Yeats, 秘敎的 神秘主義와 그 詩的 변용

정인숙 연세대학교 영어영문학과 1978 영어영문학연구 Vol.5 No.-

The Theme of Self-Realization in Measure for Measure

Chand, Kee-won 연세대학교 영어영문학과 1982 영어영문학연구 Vol.6 No.-

Ⅰ. Measure for Measure is a play which has given rise to an extraordinary diversity of critical opinions and interpretations It can be read as being "dark, serious and ironical,"1) or it can be read as showing a restoration of order, ending on a note of mercy, reconciliation and love Coleridge comments on the play "The play is to me the most painful part of his genuine works The comic and tragic parts equally border on the hateful-the one being disgusting the other being hateful."2) But contemporary critics admit this play as a genuine work of Shakespeare Furthermore, many critics argue that in Measure for Measure Shakespeare has dealt with sin and its forgiveness in a spirit of exalted Chnstianity.3) Though the play raises many problems as a `problem play,' I would like to examine this play in terms of the theme of mercy and forgiveness When we consider the play along this line of thought, we find that some characters of the play attain self-realization in the course of the action Ⅱ. The whole action of the play stems from the Duke's decision to experiment with the properties of government. He subjects Angelo, Isabella, and the entire city of Vienna to a test, the purpose of which is to determine the best means of regulating man's sinful nature6) As many critics have pointed out, the role of the Duke is very ambiguous sometimes as Providence, sometimes as a type of the good ruler, in Act III he appears as one in disguise, and acts as instigator and director of the action. In this essay, I will consider the Duke as a judge of all test which reveals man's concealed nature and helps the characters to attain selfknowledge. Ⅲ. As I have argued so far, each case of self-realization is attained through inner acceptance of God's mercy and social involvement and through realization of the-commom bond of humanity. In the final scene of public trial, the Duke "like power divine"(V.i 367) sits upon the scat of judgement, and prepares to deal with the corruption which he has seen "boil and bubble" (V.i. 316) in Vienna. When Angelo's flaw is made public, Angelo is brought to his knees in repentance, and says "Immediate sentence, then, and sequence death/ Is all the grace I beg" (V.i 371-372) Seeing his trespasses in the light of day, Angelo cannot bring himself to asking for mercy or grace. He feels that he must die for his sin.

'Auctoritee' and 'Experience' in the Wife of Bath's Tale

Yoon, Min-woo 연세대학교 영어영문학과 1982 영어영문학연구 Vol.6 No.-

두가지 분열문(Cleft sentence) : 그 비양립성

이원표 연세대학교 영어영문학과 1983 영어영문학연구 Vol.7 No.-

The Comic and the Serious in Henry Ⅳ

Yoon, Hye Kyong 연세대학교 영어영문학과 1983 영어영문학연구 Vol.7 No.-

As he gets military reputation, he become more and more impudent, and the climax is revealed when the tidings of Hal's accession comes He says, 'the laws of England are at my commandment Blessed are they that have been my friends, woe to my lord Chief Justice'(Ⅴ iii. 141-4) The passage about gallows and that beginning 'when thou art king' in Part I raise smile, but the braggadocio of Part Ⅱ goes too far Falstaff, who has not cared about the conventions and confinements of law , is now obsessed with his career and ambition He affects gentility by naming himself Sir John Falstaff, and changes his altitude Two scenes of Falstaff with Justice Shallow and Silence in Act V look very ridiculous, for this appearance is not Falstaff’s naturalness His vitality is no longer free but confined He gets out of the natural world and steps into the serious world which destroys his true substance With Falstaff’s degeneration mentioned above, Eastcheap, the kingdom of Falstaff, discloses its ugliest aspects As Falstaff loses his real image, Hal becomes more true to himself Now the kings of the two contrasted worlds of ceremony and of natural vitality perish before Prince Henry, one by death, and the other by rejection And Hal makes a new, fresh start as an ideal king of England His integrating, balancing ability comes from the total experience that includes the natural order and the political order simultaneously Hal's generosity and discretion, contrasted with Hotspur's zeal or Prince John's cold mind, are the consequences of his experience He not only has a really noble mind but also has the latitude of mind that can 'sound the base strings 'He is not a man of abstraction but of action accomplished by experience and learning What Hal seeks is concrete and attainable He has grown from a truant to a mature adult who has responsibility To remain in Falstaff's world, which disregards time and pursues only infant pleasure, is to deny the reality of the world of adult concerns Though he rejects Falstaff at last, however, he does not seem to deny the experience with him and Falstaff himself from his heart Hal is richly inclusive of the total experience Like the Duke in As You Like It, who returns to the city and the world of politics in spite of Arden's fascination, Prince Henry recovers The order of himself and of his land In spite of his transmutation in the latter Part, Falstaff's gaiety is not completely lost, for the comic spirits of him still remain in our minds Falstaff is a embodiment of the free imagination His humor has served a truly serious and imaginative purpose. Perhaps Shakespeare puts an enormous pressure on the comedy to resolve the challenge posed by the ironic perceptions presented in historic actions The two separate worlds represented by Hotspur and Falstafff suggest two patterns of existence Both of these worlds have merits and defects at the same time Hal, who has overcome the defects and included the merits of both worlds, achieves ideal kingship and also becomes a perfect human being in Henry Ⅳ, the historical events and the individual characters are organized admirably The characters are, of course, the men who lived in historic past But they represent not only three archetypes in general human world but living individuals It is Shakespeare's penetrating imagination that expands particular incidents and individuals in history into a general problem of human existence by contrasting the comic and the serious worlds, and integrating both

Freedom의 주제와 Central Intelligence수법을 중심으로

이예성 연세대학교 영어영문학과 1983 영어영문학연구 Vol.7 No.-

변형규칙과 의미작용 : 부정사보문을 중심으로

이순열 연세대학교 영어영문학과 1977 영어영문학연구 Vol.4 No.-

영어의 보문(complement)은 that절, 혹은 의문사 whether, what, why, how 등이 이끄는 절, 그리고 for·to, poss-ing의 구로서 표면에 나타난다 이러한 보문의 의미론적 통사론적 특성은 보편성을 지니고 있어 인간의 언어능력을 규명하려는 변형문법의 목적에 이바지하는 바 크기 때문에, 이의 연구는 변형문법 체계 안에서 가장 많은 발전을 해온 주제 중의 하나다.Rosenbaum(1967)이 종래문법이 기술(description)에만 그치고 정당화(justification)를 외면한 점을 지적하면서 전반적인 보문 연구를 한 이래, Kiparsky 부부(1971)는 보문을 보는 눈에 큰 변화를 일으켰다 그것은 통사현상에 대한 의미의 도입이었다 의미론이 대두된 이유는 이것이 변형규칙의 통사기능에 많은 설명력을 부가시키기 때문이다. 예를 들어,(1) * I regret Mary to be ill (2) I believe Mary to be intelligent (3) * John is significant to accomplish even more (4) John appears to be rich (1)과 (2), (3)과 (4)는 같은 통사구조를 가지는데 왜 (1)과 (3)은 비문법적인가의 문제가 대두될 때 Rosenbaum의 체계로서는 설명할 수 없었다. 그러나 상위술부(matrix predicate) ‘regret’, ‘significant’는 보문을 전제하며1) ‘believe’와 ‘appear’는 보문을 전제하지 않는 의미론적 차이를 보이며 이 의미작용이 통사현상 부정사의 도출(derivation)에 영향을 미친 결과 그 문법성의 대조가 일어난다. ①, ②에서와 같이 상위문이 부정되어도 보문의 사실은 부정되지 못하는 경우 상위술부는 보문을 ‘전제’한다고 한다 이 논리 개념을 보문연구에 도입한 것은 Kiparsky 부부(1971)가 처음이다.

Wuthering Heights에 나타난 Emily Bronte¨의 세계

한순옥 연세대학교 영어영문학과 1978 영어영문학연구 Vol.5 No.-

Edward Albee's The Zoo Story And The Theatre of The Absurd

Choi, Chong Chul 연세대학교 영어영문학과 1977 영어영문학연구 Vol.4 No.-

In conclusion, if we judge him only in view of The Zoo Story, Albee is the same as the other playwrights of the Theatre of the Absurd in that he presents the same absurd human situation and that the breaks some illusions of man, especially the illusion of American Optimism He is different, however, from the other absurdists in that there still remains a hope at the end of The Zoo Story, even though the hope is faint and small At the end of the play when Jerry says to Peter to go away in order not to be involved, Peter "does not move, but begins to weep."15) In this final scene the audience clearly sees how Peter is hesitating to leave Jerry dying Though Peter finally leaves the place the audience may hope that in the future Peter will be ready to sympathize with and help those who are in a similar situation like Jerry In that case Jerry's death will not be meaningless.

R. Browning의 詩 연구

이은성 연세대학교 영어영문학과 1978 영어영문학연구 Vol.5 No.-