1 이내선, "음악분석이론의 유영성에 관한 논의" 세계음악학회 (14) : 107-129, 2006
2 안소영, "네오리이만 변형이론의 역사적 배경 및 기본개념" 한국서양음악학회 (7) : 227-265, 2004
3 "네오리만 변형이론을 통해 살펴본 반음계적 화성진행에 내재되어있는 암시화음과 성부진행(1)" 9 (9): 217-251, 2006
4 "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Repre- sentation" 41 (41): 1-66, 1997
5 "Maximally Smooth Cycles, Hexatonic Systems and the Analysis of Late- Romantic Triadic Progressions" 15 (15): 9-40, 1996
6 Cohn, Richard, "Introduction to Neo-Riemannian Theory: A Survey and Historical Perspec- tive" 42 (42): 167-80, 1998
7 Aldwell, Edward, "Harmony and Voice Leading. 3rd ed." San Diego, CA/New York, NY: Wadsworth(Tkhomson-Schirmer) 2003
8 Harrison, Daniel, "Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of its Precedents" Chicago: University of Chicago Press 1994
9 Schenker, Heinrich, "Free Composition" New York: Longman 1979
10 Katz, Adele, "Challenge to Musical Tradition" New York: Alfred A. Knopf 1945
1 이내선, "음악분석이론의 유영성에 관한 논의" 세계음악학회 (14) : 107-129, 2006
2 안소영, "네오리이만 변형이론의 역사적 배경 및 기본개념" 한국서양음악학회 (7) : 227-265, 2004
3 "네오리만 변형이론을 통해 살펴본 반음계적 화성진행에 내재되어있는 암시화음과 성부진행(1)" 9 (9): 217-251, 2006
4 "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Repre- sentation" 41 (41): 1-66, 1997
5 "Maximally Smooth Cycles, Hexatonic Systems and the Analysis of Late- Romantic Triadic Progressions" 15 (15): 9-40, 1996
6 Cohn, Richard, "Introduction to Neo-Riemannian Theory: A Survey and Historical Perspec- tive" 42 (42): 167-80, 1998
7 Aldwell, Edward, "Harmony and Voice Leading. 3rd ed." San Diego, CA/New York, NY: Wadsworth(Tkhomson-Schirmer) 2003
8 Harrison, Daniel, "Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of its Precedents" Chicago: University of Chicago Press 1994
9 Schenker, Heinrich, "Free Composition" New York: Longman 1979
10 Katz, Adele, "Challenge to Musical Tradition" New York: Alfred A. Knopf 1945
11 Cadwallader, Allen, "Analysis of Tonal Music : A Schenkerian Approach" New York: Oxford University Press 1998