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      • KCI등재

        대중 매체 언어와 국어 연구

        구현정 ( Koo Hyun Jung ) 한국문학언어학회(구 경북어문학회) 2016 어문론총 Vol.70 No.-

        대중 매체 언어는 과학기술의 발전과 더불어 최근에 발달한 것으로 그 파급력은 의사소통 방식뿐만 아니라 언어 체계 자체에도 큰 패러다임의 변화를 가져왔다. 이 연구에서는 대중 매체 언어의 유형을 인쇄 매체 언어, 방송 매체 언어, 디지털 매체 언어로 나누어 현대국어 연구의 자료로 전자화된 자료와 연구 내용을 살피고, 매체 생태학, 매체 언어학, 용법-기반 언어학으로 나누어 대중 매체언어를 연구하는 방법을 논의한다. 이와 같은 대중 매체 언어 연구의 방향을 문체적 다양성 연구, 현대국어 구어 연구의 확대, 잠정적 문법의 발견이라는 관점으로 논의한다. 이를 통해, 기존의 형식적, 관념적, 문어적, 문장 중심적, 규범적, 사변적 언어 연구방법으로부터, 기능적, 용법 중심적, 구어적, 담화 중심적, 의사소통적, 문화 중심적 연구방법으로 전환함으로써, 의사소통 도구로서의 언어의 본질에 더 가까이 접근할 수 있음을 주장한다. Mass media language is a recent development that was made possible by the advances made in science and technology. The powerful impact of the mass media language is such that it brought forth change not only in the modes of communication but, more fundamentally, in the language itself as a linguistic system. Classifying the types of mass media language in three subtypes of media, i.e., printed, broadcast, and digital media. This paper overviews the digitization of the Korean language of mass media and digital communication, introduces newly emerging subdisciplines of linguistics as a consequence of change in communication modes and means, i.e, media ecology, media linguistics and usage-based linguistics, and their research methods for mass media language. The discussion assumes the perspectives involving stylistic diversity, expansion of colloquial language research, identification of emerging grammar. This paper calls for a shift from the traditional formal, abstract, literary-based, sentence-centered, prescriptive and speculative research methods, to more functional, usage-based, colloquial, discourse-centered, communication-based, and culture-centered research methods. It is argued herein that resulting analyses can enable us to understand more clearly the essence of language as a tool of communication.

      • KCI등재

        주술언어의 화행과 문화적 의미자질에 관한 연구 1

        제갈덕주 ( Deok Ju Jegal ) 한국문학언어학회(구 경북어문학회) 2015 어문론총 Vol.63 No.-

        이 연구는 주술언어의 화행을 분석하고 그 행위에 내재된 문화적 의미들을 자질화하는 데 목적이 있다. 주술언어는 주술행위와 관련된 언어현상 내지는 언어요소라고 할 수 있다. 주술언어에 대한 연구는 주로 문학에서 이루어져 왔다. 문학에 있어서 주술언어란 언어의 한계적 상황에 도전하는 창작 활동 정도로 이해되어 왔다. 그러나 본고에서는 언어학적 방법론을 통해 주술언어에 대해 분석하고자 한다. 첫째는 언어문화적 관점에서 접근하는 것이고, 둘째는 화행론적 관점에서 접근하는 것이다. 언어문화란 일종의 언어화된 문화라고 볼 수 있다. 본고에서는 주술성을 한국어 내재된 일종의 언어문화로 파악하고 연구를 진행하고자 한다. 이러한 점을 바탕으로 주술행위를 구성하고 있는 언어적 장치에 대해 분석해 보는 것이 본고의 궁극적인 목적이다. 특히 본고에서는 ‘주술’의 개념에 관한 다의적 분석, 주술행위에 나타나는 대표적인 ‘화행’ 분석, 주술언어를 구성하고 있는 의미자질 분석 등을 통해 종래의 문학적 탐구 대상을 언어학적으로 재해석하는 데 초점을 두었다. 이를 통해 문화어문학적 연구의 새로운 패러다임과 방향성을 제안해 보고자 한다. The purpose of this study is to analyze the speech act of Magical languages and to qualify cultural semantic feature underlain in the practice. Magical languages can be defined as a Language Phenomena or a Language constituent related to magical acts. The studies on Magical languages have been dealt with mainly in literature. In the literature, magical languages have been regarded as a creative activity to challenge linguistic limit. However, in this thesis, magical languages are analyzed by a linguistical methodology. The first is the approach with the lingua-culture aspect and the second is the approach with the speech act aspect. Language culture is a kind of verbalized culture. In this thesis, the study is made assuming a magical character is a sort of language culture inherent in Korean. Based on the assumption, the ultimate purpose of this thesis is to analyze linguistic devices that compose magical acts. Focused is this thesis, above all, on the linguistic reinterpretation of the traditional literary object of inquiry through the polysemous analysis of concept of Magic, the speech act analysis typically used in magical acts and the analysis on cultural semantic feature composing Magical languages. In doing so, this thesis is suggesting a new paradigm and a direction of Cultural Language Literature(CLL) study.

      • KCI등재

        북한 문화어의 어두 ㄹ, ㄴ 규정을 통해서 본 언어 정체성 구축과 차별화 방식 연구

        안미애 ( Ahn Mi-ae ),홍미주 ( Hong Mi-joo ),백두현 ( Paek Doo-hyeon ) 한국문학언어학회(구 경북어문학회) 2018 어문론총 Vol.76 No.-

        이 논문은 어두 ㄹ, ㄴ의 실현 규정을 채용한 북한의 문화어 규범이, 국어사에서 일반적이었던 ‘두음법칙’을 위배하면서까지 남한의 어문 규범과 다른 방향을 선택하게 된 이유가 무엇인지에 주목하고, 그 원인을 ‘언어적 차별화를 통한 언어 정체성의 구축’이란 관점에서 규명한 것이다. 본론에서 언어를 통한 정체성 형성의 의미, 문화어 규범의 어두 ㄹ, ㄴ의 실현 규정과 그 제정 배경 및 이 규정과 조선시대 평안방언의 ㄷ구개음화 미실현과의 상관성을 분석하였다. 우리의 연구 결과는 다음 네 가지로 요약된다. 첫째, 북한 문화어의 어두 ㄹ, ㄴ의 실현 규정은 세종 이래 나타난 조선시대 ‘正音’ 의식의 현대적 변용으로 볼 수 있다. 둘째, 북한은 남한 발음과의 차별성을 확보하면서 북한어의 정체성을 드러내는 상징으로 어두 ㄹ, ㄴ 실현 규정을 도입하였다. 셋째, 북한이 시행한 언어 정책에 의해 현실 발음과 괴리된 어두 ㄹ, ㄴ의 실현 규정이 북한 사회에 어느 정도 정착되었다. 넷째, 인위적 성격이 명백한 어두 ㄹ 규정은 역사적 전통을 가진 어두 ㄴ 규정보다 북한의 현실 발음에서 확고하게 정착되지 않은 것으로 보인다. 북한의 어두 ㄹ, ㄴ의 실현 규정은 조선시대에 평안방언이 ㄷ구개음화의 미실현을 통해 언어적 정체성을 드러냈던 경험을 바탕으로 한다. 평안방언이 세종대왕이 세운 ‘正音’을 지향하며 그들의 언어 정체성을 형성하였듯이, 북한은 국가적 언어 정책 차원에서 문화어 규범에 어두 ㄹ, ㄴ의 표기와 발음 규정을 도입한 것이다. 북한에서 시행된 어두 ㄹ, ㄴ의 표기법과 발음 규정은 그 결과가 귀로 들리는 북한말의 특징을 형성하였고, 남한말과 쉽게 구별되는 북한말의 정체성을 구축하는 데 기여했다. 우리는 이 논문을 통해 평안방언의 ㄷ구개음화 미실현과 북한 문화어 규정의 ㄹ, ㄴ 표기 및 발음 규정이 북한 지역의 언어 정체성 형성과 관련된 것으로 보고, 이것이 갖는 사회언어학적 의미를 밝혀냈다. The objectives of this study are to examine why the phenomenon of ㄷ palatalization arises in contemporary Standard North Korean language despite the actual pronunciation of the Pyeongan dialect spoken in the vicinity of Pyeongyang, and to understand why spelling rules regarding word-initial ㄹ and ㄴ have recently been included in language policy[in socio-linguistic aspects]. Previously, the language policy of Standard North Korean rejected unrealized ㄷ palatalization, which is one of the characteristics of the Pyeongan dialect. North Korean language policy has now introduced a new rule to realize ㄹand ㄴin word-initial position. Such a rule stands in marked contrast with the rule of word initials, one of the strongest rules in the Korean language. This study suggests that the motive of North Korea for introducing the realization of word-initial ㄹand ㄴas a rule is underpinned by one crucial extra-linguistical factor, namely the ‘linguistic discrimination to construct linguistic identity’. In other words, to establish its own linguistic identity, North Korea sought to diverge linguistically from South Korea. The motive for implementing the realization of word-initial ㄹ and ㄴ parallels the one for rejecting the realization of the ㄷ palatalization by the Pyeongan dialect speakers during Chosun dynasty. Thus, in order to ensure the implementation of such new rules, North Korea has repeatedly revised the rules of Standard North Korean since 1948 and consistently promoted their language policy. As a result, the implementation of the rule regarding word-initial ㄹ and ㄴ can be considered as the most significant difference between contemporary Munhwa-eo and Standard North Korean.

      • KCI등재

        결혼여성이민자 대상 불규칙 활용 교육 방법 -제주 방언을 중심으로

        우창현 ( Chang Hyun Woo ) 한국문학언어학회(구 경북어문학회) 2012 어문론총 Vol.56 No.-

        This study deals with the necessity of Korean language education for Immigrant of Marriage women with various aspects. This study, especially, emphasizes on clarifyng how to teach dialect to Immigrant of Marriage women who dwells in province of Korea. Immigrant of Marriage women needs necessarily to understand dialect in order to adapt their community with the contrary of immigrant workers and foreign students. This study focuses on how to educate grammar ones to them among the general issues of dialect education fields. Among grammatical education, the more, this study focuses on the irregular conjugations which have very difficulty for them to be learned. There are many methodologies of explanation to this topic. But barely pays attention to the methodologies from a lexical education point of view because there are very rare cases of irregular conjugations and it is very difficult to find the condition of them.

      • KCI등재
      • KCI등재
      • KCI등재

        <조선농민사>와 <카프> 농민문학론의 창작 주체와 방법 연구

        이상옥 ( Sang Ok Lee ),조난희 ( Nan Hui Jo ) 한국문학언어학회(구 경북어문학회) 2012 어문론총 Vol.56 No.-

        In this paper, Concretely, it tries to talk that it considers about the Subject and Method of Creation in theories about Peasant Literature of ``Chosun Nongminsa`` and ``KAPF``. And these relate closely because of giving the peasant poetry for example. As to ``Chosun Nongminsa`` Peasant Literary Theory at first, the Subject of the Creation was the intellectual literary man. At the time of 1920`s in the above Illiteracy Rate 80% the thing of thought is no problem. After ``Chosun Nongminsa`` is recognized admitting the intellectual literary man or peasant. Afterward it admits only the peasant as the Subject of Creation in the Peasant Poetry. On the other hand, the ``KAPF`` Peasant Literary Theory did firstly the intellectual literary man about Subject of Creation and had to guide the peasant writer. Heo Munil who was the peasant as the Subject of Creation that did the creative activity around ``Chosun Nongminsa``. In the creating Method, it used the daily life poetic language of the peasant. It used the honorific ending sentence expressing the feeling of solidarity with peasant was used. And the early stage modern poetry form was accommodated and the form of (Dansi) in which 1 stanza of 1 line becomes one poem as the form of free verse was shown. On the other hand, Park Aji was the ``KAPF`` member and the intellectual literary man as the Subject of Creation. He was firstly injected the ideology injection by the Method of Creation. and he was used the ideological poetic language and the end of a sentence expressing the leadership was used. He was the form of free verse showing the literary accomplishments of the intellectual accommodated and he was it can deliver the ideology well it showed the form series of poetry(Yeonjaksi) shown. Therefore, we could know from the Peasant Poetry of the peasant poet Heo Munil and intellectual poet Park Aji to be changed according to the Subject of Creation till Method of Creation. The Subject and Methods of Creation have been continuing as two kind of tendency into the contemporarily reality-oriented poetry. This can do in being the importance of the this paper.

      • KCI등재

        여격 주어 구문의 갈래와 형성

        박재희 ( Jae Hee Bak ) 한국문학언어학회(구 경북어문학회) 2012 어문론총 Vol.56 No.-

        The aim of this paper is to explain what allows the first NP in the dative subject construction to be marked with the nominative particle or the dative particle, respectively. At first, this paper classifies the dative subject construction in Korean into two sub-constructions such as "the psych adjective construction" and "the possessive predicate construction" based on the theta-roles of the arguments and the lexical-semantic properties of the predicates in these two constructions. In the possessive predicate construction, the first NP can be marked with the dative particle because the theta-role of the first NP is "location" and the dative particle as another locative particle for the animate noun can occurs with the first NP. Furthermore, the first NP can be marked with the nominative particle because it is the subject in a clause. Unlike the possessive predicate construction, in the psych adjective construction, the first NP as the syntactic adjunct can occur with the dative particle which is the oblique particle. In addition, the first NP can be marked with the nominative particle because (i) the theta-role of this NP as "experiencer" is higher than the theta-role of the second NP as "stimulus" in the theta-role hierarchy in Korean, and so (ii) the first NP is easy to be interpreted as the subject. As a result, the case marking of the first NP in the dative subject construction is fully dependent on the theta-roles and the grammatical relations in Korean.

      • KCI등재

        치병설화(治病說話); 질병체험의 문학적 재현과 병자(病者)를 향한 타자(他者)의 시선

        이인경 ( In Gyung Lee ) 한국문학언어학회(구 경북어문학회) 2012 어문론총 Vol.56 No.-

        This paper analyzed the experiences of suffering from diseases, depicted by literary expression in the Korean Remedy Stories which are transmitted orally or included in books. As a result, I found that various human thought about the causes of diseases and the ways to cope with them in the stories. In the stories included in books, the narrator supported that the king could get over an epidemic thanks to divine protection, which shows the king`s moral legitimacy and divineness. The fact that the king had suffered from the same disease as the people did, contains very serious meaning. Because it can be expected that the king would willingly to do his best to assist his people suffering from the same pain as he had. Meanwhile, in the stories orally transmitted, kings are usually portrayed as very strange persons suffering from ridiculous diseases which can be cured with preposterous medicine or dirty things such as bugger, dead skin cell, horse-urine etc. This stories hint censure of the king regarded as a stranger by his subjects, because people used to suppose that king is a person widely different from themselves. For that reason, they could not feel real sympathy with the king suffering from illness, and rather to criticized him instead of showing compassion. On the other hand, it shows that the storyteller would criticize sharply the king`s political corruption exposed as a figurative form, disease. The Remedy Stories do not focus on the pain, feeling and desire of the patients suffering from disease. The narrators tell us the stories about the doctors or the family members to care their patients, insead of patients themselves. Consequently the patients` voices disappeared and patients are always alienated in the stories. We can not easily understand the patients` agony, because it is impossible to completely share or sympathize for the other`s physical pain. Especially, the male-narrators used to look at the female patient and her body from a sexual viewpoint. They always regarded the female patient`s body only as genital organs. In conclusion, it is found that the human primarily should suffer from the same pain as others in his lifetime. Even if it were so, the personal pain could not be properly shared with others, because it is absolutely private experiences.

      • KCI등재

        최재서의 문학과 정치: 낭만주의론과 지성의 의미 변화

        박현수 ( Hyun Soo Park ) 한국문학언어학회(구 경북어문학회) 2011 어문론총 Vol.54 No.-

        Choi Jae-seo`s Criticism is based on the sense of balance between literature and social or political consciousness by Yeats`s romanticism. As reviewed in his early essay on Yeats, his pro-romanticism was, not only superficial knowledge, closely connected with his emotions and experiences. Even focussing on the limit of romanticism in some essays, he did not deny all the possibility of romanticism. In his essays on intellectualism(modernism), the conception of intelligence also was revised in the category of romanticism and the sense of balance. His intellectualism was the detail modification of those. He appropriated ``intelligence`` from the romantist point of view. He found out intellectualist methods to overcome the limit of romanticism. For that reason, he always placed high value on ``the ordering of romanticism``. His sense of balance in his early essay on Yeats was maintained in his theory of intelligence. In the early essays, ``intelligence`` was neutralized notion without any value judgment. After 1937, the notion was changed into something associated with social or political consciousness. Irrespective of a subtle difference in meaning, the two notions were altogether well-balanced conceptions between intelligence and outward politic action. But had lost this sense of balance, he put his heart and soul into pro-fascist activity that emphasized the importance of politics. In that activity, his well-balanced intelligence(``action as un-acted action``) gave place to ``muscular activity``. His pro-fascist activity was a tragic result of the wholly failure of his sense of balance.

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