원행을묘정리의궤 중 조리면에서 본 죽상 . 미음상 및 현륭원에서의 상차림고

김상보,이성우,한복진 한국식생활문화학회 1989 韓國食生活文化學會誌 Vol.4 No.4

To analyze dialy meal of royal meal, studied Jook Soora Sang (Rice Gruel), Mieum Sang (Thin Gruel) and Bankwa Sang, Soora Sang in Hyun Neung Won were on record Wonheng Ulmyo Jungri Euigwae (1795). Historic book "Jungri Euigwae" described the king's visit to his father's royal tomb "Hyun Neung Won", during the domain of Cheung Jo, the 22nd king of Choson Dynasty. The results obtained from this study are as follows. Rice Gruel (Jook Soora Sang), taken before breakfast, was arranged the same as the Soora Sang. The table for thin gruel (Mieum) was arranged in three kinds of sets; one for thin gruel, the others for stewed meat (Goem) and sugared fruit (Jeong Kwa). The diet seems to have been quit scientific and restorative. Bankwa Sang and Soora Sang in Hyun Neung Won was arranged the same as the other Bankwa Sang and Soora Sang. Therefore setting the table of royal meal had a rule.

1960년대 문학비평과 『상황』

하상일 釜山大學校 韓國民族文化硏究所 2004 한국민족문화 Vol.24 No.-

This thesis studied literary criticism in 1960's by focusing on "Sang-hwang". It was taken as a link to re-establish the pedigree of criticism in realism. It aimed to diachronic study the ideal of criticism of "Sang-hwang "(1969) which presented overcoming the partition of korea and the invasion of foreign power as a task of national literary, differing from "Chang-Bi" in 1960's, the time it founded. Preferentially, We observes the criticisms of "Sang-hwang" in the latter half of 1960's to the early's of 1970's and the criticisms of 'Im Heon-young','Goo Joong- seo','Kim Byoung-geol', who were coteries of "Sang-hwang" as main-task of this thesis. We are also necessary to focus on the reason why they found "Sang-hwang" individually without including into ecole of "Chang-Bi" in spite of having the same propensity with "Chang-Bi" as they unfolded their literary criticism by focusing on the relation between literature and reality. It could be an important clue to understand the process of formation of criticism in 1970's which based on differentiation of realism-criticism in the latter half of 1960's. In other words, this process of differentiation of criticism could be an external power to systematize and organize the ideology and practice of realism-criticism. The ideal of criticism of "Han-Yang" and "Cheong-Maek" in the early's of 1960's has strong side to inherit national-literature in 1950's which was presented by 'Choi Il-soo','Jeong Tae-yong'. Strictly speaking, "Sang-hwang", which founded in the latter of 1960's, is also hard to prescribe criticism in 1960's as most of publication, except the first edition, was published in the early's of 1970's. The reason why I debate criticism in 1960's with "Sang-hwang" in spite of those thing is that these mediums based on not only concrete reality which overcomes idealism of the national literature in 1950's but also having chance-continuity to develop and deepen the national literature in 1970's. In other words, even if Sang-hwang, except the first edition, was published in 1970's, it re write-down the critical disputed issue such as the 'national-literature' , the 'realism-literature' which were presented from the latter half of 1960's importantly as introduction of materials, so it is reasonable to say that it stands in the extended line of the ideal of criticism in 1960's. It is true that "Sang-hwang" has an important position in history of Korean criticism to prepare important moment that the engagement deepen to realism by making realism as a concrete practical way of national-literature and being issue.

李箱의 「烏瞰圖」 해석의 재고

심상욱(Sim Sang-uk) 韓國批評文學會 2009 批評文學 Vol.- No.33

This paper is to reconsider the interpretation of Yi Sang’s “Ogamdo”(烏瞰圖) in 1934 as 烏 being a crow. I think O(烏) is a mythical bird, as the messenger bird, Samjogo’(三足烏) in the Korean myth about traveling from the sun to the earth. Although previous researchers have expressed 烏 in 「烏瞰圖」 as a crow, what Yi Sang described in “Ogamdo” relates to the map of painting for looking down on the earth from the sky. In the 1930s, Yi Sang probably lived in severe violence and under tight Japaness rule and policy. During this period, he potentially thought the Korean myth had disappeared from Korean history into a Japanese myth caused by Japan’s colonial policy. Yi Sang became the last member of Guinhoi(九人會) and acted in various roles late in life. Through Guinhoe, he came to know a large amount of Western literary thoughts from abroad and created a variety of works, especially “Ogamdo”according to Joyce’s mythical narrative. In interpreting Ogamdo, a lot of studies have produced two problems: First, researchers do not take into account the confusion of the interpretation of “Ogamdo,” thinking 烏 to be a crow. Second, each poem of Ogamdo was published separately from the first to the last poem(15th). Therefore, researchers have interpreted them separately, not as a complete poem. I believe this is the major problem, As Kim, Ki-rim called Yi Sang “Jupiter,” Kim, Yun-sik asked for researchers “Why did Kim, Ki-rim call him “Jupiter”? This question is very important to know since both Kim, Ki-rim and Yi sang were Korean modernists in the 1930s. As we think of Yi Sang, we must consider Kim, Ki-rim’s “The Weather Chart”(氣象圖) written in 1935. As researchers have observed, this work, as an abortive imitor of Eliot, is a consequent failure in its making. However, Kim, Ki-rim was a pioneer for importing Western modernism in Korean Literature. This addition to Korean Literature affected Yi Sang as described in the urban life of “Ogamdo.” Jo Yong-man, a member of Guinhoe with Yi Sang, called the 1930s “the Age of Yi Sang.” Accordingly, we can understand the meaning of O(烏) in “Ogamdo” as not being a crow, but simply a Korean myth, Samjogo. And it also is truly necessary to interpret Ogamdo as a complete literary work, not as 15 individual poems.

「街外街傳」과 「황무지」에 나타난 이상과 엘리엇의 제휴

심상욱(Shim Sang-wook) 韓國批評文學會 2011 批評文學 Vol.- No.39

이 논문은 이상 작품의 서구문학사조와의 관계에 초점을 맞춰 이상이 1936년에 발표한 「街外街傳」(가외가전)을 T. S. 엘리엇(T. S. Eliot)의 「황무지」(The Waste Land)와 비교하여 그 의미를 살펴보았다. 한국이 일본의 식민지로 있을 때 서구에서는 제임스 조이스가 ?율리시즈?를 창작하여 T.S. 엘리엇이 조이스의 작품이 신화기법으로 창작되었음을 밝혀 내 모더니즘의 중심과제로 등장해 있었다. 이러한 서구문학은 일본을 경유하여 유학파인 김기림, 정지용 등이 한국에 들여와 이상과 같은 한국 문인들에게 자극을 주었다. 엘리엇의 ‘신화기법’은 현대적인 것과 고대적인 것을 작품 속에 공존시킴으로서 흩어진 사건을 통합하는 방법이었지만, 이상은 한국의 신화와 동양사상에 대한 그의 지속적인 관심을 표현해 냈다. 이상은 식민지 치하에서 살지 않으면 안 되는 상황에서 편안한 대륙으로 암시된 고대 중국을 회상하면서 식민지 치하의 답답한 상황을 벗어나고자 하며, “손자(係子)도 탑재한 객차가 방을 피하나보다.”로 표현하여 중국을 원망하면서 한국의 삼족오 신화가 일본의 신화에 편입된 것을 일깨워 한국의 고유의 전통의식을 자극하고 있다. 엘리엇이 「황무지」에서 신화기법으로 현대문명의 위기를 그려낸 것처럼 이상은 「가외가전」에서 사라진 한국의 신화와 동양사상을 은유적으로 사용하여 한국의 식민지 상황을 그려냈다. 한국의 모더니즘을 주도했던 김기림이 이상을 한국의 ‘최후의 모더니스트’라고 지칭한 바와 같이 그의 ?가외가전?은 식민지 통치가 극에 달하고 있을 때 ‘서울의 모습’을 공개적으로는 말할 수 없어 ‘거리 밖의 이야기’로 그려낸 ‘폭로’적인 작품임을 알 수 있다. This paper is to examine an affiliation of Yi Sang and T. S. Eliot in Gawoigajeon(?街外街傳?) and The Waste Land written by them. For a Korean modernist Yi Sang, during the colonial period, potentially thought that the Korean myth had disappeared from Korean history into a Japanese myth caused by Japan’s colonial policy. He knew T. S. Eliot’s mythic narrative through Guinhoi and other sources. He became the last member of Guinhoi(九人會) and acted in various roles late in life. Through Guinhoi, he came to know a large amount of Western literary thoughts from abroad and created a variety of works, especially according to T. S. Eliot's mythic narrative explaining writing techniques of Joyce’s Ulysses. As Kim, Ki-rim called Yi Sang “Jupiter,” Kim, Yun-sik asked for researchers “Why did Kim, Ki-rim call him “Jupiter”? This question is very important to know Yi Sang, since both Kim, Ki-rim and Yi sang were Korean modernists in the1930s. I think it that both writers created their poems by Eliot’s mythic narrative technique. However, after Yi Sang’s death Kim Ki-rim called him Jupiter, the gratest god of the Greek-Roman myths. As we think of Yi Sang, we must consider Kim, Ki-rim’s The Weather Chart(氣象圖) written in 1935 with Yi Sang’s Gawoigajeon in 1936. ThoughKim was a pioneer for importing Western modernism in Korean Literature, Yi Sang was a representative practice writer written Gawoigajeon depicted the urbanSeoul by the Joycean mythic narrative in the colonial period.

「地圖의 暗室」 : 이상과 조이스와의 제휴관계

심상욱(Sim Sang-uk) 韓國批評文學會 2010 批評文學 Vol.- No.35

This paper is to examine affiliation of Yisang and James Joyce in Yi Sang's “Dark Room of Map”. He wrote it in 1932, when Japan occupied forcedly Korea and governed her by colonial policy. In this work, he created a character, Lee Sang, using stars in sky appeared at night, especially seating at the rest room through his contemplation. This work is similar to James Joyce's Ulysses, who is the king of Ithaca, a main character in Homer's Odyssey. He created Leopold Bloom in Ulysses in Dublin when Ireland was occupied by United Kingdom by monologue. Like Joyce, Yi Sang used monologue in making his works. Said says in Secular Criticism that relationships of filiation and affiliation are plentiful in modern cultural history, and he suggested that Joyce's Ulysses and T. S. Eliot's The Waste Land are two especially well-known instances of filiation and affiliation. Like this, relationship of Yi Sang and Joyce is certain evidence in their works. Furthermore, we may study Yi Sang through relationship to more James Joyce's modernism with other Western modernism.

이상의『김유정』과 서구의 자연주의와의 관계

심상욱(Sang-wook Shim) 한국동서비교문학학회 2014 동서 비교문학저널 Vol.0 No.30

This paper is to examine Yi Sang’s “Kim You Jeong” in terms of Western naturalism, since Yi Sang, as an experimental writer, wrote the graduated album’s memo, ‘exposure’, a theme of naturalism, focused on ‘a discovery rather than an invention’ in 1928. His ‘exposure’, found in Western naturalism, especially American naturalism, is the origin of his works. It is certain that naturalism is a deceptive term, which is not fixed meaning. He wrote the real description using a scientific method which is affinity to science. Western naturalists took a definite concept of man which aimed to express in the writing the scientific thought in literature. Korean scholars in 1930s didn’t drew a sharp line between realism and naturalism like Western scholars, and so, Choi Jai Suh wrote Yi Sang’s works as ‘more deepening and expending than realistic method.’ According to the above, we can say Yi Sang wrote his works with more naturalism than realism.

조이스의 신화기법으로 본 이상의 『오감도(烏瞰圖)』: 삼족오 신화

심상욱 ( Sang Wook Shim ) 세계문학비교학회 ( 구 한국세계문학비교학회 ) 2006 世界文學比較硏究 Vol.16 No.-

"Ogamdo", which means map viewed from crow, written by Lee Sang is a Korean modernist poem. Although many scholars have studied this work, they haven`t explained completely contents of it. When Korea was occupied from Japan and was become a colonial country, Lee Sang practiced painting, first, and then wrote his works, that is, novels, poems, and essays. Then he was participated Guinhoi(Nine Members Meeting) with Kim Ki-rim, Jeong Ji-Yong, etc. to talk and discuss a literary topics included the western modernism and others. That time, I think, he recognized Korean traditional myth related to the three legs crow in the old Korean myth. In the old myth the crow has lived in the sun and given the human bing help. When Lee Sang had composed Ogamdo, he used it as symbols to explain the various preassure from Japan in the colonial period. And so I think he was interested in the western modernism related to James Joyce`s mythic narrative included T. S. Eliot, and when wrote works he used this method. Now Lee Sang`s works have been studied till deconstruction theory, and in this sense I think scholars must review Lee Sang`s works by postcolonial theory.

성악 전공 학생의 가칭 시 음성의 SPR(Singing Power Ratio)에 관한 연구

조성미,정옥란,이상욱 한국음성과학회 2004 음성과학 Vol.11 No.4

This study attempted to provide a spectrum analysis for quantitative evaluation of singing voice quality of singing students rather than the presence or absence of the singer's formant. The regression analysis was used to analyse the relationship between ringing quality, SPR, and SPP of singing voice of college student subjects majoring in music. This study measured singing power ratio (SPR) in 41 singing students. Digital audio recordings were made in sung vowels for acoustic analyses. Each sample was judged by 1 experienced singing teacher and 4 voice pathologists on one semantic bipolar 7-point scales (ringing-dull). The results showed that the SPR and SPP had significant correlations with ringing Quality. The SPR had a significant relationship with ringing quality on singing voice in singing students. The SPR can be an important quantitative measurement for evaluating singing voice quality.

傷寒論에 대한 精神醫學的 硏究

文相泰,辛容玹,具炳壽 대한한방신경정신과학회 2000 동의신경정신과학회지 Vol.11 No.1

This study was aimed to get the course which is caused by Neuropsychiatric symptoms in Sang-Han. Therefore this study is based on 『Euhak-Ipmun. Sang-Han』(『醫學入門.傷寒』) classfied mainly by symptoms. The results were summerized as follows: 1. Neuropsychiatric symptoms in 『Euhak-Ipmun. Sang-Han』(『醫學入門. 傷寒』) are explained as Pal-Gang(八綱), which shows those are settled down to a systematic oriental medical theory. 2. Pal-Bup (八法) used in the cure of symptomatische psychose in 『Euhak-Ipmun. Sang-Han』(『醫學入門. 傷寒』), which is intended to boost the effect of cure, choosing the respondent cure method about various causes. 3. Pal-Gang(八綱) and Pal-Bup(八法) in『Euhak-Ipmun. Sang-Han』(『醫學入門·傷寒』) are improved by Lee-Chun(李 ) who added Jang-gi(張機)'s Sang Han theory and new medical thought in the ages of Geum. Won. 4. Lee-Chun(李 ) believed that Neuropsychiatric symptoms which appeared in Sang Hang is caused by the "Unbalance(不平)". So he wanted to reach harmony of "Jeong(精), QI(氣), Shin(神), Hyul(血)" after improving the status of "Unbalance(『不平』)" toward the status of "Balance(平)".

『十二月 十二日』 : 이상과 졸라와의 제휴

심상욱(Shim Sang-wook) 韓國批評文學會 2010 批評文學 Vol.- No.37

This paper is to examine the affiliation of Yi Sang’s Twelfth December and Emile Zola’s Experimental Novel by Edward W. Said’s Traveling Theory. Yi Sang wrote it with the main character ‘he’ as alta ego, Yi Sang himself. He dealt with the social background of 1920s in it. Naturalism in literature deals with the evil aspects of human life and is in varying degrees deterministic view. This current thought was affected to Yi Sang with various trends via Japan from Europe. The naturalistic writer uses the knowledge and attitudes of current science in his depiction of human life. He described a segment of human existence according to the laws of scientific causality. The writer analyzes his characters and their social situations as the effects proceeding from various combinations of physical, emotional, and environmental causes. After all man was a phenomenon caused by certain hereditary and environmental forces. As we read it by comparative literary theory we should read the work according to context. Consequently, we can understand Yi Sang wrote the social situation in December Twelfth with Zola’s limited determinism in the 1930s’ colonial situation in Korea.