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    영남지역 춤의 전통과 춤선구자 연구 -마산을 중심으로- = Tradition of dance and Dance pioneers in Yeongnam area -Focused on Masan area-

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    https://www.riss.kr/link?id=A104028848

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    부가정보

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Masan which is located in Gyeongnam area was a cultural wasteland for the dance before 1945. But After that time there were full of people who were evacuated to Masan because of The Korean War. Ironically, The Korean War played a key role in invigorating dance of Masan area. Because Lee Du-hyeon, Jo Dong-hua, Kim Nam-jo and other people were evacuated to Masan, and there, they were leading to invigorate the regional culture. That time, Kim Hae-rang, Park Oe-sun, Choi Hyeon, Lee Pil-i met Lee Du-hyeon, Jo Dong-hua, Kim Nam-jo and they could become great dancers under the influence of these people.
    Kim Hae-rang is a pioneer of the dance in Yeongnam area. He is a person of Masan area birth and studied dances in Japan. When he was in Japan, mastered the technique of dance from Ishii Baku and Takada Seiko. In 1939, he returned to Korea from Japan and set up a dance research institute. After 1950, he settled down in Masan area and trained disciples. And there, he created special dance based on traditional dances which were remained in Yeongnam area. This dance was characterized by masculine and subtle display of dance.
    Park Oe-sun of Masan area is a dancer who played an intermediary role in establishing department of Dance in Ewha women's university. Her first teacher was Choi Seung-hee and then studied dances under Takada Seiko in Japan. After she returned Korea, trained disciples as a professor. She was a dancer who have made great achievements through create, educate and study.
    Choi Hyeon is a dancer who called as the last romanticist. He was the student of Kim Hae-rang and studied folk dance and creative dance under him. He also had a experience as an actor. After he came up to seoul, studied variety traditional dances. This experience was a great nourishment of his creative work after that time. When he was a leader of the National Dance Company, choreographed lots of pieces. There's something of a classical scholar in the way he looks. And he was a man of style, knowing how to appreciate the romance as a one of the most popular dancer of his generation.
    Lee Pil-i who is a native of Masan area have been devoted his whole life to develop of the dance in Masan area. She studied dances under Lee Mi-ra who was a student of Choi Seung-hee. After she came up to Seoul, stud ied dances under Kim Cheon-heung. Then she went down Masan, stud ied dances under Kim Hae-rang. Afterward she have managed a dance research institute and tried to develope local dance.
    번역하기

    Masan which is located in Gyeongnam area was a cultural wasteland for the dance before 1945. But After that time there were full of people who were evacuated to Masan because of The Korean War. Ironically, The Korean War played a key role in invigorat...

    Masan which is located in Gyeongnam area was a cultural wasteland for the dance before 1945. But After that time there were full of people who were evacuated to Masan because of The Korean War. Ironically, The Korean War played a key role in invigorating dance of Masan area. Because Lee Du-hyeon, Jo Dong-hua, Kim Nam-jo and other people were evacuated to Masan, and there, they were leading to invigorate the regional culture. That time, Kim Hae-rang, Park Oe-sun, Choi Hyeon, Lee Pil-i met Lee Du-hyeon, Jo Dong-hua, Kim Nam-jo and they could become great dancers under the influence of these people.
    Kim Hae-rang is a pioneer of the dance in Yeongnam area. He is a person of Masan area birth and studied dances in Japan. When he was in Japan, mastered the technique of dance from Ishii Baku and Takada Seiko. In 1939, he returned to Korea from Japan and set up a dance research institute. After 1950, he settled down in Masan area and trained disciples. And there, he created special dance based on traditional dances which were remained in Yeongnam area. This dance was characterized by masculine and subtle display of dance.
    Park Oe-sun of Masan area is a dancer who played an intermediary role in establishing department of Dance in Ewha women's university. Her first teacher was Choi Seung-hee and then studied dances under Takada Seiko in Japan. After she returned Korea, trained disciples as a professor. She was a dancer who have made great achievements through create, educate and study.
    Choi Hyeon is a dancer who called as the last romanticist. He was the student of Kim Hae-rang and studied folk dance and creative dance under him. He also had a experience as an actor. After he came up to seoul, studied variety traditional dances. This experience was a great nourishment of his creative work after that time. When he was a leader of the National Dance Company, choreographed lots of pieces. There's something of a classical scholar in the way he looks. And he was a man of style, knowing how to appreciate the romance as a one of the most popular dancer of his generation.
    Lee Pil-i who is a native of Masan area have been devoted his whole life to develop of the dance in Masan area. She studied dances under Lee Mi-ra who was a student of Choi Seung-hee. After she came up to Seoul, stud ied dances under Kim Cheon-heung. Then she went down Masan, stud ied dances under Kim Hae-rang. Afterward she have managed a dance research institute and tried to develope local dance.

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    참고문헌 (Reference)

    1 김영태, "현대무용에공헌한팔순의박외선" (여름) : 2005

    2 박외선, "항상시를쓰는마음으로산다" (6월) : 1997

    3 성기숙, "한국춤의역사와문화재" 민속원 2005

    4 정병호, "한국의전통춤" 집문당 1999

    5 구희서, "한국의명무"

    6 송수남, "한국근대춤인물사1" 현대미학사 1999

    7 성기숙, "한국근대무용가연구" 민속원 2005

    8 성기숙, "춤의선구자조택원" 댄스포럼 2006

    9 "최현춤전 프로그램(1992~2001)"

    10 윤명화, "최현의 생애와 예술세계" 崔賢우리춤院 2010

    1 김영태, "현대무용에공헌한팔순의박외선" (여름) : 2005

    2 박외선, "항상시를쓰는마음으로산다" (6월) : 1997

    3 성기숙, "한국춤의역사와문화재" 민속원 2005

    4 정병호, "한국의전통춤" 집문당 1999

    5 구희서, "한국의명무"

    6 송수남, "한국근대춤인물사1" 현대미학사 1999

    7 성기숙, "한국근대무용가연구" 민속원 2005

    8 성기숙, "춤의선구자조택원" 댄스포럼 2006

    9 "최현춤전 프로그램(1992~2001)"

    10 윤명화, "최현의 생애와 예술세계" 崔賢우리춤院 2010

    11 김 명 숙, "최현(催賢)의 작품특성 연구 - 비상(飛翔), 허행초(虛行抄)를 중심으로 -" 한국무용예술학회 10 (10): 45-64, 2002

    12 박외선, "주간여성 인터뷰"

    13 성 기 숙, "일본 근대무용의 선구자, 이시이 바쿠(石井漠) 연구" 한국무용예술학회 11 (11): 41-71, 2003

    14 정연규, "일란이필이의삶과무용" (2) : 2009

    15 "이화여대대학교 요람"

    16 장순향, "이필이의名作舞舞譜" 도서출판불휘 1995

    17 강이문, "우리춤의전통과창조성" 현대미학사 2002

    18 성기숙, "영남현대춤의 선구자 金相圭" (8월) : 2004

    19 김영태, "아무것도아니지만우리는있다" 눈빛 2002

    20 국립극장, "소리외몸짓-국립극장唱·舞譜의세계"

    21 "서울시립무용단 제12회 정기공연 자료집"

    22 "박외선 현대무용공연 프로그램"

    23 이육사, "무희의봄을찾아서-朴外仙孃訪問記" (창간) : 1937

    24 "무용예술제전 프로그램"

    25 조택원, "나의이력서-巨匠의舞臺"

    26 마종기, "나의아버지마해송" 정우사 2005

    27 박외선, "나의무용회고" (9월) : 1977

    28 "김해랑선생 추모공연 프로그램"

    29 한정호, "김해랑 현양과 마산 무용예술의 전망" 마산국제춤축제조직위원회 2010

    30 "국립무용단 제19회 정기공연 프로그램"

    31 장순향, "경남지역의 마산 무용발달사" 한국스포츠리서치 16 (16): 21-32, 2005

    32 조택원, "가사호접" 서문당 1973

    33 김을한, "朴外仙과馬海松이야기-東京留學生에서" (1월) : 1990

    34 성기숙, "文과藝, 敎와의통섭-박외선론" (4월) : 2007

    35 "[무용가를 생각하는 밤(6)-박외선편](연낙재, 2007년 3월 9일)"

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2014-10-22 학회명변경 영문명 : 미등록 -> The Korean Society for Dance Studies KCI등재
    2011-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2010-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2009-01-01 등재 등재후보 1차 FAIL (등재후보2차) KCI등재후보
    2008-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보학술지 유지 (등재후보2차) KCI등재후보
    2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.51 0.51 0.53
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.51 0.52 0.698 0.29
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