
    6. Zhuo Zheng yuan flexibly use techniques of various kinds of borrowed scenery.
    7. It highlights the water landscape through our seeing, listening, smelling, taste and touch.
    8. It shows profound landscape style in intrepidness.
    9. It seems to be made by God, but actually it is designed by person.
    10. Zhuo Zheng Yuan creates a moving landscape by using outer landscapes.

    It is necessary to take actions that suit local circumstances and obtains material from local sources in modern times. Break up the whole into parts and makes unification of the whole and make a distinction between the essential and the lesser one in order to have the big picture by a small view. It considers of all the main parts and stands out its key points. Highlights the theme and creates feature. It rationally regulates the complexity and similarity of the inner parts.
    번역하기

    A Study on the Space Characteristics and Landscape Style of Zhuo Zheng Yuan in China Zhang, Zhi Feng Dept. of Landscape Architecture Graduate School of Woosuk University ABSTRACT The Chinese traditional garden as an important part of the Orienta...

    A Study on the Space Characteristics and Landscape Style of Zhuo Zheng Yuan in China

    Zhang, Zhi Feng

    Dept. of Landscape Architecture
    Graduate School of Woosuk University

    ABSTRACT

    The Chinese traditional garden as an important part of the Oriental landscape has become the most popular topics of many researchers. So it is very necessary and important for creative landscape design and planning to perform a research about Chinese traditional Garden. The Zhuo Zheng yuan(拙政園) is a representative model of the traditional garden in southern China.
    The purpose of this study is to inherit the landscape technique of traditional garden and to identify the principles of modem landscape design.
    Therefore, comparisons of Zhuo Zheng yuan in different era and distinctions between them and other traditional gardens was performed. And then the architectural style and characteristics from its architecture style, composition of space, essential factors and skills of landscape architecture was summarized.
    The results are as follows.
    1. House and garden of Zhuo Zheng Yuan are separated from each other, which makes them both integrated and independent.
    2. Zhuo Zheng yuan has a bidirectional layout for the inside and outside.
    3. Zhuo Zheng yuan has a natural landscape structure.
    4. The whole garden and courtyard are both inter-penetrated in details and displayed a picture of variety in unity.
    5. The inner part of the garden uses a combination of static, middle and dynamic landscape effects.
    6. Zhuo Zheng yuan flexibly use techniques of various kinds of borrowed scenery.
    7. It highlights the water landscape through our seeing, listening, smelling, taste and touch.
    8. It shows profound landscape style in intrepidness.
    9. It seems to be made by God, but actually it is designed by person.
    10. Zhuo Zheng Yuan creates a moving landscape by using outer landscapes.

    It is necessary to take actions that suit local circumstances and obtains material from local sources in modern times. Break up the whole into parts and makes unification of the whole and make a distinction between the essential and the lesser one in order to have the big picture by a small view. It considers of all the main parts and stands out its key points. Highlights the theme and creates feature. It rationally regulates the complexity and similarity of the inner parts.

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    목차 (Table of Contents)

    • 목 차
    • ABSTRACT
    • Ⅰ 서론 ···········································································································1
    • 목 차
    • ABSTRACT
    • Ⅰ 서론 ···········································································································1
    • Ⅱ 연구사 ·······································································································3
    • 1. 문헌내용································································································3
    • 2. 소결········································································································5
    • Ⅲ 내용 및 연구방법 ···················································································7
    • 1. 연구범위 및 조사내용 ······································································7
    • 2. 소주 고전원림 개요 ··········································································7
    • 3. 조사방법 ····························································································10
    • Ⅳ 중국의 원림문화와 졸정원의 조영성·················································11
    • 1. 중국의 원림문화················································································11
    • 2. 졸정원의 연역····················································································16
    • 3. 졸정원의 조영성················································································20
    • Ⅴ 졸정원 시대적인 변천사·······································································27
    • 1. 원림 조성 이전··················································································27
    • 2. 명나라··································································································27
    • 3. 청나라..................................................................................................36
    • 4. 민국 시기............................................................................................39
    • Ⅵ 원림구성 및 특성...................................................................................41
    • 1. 원림 품격 ..........................................................................................41
    • 2. 주택과 원림의 관계 ........................................................................46
    • 3. 배치 특성 ..........................................................................................48
    • 4. 공간구성..............................................................................................53
    • Ⅶ 원림 요소의 특성...................................................................................60
    • 1. 건물......................................................................................................60
    • 2. 수경......................................................................................................65
    • 3. 가산석 ................................................................................................72
    • 4. 식물......................................................................................................78
    • 5. 기타 ....................................................................................................83
    • 6. 경관의 분석........................................................................................89
    • Ⅷ 상징성.......................................................................................................92
    • 1. 미학 사상에 반영 ............................................................................92
    • 2. 전체적인 의경....................................................................................93
    • 3. 시문의경 ............................................................................................98
    • 4. 화목의경............................................................................................100
    • Ⅸ 요약 및 결론.........................................................................................103
    • 1. 졸정원의 품격과 공간특성............................................................103
    • 2. 연구결론과 그 응용
    • ―졸정원과 현대 공원의 경관설계.....................................108
    • 〈 참고문헌 〉...........................................................................................111
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