프게데릭 워르트의 作品 世界와 크리노린 時代의 服飾

尹點順 湖南大學校 1986 호남대학교 학술논문집 Vol.7 No.2

Since the bourgeoisie's revolution in France broke out, the bourgeois culture effloresced in the capitalism have developed in the midst of the conservative and progressive culture. And thus, It have included more reality than nobility and brilliance in the bottom. The trend gained fruition up to the late of the second imperial government in the all side of culture, and it brought rapid development in modern culture building. Rapid and wide develoment of science, Art and Culture was progressive of capitalism. As the result of it, the nobility and brilliance was wanted in the dress and oranments, whichwas changed with reality from the late of about 1860. In the period of napoleon , the Recoco style was restored because of the esire for aristocratic atomsphere of 18c. because female's dress much more changed than male's dress, this study was centered on the latter. The Recoco mode seemed restored because womanly feature emphasized on the slim waist and the enlargement of skirt width. being the enlargement began in 1845, the skirt much more enlarged in about 1850 than before and it sewed decoration on the skirt. It was attached cloth decoration and Embroidery and so on in contrast to the skirt. Accroding to circumstances, beroad Ribon or enbroidery decoration was attaced on the skirt. A sleeve was important factor which was given on the dress with fantasy and endless change. In 1845, A sleeve was generally thin and iong one, but later changed with thick and short one, and became, depend on circumstances, long and wide one. Later, pagoda sleeve was prevalent up to 1950. And, the round of the neck was dangled with the lace ribbon frill embroidery and the variety of embroidery. idly digged decollete won popularity in social circles. Crinoline dress had gained popularity for 20 years, prompting the bourgeois' luxury and peaked up popularity in 1960 and later reduced after that. In the late of 19C, luxurious crinoline was reappearence of airstocratic dress in the course of buildy of functional modern dress. Worth opened the boutique and exhibited the creation dress collection and sailed it for customers. As the result of it, it was based on the management method of modern Haute couture. Therefore, he was called "The Creator of paris Haute Couture" because Haute Couture then producted dresses for customers, Young women's bodies picked up for the exhibition of those works, was similar to the customer's. Worth made emphasis upon the traditional Freach elegancy, but avoided excessive ornaments. His color printing included white, pearl, and the grey with image. They was all romantic light and made the elegancy high, characteristic, and womanly rather than ugly, heary,and painful. Worth was the producer of cirnoline mode. He recalled that it was a bright taffeta which included a three-mixed color ranging from a dank lilac to a bright violet, and the completed dress was like a bunch of a giant azalea, Though it was not sure that he had the thought of the develoment of the Lyon silk fabric industry, the social evironment was the second imperial government that was accepted the idea of haute Couture sincerely. The crinoline period seemed to be Worth's. That made was a prevailed one from 1854 to 1867. Worth's design was picked up by the queen YuJeny who had a spanish taste and became a designer of the Royal house hold. His splender Salon was exclusively used by not only the French Queen but also Queen Elizabeth of Frassia, Queen august Prussia, Queen Victoria of the united Kingdom, European Royal Families, and the other Eyropean upper class and the Women of the American bourgeoisies who visited to paris on a Atlantic regular line used that salon.

화훼꽃말의 표준화를 위한 화훼꽃말의 종류와 유래에 관한 연구

박윤점,허북구,서춘순,송채은,정주연 韓國植物ㆍ人間ㆍ環境學會 1999 인간식물환경학회지 Vol.2 No.1

This survey was carried out to investigate kinds and origins of flower languages of common flowering plants and standardize them. A flowering plant has about 5 kinds of flower languages. Differnt literatures have different flower languages for the same flowering plant. So differnt flower languages need to have standard flower languages. Flower languages originate from shape(8.0%) > color(7.5%) > characteristics(4.4%) > mythology and legend(4.9%) > scientific name(2.3%) > flowering time(1.8%) > perfume(0.9%) > and others(1.7%). The origin of 68.5% of flower languages was found to be obscure.

꽃꽂이시 절화조합이 장미의 절화수명과 미생물 증식에 미치는 영향

박윤점,정주연,장홍기,허북구 한국화훼연구회 2001 화훼연구 Vol.9 No.2

Various combinations of cut rose and other cut flowers were accomplished to provide basic data for vase life extension of cut rose. The vase life of cut rose combined with other cut flowers was as follows ;rose (8 days) > rose + gladiolus (6 days) > rose + calla (4 days) > rose + chrysanthemum (4 days) > rose + carnation (3 days) > rose + gerbera (2 days). The vase solution of cut rose without other cut flowers had the lowest concentration (1.2×105 CFU/mL) of bacterial cells. On the other hand, The vase solution of cut rose with gerbera had the highest concentration (9.3×106 CFU/mL) of bacterial cells. From the above results, it is concluded that vase life of cut rose is extended by reducing the bacterial cells in the vase solution though the proper combination with effective cut flowers.

전북 익산지역에서의 묘화 이용실태 조사

박윤점,이일병,정주연,장흥기,허북구 한국식물인간환경학회 2001 인간식물환경학회지 Vol.4 No.1

This study was surveyed to know utilization of the in graveyard the military and the police(MP), the catholic graveyard(CG) and graveyard of mausoleum(GM). The items of investigation were the ratio, kinds of flower, color of cut flower and form of offering a bunch of flowers. The time of investigation were New Year's day, Chusok(the korean thanksgiving day) and a weekday. On a week day, the ratio of offering a bunch of flowers was 6.3 perrcent in GM. CG and GM were 2 and 6 percent, respectively, On Chusok MP was 9 percent, CG was 25 percent and GM was 55.9 percent. On New Year's Day MP was 17.9 percent, CG was 43.3 percent and GM was 49.8 percent. Except for GM, when we compared the chusok with a week day, they were offered 12-24 times. Of the kinds of cut flower offered a bunch of flowers, chrysanthemum was 60 percent or more without regard to MP, CG and GM. About color of cut flower, white was 39.2 percent or more and yellow was 8.8 percent or more. Most of used colors were white and yellow. And they were 48 percent or more. That of on a week day was low remarkably. The form of offered flower on a graveyard were various: a flower, a basket of flower, a potflower, a flower in a case of glass, and a flower in a vase. Of that, a bunch of flowers were 33 percent or more in GC, MP and CG. KEY WORDS : flower, graveyard, new year's day, chusok, chrysanthemum

꽃바구니에 사용된 절화, 절지 및 절엽의 종류와 특성

박윤점,허북구,윤재길,강호종 한국화훼연구회 2002 화훼연구 Vol.10 No.2

꽃바구니 127개를 대상으로 사용된 절화, 절지 및 절엽의 종류와 특성을 조사하였다. 꽃바구니는 절화 1종만으로 꽂은 것이 36.0%, 2종류로 꽂은 것이 37.7%로 2종류 이하가 73%나 차지하였다. 절화 1종만으로 꽂은 꽃바구니 중 43.5%는 소국을, 27.5%는 장미, 17.8%는 백합을 이용하였다. 절화 2-3종이 조합을 이룬 꽃바구니에서는 소국, 장미, 안개꽃, 백합의 사용이 많았다. 꽃바구니에 사용된 절화 형태는 매스플라워 37.2%, 필러플라워 30.3%, 폼플라워 22.4%, 라인플라워 10.1%였다. 꽃바구니에 사용된 절화의 색 조합은 단색만 사용된 꽃바구니가 39.9%, 2색이 사용된 것이 43.1%였으며, 3색 이상이 사용된 꽃바구니는 17.0%였다. 꽃바구니에 사용된 절화의 길이는 폼플라워와 매스플라워는 21-50cm, 라인플라워는 31-60cm, 필러플라워는 10-40cm가 많았다. 꽃바구니에 사용된 절지 및 절엽중에 1종류만 사용된 것이 45.9%, 2종이 사용된 것이 37.5%, 3종이상이 사용된 것이 12.5%였으며, 아스파라거스, 편백, 사스레피나무가 많이 사용되었다. 꽃바구니에 사용된 절지 및 절엽의 형태는 필러폴리지가 56.3%, 매스폴리지가 25.1%, 폼폴리지가 15.0% 순이였다. Kinds and characteristics of cut flower, cut branch and cut foliage used for flower baskets were investigated. Flower baskets using olny 1 cut flower is 36% and 2 kinds of cut 37%. Among flower baskets using 1 species of cut flower, 43.5% used spray chrysanthemu, rose, Gypsophila and lily. Among gorms of cut flowers for flower basket, mass flower is 37.2%, filler flower 30.3%, form flower 22.4%. Among colors of cut flowers for flower basket, only 1 color is 39.9%, 2 colors 43.1% and above 3 colors 17%. Length of cut flower used for flower basket is 21-50cm in form and mass flower, 31-60cm in line flower, 10-40cm in filler flower. As for cut branch and cut foliage used for flower basket, only mainly Asparagus, Chamaecyparis and Eurya. As for cut branch and cut foliage used for flower basket, filler foliage is 56.3%, mass foliage 25.1% and form foliage 15%.

韓國 自生 범부채(Belamcanda chinensis (L.) DC.)의 種子發芽에 關한 硏究

朴潤点,劉成吾,崔權雄,鄭然玉 한국화훼연구회 1995 화훼연구 Vol.4 No.1

These studies were carried out to investigate the seed germination of Belamcanda chinensis (L.) DC. The results obtained are as follows : 1.Optimum temperature of seed germination was 25℃, and the seed germination rate was raised to 92% by 20/30℃ alternative temperature treatment. 2.Under the condition of moist low temperature storage, the germination rate was 53% at 42 days after sowing, but showed the germination rate of 11% at same period with dry low temperature storage. 3.The germination rate was higher in the light condition than in the dark condition. 4.The germination rate was higher when the seed coat was removed than when the seed coat was not removed or the seed coat was stratificated. 5.The germination rate was 80% with 100ppm GA3 treatment, and 76% wihh soaking treatment of 1% KOH solution for 24 hours.

동결건조 장미의 화색과 형태적 특성

서춘순,박윤점,이일병,허북구 한국화훼연구회 2001 화훼연구 Vol.9 No.2

Rosa hybrida L. 'Sandra' was freeze dried and investigated the length fur drying, color change of petal, leaf and stem, and the change of flower diameter, 12 days were needed to dry flower completely by natural drying method, otherwise 2 days needed by freeze drying. There was significant difference between fresh flower and natural dried flower in terms of L, a, b value of petal color, otherwise there was no significant difference between fresh flower and freeze-dried flower. L, a and b value of leaf and stem of freeze-dried flower was different comparing with those of fresh flower, however the degree of difference was not higher than these of natural-dried flower, There was no significant difference between fresh flower and freeze-dried flower in terms of anthocyanin content in petal. The change of flower diameter of natural-dried flower and freeze-dried flower comparing with fresh flower was respectively 52.0% and 9.9%.

허브식물의 속명 어원에 관한 조사분석

허북구,박윤점,이일병,윤재길 한국화훼연구회 2002 화훼연구 Vol.10 No.2

원예치료용으로도 다수 이용되고 있는 허브식물의 특성 파악과 정확한 구분, 교육 및 연구에 효율적으로 이용할 수 있는 기초자료 수립측면에서 허브식물 97종의 속명 어원을 조사하였다. 허브식물의 속명 유래를 조사한 결과 성분 및 용도(27.8%), 언어명(23.7%), 형태(13.4%), 신화(7.2%), 향기(6.2%), 생육습성(6.2%), 색깔(5.2%), 인명(4.1%), 기타(00%)에서 유래된 것 순이었다. 성분 및 용도에서 유래된 것은 주로 약리 작용에서 유래된 비율이 높았다. 언어명에서 유래된 것은 주로 고대 그리스 및 로마시대의 식물명이었다. 형태에서 유래된 것은 허브식물의 잎과 줄기, 꽃 및 뿌리가 속명의 유래원이었다. 신화에서 유래된 것은 주로 기쁨이나 약효와 관련된 것이었다. 향기에서 유래된 것은 식물의 전체 혹은 종자에서 냄새가 나는 것에서 유래되었다. 생육습성은 자생지역이나 개화습성, 덩굴성 등의 특성이 반영되어 있었다. 기타 식물의 꽃, 잎, 뿌리의 색깔과 왕의 이름, 맛 지명, 벌, 꽃이 아름다운데서 유래된 것이 있었다. The derivation of genera names in 97 herb plants were investigated to obtain the basis information useful for understanding the characteristics of herbs, classifying correctly, teaching and researching about them. Most genera names were derived from constituent and utilization(27.8%), and followed by language(23.7%), morphological characters(13.4%), myth(7.2%), odor(6.2%), color(5.2%) and human's name(4.1%) orderly. Genera names derived from constituent and utilization were originated mostly from medicinal effect, and those from language name were mostly originated from the plant names of Greek and Rome. Genera names derived from myth were mostly originated from delight and medicinal effect, and those from oder were originated from order of whole plant or seed. Genera names derived from growth habit indicate the character of flowering habit, native location and vine. The others of genera names were originated from the color of flower, leaf and root, king's name, taste, place name and flower beauty.

製劑中 Phenylpropanolamine Hydrochloride의 Dansyl 誘導體에 依한 螢光分析法 硏究

李允中,李康春,尹汝生,金在鉉,崔点洙 成均館大學校 1982 論文集 Vol.31 No.-

A simple, rapid and sensitive fluorometric assay for phenylpropanolamine hydrochloride was developed based on their interacion with I dimethylaminonaphthalene-5-sulfonylchloride(Dansyl chloride) in acetone to yield fluorescent compound, with excitation and emission wavelengths of 350 and 495 nm, respectively. A study of optimum pH, reaction time, temperature and dansyl chloride concentration is presented. Fluorescence is linear the range 1∼7μg phenylpropanolamine hydrochloride per ml of sample. The fluorescence was stable for at least 2 hours. Application of the procedure to the analysis of phenylpropanolamine hydrochloride in dosage forms gave an accuracy 1∼4%.

상사화속 식물 화색의 분류 및 특성

송채은,박윤점,김근영,허북구 한국화훼연구회 2001 화훼연구 Vol.9 No.2

Color characteristics and classification of 14 species of Lyroris were studied. Three species of red, four species of reddish orange, one species of orange, and one species of reddish purple were classified. Eleven species among fourteen species tested had 530 nm of λvismax, and three species had 513 nm of λvismax. Spectroscopic method were employed to measure the contents of total flavonoid and anthocyanin in Lycoris species. L. squamigera and L. jacksoniana had 1.61 g/100g.FW, of total flavonoid, which was the highest content among fourteen samples tested. L. radiata had 9.09mg/100 g.FW, of total anthocyanin, and followed L. sap. D, 7.68 mg/100 g.FW,, L. radiata var. pumila, 6.87 mg/100 g.FW., L.satuma $quot;Hiryu$quot;, 6.81 mg/100g.FW,.