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      대중문화 시대의 공연예술 환경의 변화에 관한 연구 = A Study of Change in Performing Arts Environment an Age of Popular Culture

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      https://www.riss.kr/link?id=A87900961

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      For all ages, art activities have pursued the ideal of creating a new generation and the realization of the ideal. The subjects of art activities are human beings, and art activities affect and are affected by the value, culture, politics, economy, etc. of human society. In this sense, society and art coexist, exchanging values and influences with each other. In order to create new values meeting social demands and to maximize the role of arts in contemporary society, we need to understand various cultures in these days and to discuss the roles of arts in particular dance in such demands The present study purposed to understand today`s cultural phenomena and trends of popular art consumption through literature review, to diagnose the current state of dance at, and to survey culture consumers` perception of dance and the potential of dance for consumption in the aspect of cultural industry The results of this study are as follows 1. In future popular culture, there will emerge the environment of cultural consumption in which each consumer is the subject of culture and production and consumption take place simultaneously. In addition, with the provision of various types of information and the development of the cultural industry, active strategies are being executed for producing a larger quantity of cultural consumption items, offering various information services and benefits to consumers, and promoting their consumption 2. Consumers have new cultural demands and want to get more pleasure and something else. Thus, we need to create events that combine cultural goods with entertainment, to cooperate with various culture and art organizations, to harmonize high class culture with popular culture and to develop new distribution systems for delivering culture to consumers, and through all these, to provide high quality cultural services to consumers 3. In the cultural industry, performance arts play the functions of artistic enjoyment, emotional cultivation education and the development of stage related technologies 4. Dance as a cultural industry plays functions as performance works, tourist goods, and preventive and therapeutic programs According to the results of this study, evaluation should consider not only economic aspects but also various aspects influencing the community. In addition rather than temporary consumptive support policies and administration continuous support should be provided for a long time until 1 the artistic value is recognized and sealed. In addition we need to attempt cooperation and strategic integration for attracting universities, corporations, life long education institutions, dance education institutions, companies and specialists in the cultural industry, dance related art organizations, administrative agencies, sponsor enterprises, etc. into the cultural industry. Furthermore, in order to satisfy consumers` demands in the world cultural consumption market, there should be preparations and researches for globalizing consumption through standardizing sizes and functions, localizing language, promoting various activities for cultural consensus, and establishing relations and agreements with relevant local institutions and organizations.
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      For all ages, art activities have pursued the ideal of creating a new generation and the realization of the ideal. The subjects of art activities are human beings, and art activities affect and are affected by the value, culture, politics, economy, et...

      For all ages, art activities have pursued the ideal of creating a new generation and the realization of the ideal. The subjects of art activities are human beings, and art activities affect and are affected by the value, culture, politics, economy, etc. of human society. In this sense, society and art coexist, exchanging values and influences with each other. In order to create new values meeting social demands and to maximize the role of arts in contemporary society, we need to understand various cultures in these days and to discuss the roles of arts in particular dance in such demands The present study purposed to understand today`s cultural phenomena and trends of popular art consumption through literature review, to diagnose the current state of dance at, and to survey culture consumers` perception of dance and the potential of dance for consumption in the aspect of cultural industry The results of this study are as follows 1. In future popular culture, there will emerge the environment of cultural consumption in which each consumer is the subject of culture and production and consumption take place simultaneously. In addition, with the provision of various types of information and the development of the cultural industry, active strategies are being executed for producing a larger quantity of cultural consumption items, offering various information services and benefits to consumers, and promoting their consumption 2. Consumers have new cultural demands and want to get more pleasure and something else. Thus, we need to create events that combine cultural goods with entertainment, to cooperate with various culture and art organizations, to harmonize high class culture with popular culture and to develop new distribution systems for delivering culture to consumers, and through all these, to provide high quality cultural services to consumers 3. In the cultural industry, performance arts play the functions of artistic enjoyment, emotional cultivation education and the development of stage related technologies 4. Dance as a cultural industry plays functions as performance works, tourist goods, and preventive and therapeutic programs According to the results of this study, evaluation should consider not only economic aspects but also various aspects influencing the community. In addition rather than temporary consumptive support policies and administration continuous support should be provided for a long time until 1 the artistic value is recognized and sealed. In addition we need to attempt cooperation and strategic integration for attracting universities, corporations, life long education institutions, dance education institutions, companies and specialists in the cultural industry, dance related art organizations, administrative agencies, sponsor enterprises, etc. into the cultural industry. Furthermore, in order to satisfy consumers` demands in the world cultural consumption market, there should be preparations and researches for globalizing consumption through standardizing sizes and functions, localizing language, promoting various activities for cultural consensus, and establishing relations and agreements with relevant local institutions and organizations.

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      참고문헌 (Reference)

      1 윤지현 著, "한국비보잉의 세계지역화 비보이를 사랑한 발레리나를 중심으로" (48) : 169-190, 2006.9

      2 조복행 著, "한국공연예술 메니지먼트에 관한연구연세대학교 행정대학원 언론홍보학과 석사논문" 1992

      3 김경희 著, "한국 대학 무용 교육에 관한 무용 전공 학생들의 인식조사" 1-12, 1994

      4 김민주 외 共著, "컬덕 시대의 문화 마케팅" 서울문화재단 미래의창 2007

      5 문치빈 著, "지방 무용공연 활성화를 위한 제품화 전략에 관한연구 Nanta의 사례분석을 중심으로" (48) : 37-58, 2006.9

      6 크레이그 드리존 외著, "예술경영 어떻게 할 것인가" 민음사 1997

      7 이인성 著, "연극의 이론" 1989

      8 "여가와 인간행동" 하헌국 譯 백산출판사 1993

      9 홍승찬 著, "사례로 풀어보는 공연예술의 마케팅전략" 1998

      10 안종배 著, "블루오션마케팅100" 미래의 창 2006

      1 윤지현 著, "한국비보잉의 세계지역화 비보이를 사랑한 발레리나를 중심으로" (48) : 169-190, 2006.9

      2 조복행 著, "한국공연예술 메니지먼트에 관한연구연세대학교 행정대학원 언론홍보학과 석사논문" 1992

      3 김경희 著, "한국 대학 무용 교육에 관한 무용 전공 학생들의 인식조사" 1-12, 1994

      4 김민주 외 共著, "컬덕 시대의 문화 마케팅" 서울문화재단 미래의창 2007

      5 문치빈 著, "지방 무용공연 활성화를 위한 제품화 전략에 관한연구 Nanta의 사례분석을 중심으로" (48) : 37-58, 2006.9

      6 크레이그 드리존 외著, "예술경영 어떻게 할 것인가" 민음사 1997

      7 이인성 著, "연극의 이론" 1989

      8 "여가와 인간행동" 하헌국 譯 백산출판사 1993

      9 홍승찬 著, "사례로 풀어보는 공연예술의 마케팅전략" 1998

      10 안종배 著, "블루오션마케팅100" 미래의 창 2006

      11 구본인 譯 파란나라, "문화와 커뮤니케이션" 1994

      12 박신의 외 共著, "문화예술경영 이론과 실제" (주)생각의 나무 2002

      13 구운모, "문화산업의 발전방안" 을류문화사 2000

      14 송미숙 著, "무용공연관람을 위한 소비자 구매행동분석" (46) : 85-106, 2006.3

      15 조선하 著, "무용공연 문화산업활성화를 위한 관람환경 및 인식도 분석" (46) : 227-240, 2006.3

      16 김창남 著, "대중문화의 이해" 한울아카데미 2006

      17 이유재 외 共著, "공연예술시장의 소비자행동연구에 대한고찰" 서울대학교경영대학 경영연구소 33 (33): 1999.8

      18 김명회 著, "공연예술로서의 무용의 대중화 한국무용을 중심으로" 서원대학교 예술문화연구소 7 : 1998

      19 김지수 著, "공연예술 관객개발을 위한 마아케팅연구" 1995

      20 이종려 著, "공연시설 서비스환경이 가격수용과 서비스품질지각에 미치는 영향" (47) : 221-234, 2006.6

      21 배성한 著, "감성마케팅을 통한 전통무용공연의 활성화 방안" (47) : 93-112, 2006.6

      22 "The Stage in Action" 1993

      23 Bonita M Kolb著, "Marketing Cultural Organisations (문화예술기관의 마케팅)" 김영사 2005

      24 안병선 著, "21C 황금시장 문화산업" 매일경제신문사 2000

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가 재인증평가 신청대상 (재인증)
      2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
      2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.75 0.75 0.71
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.75 0.71 0.723 0.25
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