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    셰익스피어와 삶의 비전: 『태풍』을 중심으로 = Shakespeare and the Vision of Life: A Study of The Tempest

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    https://www.riss.kr/link?id=A82537137

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    My purpose in this essay is to examine the vision of life through the good characters in The Tempest. They play an important role in contributing to the theme. Their role is very important to The Tempest in that the vision of life is embodied in them. This play`s protagonist, Prospero, a rightful Duke of Milan, has been deprived of his throne by his jealous brother Antonio, aided by Alonso, the King of Naples. Prospero, a deposed duke, finally regains his lost dukedom from his brother through the events of the play. At the end of the play, Prospero pardons Antonio and his party as well as his own brother`s betrayal. The play ends in a good atmosphere of forgiveness and reconciliation. Even though humanity has been destroyed, Shakespeare emphasizes the vision of life through Prospero, the young generation and Gonzalo, an honest old councillor. Even if The Tempest was written during the Elizabethan age, its characters are still valid in modern times. (Daeshin University)
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    My purpose in this essay is to examine the vision of life through the good characters in The Tempest. They play an important role in contributing to the theme. Their role is very important to The Tempest in that the vision of life is embodied in them....

    My purpose in this essay is to examine the vision of life through the good characters in The Tempest. They play an important role in contributing to the theme. Their role is very important to The Tempest in that the vision of life is embodied in them. This play`s protagonist, Prospero, a rightful Duke of Milan, has been deprived of his throne by his jealous brother Antonio, aided by Alonso, the King of Naples. Prospero, a deposed duke, finally regains his lost dukedom from his brother through the events of the play. At the end of the play, Prospero pardons Antonio and his party as well as his own brother`s betrayal. The play ends in a good atmosphere of forgiveness and reconciliation. Even though humanity has been destroyed, Shakespeare emphasizes the vision of life through Prospero, the young generation and Gonzalo, an honest old councillor. Even if The Tempest was written during the Elizabethan age, its characters are still valid in modern times. (Daeshin University)

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    참고문헌 (Reference)

    1 셰익스피어, 윌리엄, "태풍" 형설출판사 1996

    2 권의무, "셰익스피어의 시간 세계" 태일출판사 1998

    3 Paris, Bernard J., "The Tempest: Shakespeare’s Ideal Solution In Shakespeare’s Personality" University of California Press 206-225, 1989

    4 Moulton,Richard G., "The Moral System of Shakespeare" Macmillan & Co 1903

    5 Lewis,Wyndham, "The Lion and the Fox:The Role of the Hero in the Play of Shakespeare" Barnes & Noble 1927

    6 Knight,G.Wilson, "The Crown of Life" Methuen 1982

    7 Goldstein, David B., "The Cook and the Cannibal: Titus Andronicus and the New World" 37 : 99-133, 2009

    8 Spivack,Charlotte, "The Comedy of Evil on Shakespeare’s Stage" Associated University Press 1978

    9 Stauffer,Donard A., "Shakespeare’s World of Images:The Development of His Moral Ideas" W. W. Norton & Company 1949

    10 Colie,Rosalie L., "Shakespeare’s Living Art" Princeton University Press 1974

    1 셰익스피어, 윌리엄, "태풍" 형설출판사 1996

    2 권의무, "셰익스피어의 시간 세계" 태일출판사 1998

    3 Paris, Bernard J., "The Tempest: Shakespeare’s Ideal Solution In Shakespeare’s Personality" University of California Press 206-225, 1989

    4 Moulton,Richard G., "The Moral System of Shakespeare" Macmillan & Co 1903

    5 Lewis,Wyndham, "The Lion and the Fox:The Role of the Hero in the Play of Shakespeare" Barnes & Noble 1927

    6 Knight,G.Wilson, "The Crown of Life" Methuen 1982

    7 Goldstein, David B., "The Cook and the Cannibal: Titus Andronicus and the New World" 37 : 99-133, 2009

    8 Spivack,Charlotte, "The Comedy of Evil on Shakespeare’s Stage" Associated University Press 1978

    9 Stauffer,Donard A., "Shakespeare’s World of Images:The Development of His Moral Ideas" W. W. Norton & Company 1949

    10 Colie,Rosalie L., "Shakespeare’s Living Art" Princeton University Press 1974

    11 Yates,Frances A., "Shakespeare’s Last Plays:A New Approach" Routledge & Kegan Paul 1975

    12 Tillyard,E.M.W., "Shakespeare’s Last Plays" Chatto and Windus 1958

    13 Spencer,Theodore, "Shakespeare and The Nature of Man" At the University Press 1943

    14 Kott,Jan, "Shakespeare Our Contemporary" W. W. Norton & Company 1974

    15 Murry,John Middleton, "Shakespeare" Jonathan Cape 1936

    16 Laan,Thomas Van, "Role-playing in Shakespeare" U of Toronto Press 1978

    17 Neill, Michael, "Noises,/ Sound, and sweet airs”: The Burden of Shakespeare’s Tempest" 59 : 36-59, 2008

    18 Shakespeare, William, "Introduction in The Pelican Shakespeare: The Tempest" Penguin Books Inc. 14-24, 1969

    19 Shakespeare, William, "Introduction in The Bantam Shakespeare: The Tempest" Bantam Books 1980

    20 Shakespeare, William, "Introduction in Signet Classic Shakespeare: The Tempest" Penguin Books Ltd 1987

    21 Bosman, Anston, "Cape of Storms: The Baxter Theatre Centre ― RSC Tempest, 2009" 61 : 108-117, 2009

    22 Schneider, Jr., Ben Ross, "Are We Being Historical Yet?”: Colonialist Interpretations of Shakespeare’s Tempest" 23 : 120-145, 1995

    23 Traversi,Derek, "An Approach to Shakespeare 2:Troilus and Cressida to The Tempest" Hollis & Carter 1968

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
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    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.25 0.25 0.27
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.27 0.26 0.598 0.13
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