조선시대 성주지역 책판과 출판문화의 특징

손계영 한국서지학회 2024 서지학연구 Vol.99 No.-

The Seong․ju region had little publishing activity, with only nine types of books being identified in the catalog of wooden printing blocks before the 16th century. However, book publishing increased during the 17th to 19th centuries. Through 15 types of catalogs of wooden printing blocks created during the Joseon Dynasty, it was confirmed that there were more than 80 types of books published in the Seong․ju area. The locations of the wooden printing blocks published in the Seong․ju in the 18th century were confirmed to be Muheul Jeongsa, Hoeyeon Seowon, Ssanggye Temple, Anbong-Yeongdang, Cheongcheon Seowon, and Yugye Seowon. In the 16th century, in the Seong․ju region, book publication took place under the leadership of Hwang Jun-ryang, the governor of Seong․ju, and Jeong Gu, the director of Cheongok Seowon. In addition, Jeong Gu’s writings were actively published in the Seong․ju region. The most important factors in publishing are securing the technology, manpower, and materials directly required for publishing. The Seong․ju region has these geographical elements and was utilizing the human resources and technological capabilities of Haein Temple in Mt. Gaya. Haein Temple has had professional manpower and technical skills to handle the publication of anthologies and genealogies since ancient times, and has also had the technology to make paper since long ago. In addition, Mt. Sudo, where Jeong Gu’s school, Muheul Jeongsa, was located, was a high peak with deep valleys and dense trees, making it an ideal location for securing the woodblock needed for publishing woodblock prints. In 1815, when publishing the Gyeongju Choi clan’s anthology, monk engravers and bookbinders from Haein Temple were mobilized, and the woodblock carving and printing were carried out at Haein Temple. This can also be confirmed by the fact that the woodblocks and wooden-handles used in making the woodblock prints were procured from Mt. Sudo.

목판 교환 방법을 활용한 다색 협힐 제작기법에 관한 연구

이정은,스가노 켄이치 복식문화학회 2020 복식문화연구 Vol.28 No.5

The aim of this study is to define the new expressive techniques for multicolored clamp resist (hyuphill) dyeing, based on empirical verification on relics that are estimated to be dyed by the exchange of more than two wood blocks: a previously undiscovered technique. Clamp resist dyeing (assumed to be made by exchanging wood blocks) have uneven resist printing lines or cloudy gradation. These are reproduced as follows: first, they have uneven contour lines, particularly with the color blue. It is possible to exchange wood blocks separately on patterns with uneven resist printing lines, and it has been verified that the exchange of wood blocks makes these irregular resist printing lines. It has also been verified that exchanging the wood blocks according to the gradation (to emphasize the cubic effect on the patterns) yields clamp resist dyeing with no resist printing lines but with cloudy gradations that have accented borders. This study provides basic information that enables methods of multicolored clamp resist dyeing through wood block exchange to be deduced (something that has not been attempted for a long time). Thus, the revival of the modern Korean dyeing culture based on the conservation and perseverance of the traditional dyeing techniques can be achieved.

경남 의령지역의 문집 간행양상

송정숙,김시내 한국도서관·정보학회 2019 한국도서관정보학회지 Vol.50 No.4

The aim of this thesis is to explore some aspects and characteristics of 109 volumes of collections of works at Uiryeong area in Gyeongsangnam-do Province. The author analyzed type of printing, type of collections of works, their birth year and the family name of the author, the place and the year, and the publisher of the publication of these different 109 kinds of the collections of works. The results are as follows: The collections of works demonstrate their forefathers’ academic competencies. The types of printings were divided into 4 types, wood block printing, wooden movable-type printing, new lead-type printing, lithography printing. Of the collections of works 48% were wooden movable-type printing. The types of collections of works were divided into 3 types, Munjip(文集), Yujip(遺集), and Silgi(實記). Of the collections of works 49% were Munjip. The authors were local intellectuals. Of these authors 67% of authors were born in the 19th century. Twenty nine lineage groups published collections of works at Uiryeong area. 90% of the publications were published in the 20th century. In terms of place, 81% of the collections of works were published in the worshipping halls for their ancestors. 63% of the collections of works were published within 50 years after the author had died. 이 연구는 경상남도 의령지역에서 간행된 109종의 문집을 대상으로 문집 간행의 구체적인 양상과 출판문화적 의미를 파악하고자 문집의 판종, 유형, 저자사항, 간행사항을 분석하였다. 연구의 결과 다음과 같은 사실이 밝혀졌다. 경남 의령지역 간행 문집 109종의 판종, 유형, 저자사항, 간행사항을 분석한 결과는 다음과 같다. 1) 판종은 목활자본(52종, 47.7%), 석판본(25종, 22.9%), 신연활자본(18종, 16.5%), 목판본(14종, 12.8%)의 순이다. 2) 유형은 문집(53종, 48.6%), 유집(47종, 43.1%), 실기(9종, 8.3%)의 순이다. 3) 문집 저자의 출생연도는 1318년부터 1902년까지 584년의 간극이 있다. 1318년생은 <경은실기>의 저자인 전조생이고, 1902년생은 <회동유고>의 저자인 전용기(1902-1978)이다. 전체 저자 104명 가운데 19세기 전기 출생자가 16명(15.4%), 19세기 후기 출생자가 54명(51.9%)로서 19세기에는 전체의 67.3%에 해당하는 70명이 출생하였다. 4) 109종 문집 저자의 성관은 모두 29개로서 담양전씨(15종) > 고성이씨(12종) > 진양강씨·탐잔안씨(각9종)의 순이다. 5) 의령에서 문집의 간행년도를 보면, 1610년대부터 1980년대까지 370년간 간행되었고, 1820년대까지는 문집이 목판으로만 간행되었고, 1850년대에 목활자본 문집이 처음 나타나며, 1930년대에 석판본, 신연활자본 문집이 나타난다. 6) 저자 사후 문집간행에 소요되는 기간을 살펴보면. 저자가 별세하는 당해년부터 사후 545년까지 간행되었고, 저자 사후 50년 이내에 63%인 69종이 간행되었다. 7) 문집의 간행소는 판종에 구분없이 조상의 제향공간인 누정과 재실에서 가장 많이 간행되었다. 이는 문집간행이 선조의 학문과 행적을 선양하고자 하는 혈연공동체의 사업이었음을 말해준다.

정창원 소장 혼탈 반비(渾脱半臂)의 형태와 협힐염색 기법에 관한 연구

이정은(Jungeun Lee) 한국복식학회 2020 服飾(복식) Vol.70 No.5

This research aims to recreate the Hontal Banbi from the Banbi Collection in Shosoin, Japan. It also seeks to meticulously record the process of reproduction of the morphologic structure of the Banbi and multi-colored clamp resist dyeing, which had been difficult to understand when examining national documents. Through researching the ancient Banbi and clamp resist dyeing, this study aims to gain comprehensive basic information on ancient clothes and their manufacturing process. The Banbi is Woo’im-shaped and the Gil is extended and unattached to the sleeve. It has no back or shoulder seam and all Gils, Geotseps, Anseops, and the collar are made of the same fabric. The lining has a back seam and has a Geotseop and Anseop; the top lining is multi-layered and the Ran is single layered. The Ran and Goreum of the Banbi are made of La fabric made with clamp resist dyeing and are dyed with four colors: orange, red, and blue-green on a crimson background. The Banbi is presumed to be assembled as follows - the Short Goreum, attached to the Anseop, comes out through the hole next to the side line of the front Gil and the Long Goreum, attached to the Geotseop, goes around the body in the direction of the Woo’im, and then is tied with the short Goreum. Rubi tinctorum roots, Miscanthus tinctorius, indigo, and Lithospermum erythrorhizon have been used in the recreation process of the clamp resist dye and the top Banbi. A symmetric wooden printing block was used in clamp resist dyeing, which yielded a similar result to the relic, proving that multi-colored clamp resist dyeing is possible with one pair of wooden printing blocks.

조선후기 책판의 간행공간에 관한 연구 - 한국국학진흥원 소장 책판을 중심으로 -

손계영 한국서지학회 2011 서지학연구 Vol.49 No.-

Though not found in the printed book, the vivid informations at the time of publish can be found in the wooden printing blocks thereof. From the places of publish, the people therein and lives thereof also can be detected. This paper tried to examine the publishing places of wooden printing block in the Late Joseon and the people therein. Based on the publish records carved or written on the wooden printing blocks possessed by Korean Studies Advancement Center, this paper classified the official publishing places of wooden printing block into local government office, Confucianist auditorium, village school and private family house, and checked out whether the official publishing places and real publishing places were same or not. Through the publish cases of 18th and 19th Century confirmed by above check, the figure and conditions of publishing places could be examined. The publishing of wooden printing blocks were done in the places where the geographical position and other conditions were very good to procure the personal and material resources. The working and residential space for manpower were also essential for the publishing. In addition, the distances to the main agent of publishing was close enough for smooth communication. Otherwise, they had some system that could close the distance by the efficient operation and practical communication between members.

책판의 주석에 관한 연구 - 한국국학진흥원 소장 책판을 중심으로 -

김기화 한국서지학회 2011 서지학연구 Vol.50 No.-

This study examined distinctive features of the relation between the text and the meaning of notes contained in the wooden printing blocks held by Korean Studies Advancement Center. The result shows that in some cases, the explanatory notes included in the wooden printing blocks gave an explanation of the contracted phrase in the text and in other cases, the headnotes were used to examine the appropriate usage of some characters or texts in question. In these wooden printing blocks, such characters which means a king as ‘sang(上)’, ‘seong(聖)’ or ‘wang(王)’ are marked on the upper side by one or two characters above other characters in the text. On the headnotes, the author’s thoughts and philosophy are provided as an explanatory notes with the mark “○”.

『鏤板考』에 수록된 경남지역 서원 藏板 - 서원 未刊板과 불확실판을 대상으로 -

윤상기 한국서지학회 2011 서지학보 Vol.0 No.38

이 글은『鏤板考』에 수록된 경남 지역 서원들에서 소장하고 있던 책판들을 대상으로 서원 간행 여부를 밝히고 그 성격들을 분석하되, 서원에서 간행하지 않은 책판과 서원 간행이 불확실한 책판만을 대상으로 살펴본 것이다. 대상 책판들과 관련된 판본들을 찾아내어 분석하고, 관련 기록들도 이용하여 그 책판들의 간행사항들을 밝히고자 하였다. 그 결과, 『鏤板考』에 수록된 19종의 대상 책판들 중 3종은 서원에서 간행하지 않은 것이고, 11종은 서원 간행이 불확실한 것으로 드러났다. 이들 14종의 책판 중 1종만 史部 傳記類에 속하고 나머지 13종은 모두 集部 別集類에 속하는 것들이다. 그리고 책판에 판각된 작품들의 저자 혹은 피전자는 모두 책판을 간행한 서원의 배향자와 직․간접으로 관련이 있었다. 이들 14종의 책판들은 총 18-20종의 판본의 간행에 이용되었는데, 17c 전기에 2종, 17c 후기에 6-9종, 18c 전기에 2-3종, 18c 후기에 7종이 각각 간행되었다. 그리고 그들 중 3종만 중간에 해당되고, 나머지 15-17종은 모두 초간에 해당된다. This study identified whether the wooden printing blocks were published or not by seowons(서원들) in Gyeongnam(경남) province and analyzed their characters. These seowons which have the wooden printing blocks were listed on the Nupango(『鏤板考』). In this paper, the wooden printing blocks that had not been and might have been published by seowons were analyzed. To identify facts of publication, this study used publications connected with wooden printing blocks and relevant documents. The result is that three of nineteen titles listed on the Nupango are sure not to be published in seowons and eleven titles might have been published. One of these fourteen titles was categorized into biography of the class of History and thirteen were categorized into individual works of the class of Collection of works. All of the author of works and the subject one of biography were inscribed on the wooden printing blocks were directly or indirectly related to the worshiper of related seowons. There fourteen titles of wooden printing blocks have been used in the published eighteen to twenty editions. Two editions of these had been published in the first half of the 17C, six to nine editions in the late 17C, two to three editions in first half of the 18C and seven editions in the late 18C. Three editions of these were the later edition and fifteen to seventeen editions were the first edition.

「鏤板考」에 수록된 경남지역 서원 藏板 - 서원 刊板을 대상으로 -

윤상기 한국서지학회 2011 서지학연구 Vol.50 No.-

이 글은 「鏤板考」에 수록된 경남 지역 서원들에서 소장하고 있던 책판들을 대상으로 서원 간행 여부를 밝히고 그 성격들을 분석하되, 우선 서원 간행이 확실한 책판들만을 대상으로 살펴본 것이다. 대상 책판들과 관련된 판본들을 찾아내어 분석하고, 관련 기록들도 이용하여 그 책판들이 서원에서 간행한 것임을 증명하고자 하였다. 그 결과, 「鏤板考」에 수록된 19종의 대상 책판들 중 南冥先生文集, 彛尊錄, 咸安趙氏十忠實錄, 漁溪先生集 및 龜巖先生集의 5종이 서원에서 간행한 것이 확실한 것으로 드러났다. 이들 5종의 책판 중 3종은 集部 別集類에 속하고 2종은 史部 傳記類에 속하는 것이다. 그리고 책판에 판각된 작품들의 저자 혹은 피전자는 모두 책판을 간행한 서원의 배향자이거나 그 후손들로서 배향자와 직․간접으로 관련이 있었다. 이들 5종의 책판들은 총 9종의 판본의 간행에 이용되었는데, 17C 전기, 18C 전기 및 18C 후기에 각각 3종씩 간행되었다. 그리고 그들 중 5종은 초간에 해당되고, 4종은 중간에 해당된다.

경북지방(慶北地方) 사찰(寺刹) 소장(所藏) 판본(板本) 및 전적(典籍) 고찰(考察)

윤동원 ( Dong Won Yun ) 한국디지틀도서관포럼 2014 디지틀 도서관 Vol.74 No.-

This study examined traditional printing blocks and books housed in Buddhist temples located in the area of Gyeongbuk Province. The total number of printing blocks is 4075, housed in 23 temples, with 162 varieties. When classified according to their subjects, they are found to have a variety of subjects: Confucian principles, history, important scholars` biographies, and literature. Thus, it is found that Buddhist temples engraved printing blocks of other various subjects as well as Buddhist scriptures. Regarding the time of engraving, 32 varieties of printing blocks were engraved before the Japanese Invasion of 1592, called Imjinwaeran. 511 traditional books are housed in seven Buddhist temples with 142 varieties. Daedunsa (temple) houses the largest number of such books, followed by Bulyeongsa (temple). Regarding the time of publishing, most of the books were published before King Yeongjo`s and King Jeongjo`s reign. 43 varieties of those books published before the Japanese Invasion of 1592 are regarded as valuable. 92 varieties of those books showed which magazine they belonged to, and 97 varieties revealed their publishers. Printing blocks were mostly made of wood. Only six varieties of those books showed the records of their donors. However, this study seems to have overlooked many records, leaving them to the following research.

조선시대 유교목판 제작 배경과 그 의미

설석규(Sul Suk-Kyu) 한국국학진흥원 2005 국학연구 Vol.6 No.-

이 글은 조선시대 유교목판의 제작이 활성화하게 된 배경과 실상을 역사적 관점에서 조명한 것이다. 유교목판은 조선시대 성리학에 입각한 도덕적 질서구현을 지향하는 도학의 대두와, 그에 근거한 사림의 학파형성에 따른 정치ㆍ사회적 역학관계의 확립에 따라 경전뿐만 아니라 문집의 발간이 보편화하게 되면서 활발하게 제작되었다. 그리하여 그것은 우리나라 인쇄문화를 주도하면서 주자성리학과 비교되는 한국성리학의 독자성을 보장하는 중추적 역할을 담당하게 되었다. This paper illuminates the background and actual situation of how the production of Confucian wooden blocks for printing became active from the historical point of view. The introduction of Do-hak(道學), which aims at the true materialization of ethical order based on the Neo-Confucian in Choseon Dynasty, enabled wooden blocks to be actively produced. Moreover, the introduction of Do-hak caused a political and social power relationship to be established, which made it more common to publish anthologies as well as sacred books and activated the production of wooden blocks, according to the formation of the schools by Sarim. These led the printing culture of Korea and played a central role for Korean Neo-Confucian to secure its uniqueness, when compared to the Juja Neo-Confucian.