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크리에이티브 디렉터가 교체된 패션브랜드의 잡지 광고 분석 - '생 로랑', '루이 비통', '구찌'를 중심으로 -
허유선,전재훈,Her, Yu-Sun,Chun, Jae-Hoon 한국의류산업학회 2017 한국의류산업학회지 Vol.19 No.5
Recently, the replacement of creative directors of fashion brands has gained attention from both researchers and practitioners. This study selected three representative fashion brands whose creative directors were replaced in the last 10 years, and analyzed the changed characteristics of their magazine advertisements. Literature studies and case studies were conducted as research methods. The subjects of the case studies were three fashion brands - 'Saint Laurent', 'Louis Vuitton', and 'Gucci'. Magazine advertisements were divided into two aspects: fashion photo elements and layout. The former can be classified into three components: the presence of a specific situation, the background of photos and objects, and the atmosphere of models. The latter can be classified into two components: the logo style and pictorial color. In terms of fashion photo elements, the presence of a specific situation in magazine advertisements appeared differently, depending on whether creative directors focus on the brand's own identity or on their own concept of each season. Also, the background of photos and objects, and the atmosphere of models changed depending on the situation. In terms of layout, there is no dramatic change in their logo styles, for they want to preserve their long tradition. And the more a creative director pursues younger sensibility, the more black and white color effect are added towards magazine advertisements. This study has its significance in that it confirms the replacement of creative directors has considerable influence on fashion brands' images and their magazine advertisements.
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인공지능의 젠더 차별 사례 분석 - 기술 구성 단계별 사례 분석을 중심으로 -
허유선 한국윤리교육학회 2024 윤리교육연구 Vol.- No.71
The issue of gender discrimination and bias in artificial intelligence has been a consistently addressed topic in AI ethics. However, noticeable improvements are still difficult to ascertain. Research categorizes and typifies reported cases over the past decade concerning gender discrimination in AI products and services, aiming to understand these issues and seek solutions. By classifying these cases according to the stages of AI product and service development, this study proposes corresponding approaches to address and mitigate gender bias. Gender discrimination in AI is not merely a technical concern but a societal one, demanding multifaceted responses that take this into account
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자동화된 알고리즘 시대의 공공성 - 드러남의 공간을 중심으로
허유선 중앙대학교 인공지능인문학연구소 2025 인공지능인문학연구 Vol.20 No.-
This study xamines how inequality in the age of automated algorithms extends into spatial contexts and raises new questions about publicness and public spaces. Using Hannah Arendt’s concept of the “space of appearance” as a theoretical framework, it explores publicness as a condition that allows individuals to appear before others and participate in a shared world. This study analyzes how digital technologies and automated algorithms preemptively and invisibly shape the conditions of appearance, thereby intervening in the foundation of publicness. It further argues that key issues in artificial intelligence (AI) ethics—such as bias, surveillance, and opacity—are inseparable from the question of publicness and calls for expanding AI ethics to engage more deeply with its public dimensions. The study concludes by suggesting directions for future research on publicness in the age of AI.
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디지털 미디어 플랫폼과 디지털 윤리학 -디지털 미디어 플랫폼 윤리를 위한 예비적 고찰-
허유선 동국대학교 동서사상연구소 2023 철학·사상·문화 Vol.- No.42
디지털 미디어 플랫폼에 관한 윤리적 논의는 지금까지 디지털 플랫폼, 소셜미디어, 인공지능 윤리 등 별개의 논의로 다루어졌다. 그러나 디지털 미디어 플랫폼이 오늘날 미디어화되면서 일종의 인프라이자 환경으로 작동하는 것을 고려할 때, 이를 통합적 관점에서 다루는 윤리적 논의가 요청된다. 디지털 미디어 플랫폼은 다양한 가치 및 이해관계를 반영할 뿐만 아니라, 관련 행위자의 행위 양식을 직접적으로 규제할 수 있다. 또한 공적 의제 형성에 중요한 영향을 끼친다. 따라서 플랫폼의 사회적 여파와 책임을 더욱 중요하게 다룰 필요가 있다. 나아가 오늘날 문제가 되는 인공지능 기술을 일상에서 가장 빈번하게 접촉하는 경로는 디지털 미디어 플랫폼이다. 그러므로 인공지능 윤리는 디지털 미디어 플랫폼과의 관계을 고려하며 논의되어야 한다. 따라서 디지털 미디어 플랫폼에 대한 윤리적 논의는 디지털 시대로 이행 중인 기술과 인간의 관계, 일상의 변화, 근본적 가치 및 개념의 재고를 다루는 보다 넓은 관점의 윤리학이 되어야 한다. 이를 위해 광의의 디지털 윤리학의 관점이 요청된다. 이러한 관점에서, 디지털 미디어 플랫폼 윤리는 알고리즘 등 새로운 기술에 대한 윤리적 평가, 인간 사회의 근본 가치 및 개념 재고, 윤리적 가치를 실현하고 증진하는 거버넌스를 위한 권고를 과제로 갖는다.
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허유선 동국대학교 동서사상연구소 2008 철학·사상·문화 Vol.0 No.7
In Kant' epistemology, knowledge of human relates intuitions. These are kind of capacity and only conditions by alone which the object is given to us. Time and space are called pure intuitions what remains except empirical intutions belong to sensations. I constitute my knowledge by myself according to pure intutions. Therefore, I cannot know things in themselves, substance as traditional concept in Western philosophy. I just know about appearances in accordance with my institutions. But, kant said time as substance in Critique of pure reason(Ⅲ. systematic representation of all synthetic principles). In here, time is substance which persists in nature. Then, can we say pure intuition as time is substance? Though it is, but it is clear that kant's time-substance is not the traditional concept of substance. In this essay, I try to make clear the concept of time-substance and show the concept can be read key word in kant's epistemology. Because, time-substance relates main elements in kant's epistemology like time itself, the all time-determination, space and self-consciousness, transcendental apperception, etc.. The character and limitation of time-substance as sensible substarata shows special character of kant's epistemology in which the receptive intuition correlates and co-work with spontaneous human understanding.
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