History : A Comparative Study on the Funerary Paintings from the Northern Dynasties Tombs of China with Koguryo Mural Tombs

( Ah Rim Park ) 한국중국학회 2004 國際中國學硏究 Vol.7 No.-

The period of the Northern and Southern Dynasties(386-581 A.D.) of China, from the 4th century to the 6th century, are the core period when Koguryo mural tombs evolved in three phases. Until the Eastern Wei(534-550), in the Central Plain, the mural tomb tradition from the Han was considerably weakened. When we discuss the wall painted tombs of the Northern Dynasties starting from the Northern Wei(Tuoba Xianbei), the sheer number of Koguryo tombs is impressive when it is compared with the scarcity of contemporary Chinese mural tombs until the middle of the 6th century. With the assumption that interactions between Northern Dynasties and Koguryo were contemporary, they provide us with useful comparable information about what kind of funerary art was made by the non-Chinese, Xianbei. On the other hand, they show us what kinds of funerary art traditions were maintained by Han Chinese under the rule of non Chinese. Examination of similarities and differences between Koguryo and Northern Dynasties tombs suggests which models and particular elements of Chinese funerary art the non-Chinese peoples accepted or rejected. Northern Wei funerary art needs to be considered for the possibility in that how it preserves Han tradition as a non-Chinese dynasty, and how it might help the revival of mural tradition in Northern Zhou. The Guyuan sarcophagus is a rare and extraordinary example revealing Northern Wei funerary painting tradition. It also shows the evolution from Han tradition, especially the Eastern Han. In Guyuan, we can see the fusion of funerary and Buddhist art. We also can see that major figures are wearing ethnic dress like that in Koguryo murals-which show the mixture of non-Chinese custom into Han Chinese. Also, the Guyuan painting shows the evidence of interaction between Northern Wei funerary art and Koguryo art in some similar motifs. Tombs of the Northern Dynasties including the Northern Wei and Northern Zhou and Koguryo provide us with interesting case studies of adaptation and transformation of nomadic people through art. Their possible cross-inspiration and the course of the divergence of each from the former common tradition of Han (206 B.C.-A.D. 220) funerary art are discussed in this paper.

The Fabrication and Characteristic Evaluation of Radiation Protection Sheets using an Eco-friendly Shielding Material

Ah-rim Jeong,Ji-koon Park,Il-Hong Choi,Geum-byeol Park,Sang-sik Kang 대한전자공학회 2019 대한전자공학회 학술대회 Vol.2019 No.6

History : Central Asian Elements in the Funerary Arts of the pre-Tang Period: the Preliminary Study of the Funerary Couches and Stone Sarcophagi from the Northern Dynasties and the Sui Dynasties in China

( Ah Rim Park ) 한국중국학회 2005 國際中國學硏究 Vol.8 No.-

The Relations between the Sogdians and Gokturks Manifest in the Afrasiab Palatial Murals

Ah-rim PARK 동북아역사재단 2020 Journal of Northeast Asian History Vol.17 No.1

Developing rice mutants having superior quality through gene editing technology

Ah-Rim Lee,Backki Kim,Hyunjin Park,Tae-ho Ham,Joohyun Lee,Soon-Wook Kwon 한국육종학회 2023 한국육종학회 공동학술발표집 Vol.2023 No.-

A Study on the Han Dynasty Relief Sculptures in Nanyang, Henan

Ah-Rim Park(박아림) 고구려발해학회 2006 고구려발해연구 Vol.23 No.-

중국의 한대(漢代) 화상석은 산동성, 하남성, 사천성 등에 집중적으로 분포되어있다. 그러나 정확한 지역적 특징의 구분이나 발달상의 연관관계는 여전히 풀기 어려운 문제로 남아있다. 산동성 화상석의 인물 표현이나 주제는 다소 딱딱하고 엄격하며 유교적 색채가 짙은 데 비해 사천성 화상석의 주제나 표현은 다소 자유로운 특징이 있다. 하남성 화상석은 그 두 지역 사이에 위치하여 있으면서 두 가지 특징이 같이 나타나는데, 그중에서도 자유로운 표현이나 주제가 나타난는 곳이 남양지역의 화상석들이다. 동한(東漢)의 남도(南都)로 알려질 만큼 정치, 경제, 문화적 중심지였던 남양지역 화상석은 1930년대부터 시작된 발굴을 통해 알려졌으며 약 3기로 발달이 구분된다. 초기는 기원전 50년에서 기원후 50년까지이며, 중기는 기원후 50년에서 100년까지이다. 후기는 기원후 100년에서 150년까지이다. 본 연구는 남양지역 화상석의 연구를 통해 한대 화상석의 지역적 특성을 연구하는데 있다. 첫째 남양 화상석의 전체적인 특징을 개관하고, 다음으로는 남양지역에서 나온 화상석의 여러 주제 주에서 하나의 독특한 지역적 특징으로 지적이 된 사람과 동물, 동물과 동물간의 전투 장면을 묘사한 화사석을 살펴본다. 마지막으로는 남양 화상석이 대부분 개별 화상석의 형태로 보고가 되어서 무덤 안에서 전체 화상석의 배치를 알아보기 힘든 점을 고려하여, 온전한 형태로 발견되어진 남양 화상석 고분들(針織廠고분, 英莊고분 등)의 예를 살펴본다. 이를 통해 남양 화상석 고분이 가지는 한대 화상석 고분의 발달에 있어서의 위치와 한대 화상석 발달에 미친 영향 등을 알아본다.

국외여행인솔자 서비스품질의 차이가 관광객의 여행만족도에 미치는 영향

임항아(Rim, Hang-Ah),김형곤(Kim, Hyoung-Gon) 한국관광레저학회 2018 관광레저연구 Vol.30 No.10

온라인 텍스트 기반 COVID-19 관련 감정분석

주아림(Ah-Rim Joo),전수영(Sooyoung Cheon) 한국자료분석학회 2023 Journal of the Korean Data Analysis Society Vol.25 No.3

소셜 네트워크 서비스(SNS) 시장의 확대에 따라 풍부한 양의 데이터가 축적되고 이를 활용한 연구 분석으로 사람들의 생각과 의견에서 사람들의 감정 또한 확인할 수 있다. 심리는 정책, 경제, 의학 등 많은 분야에서 중요한 역할을 하며, 감정분석을 통해 현안에 대한 해결방안, 그리고 앞으로 발생할 문제의 대비책을 마련할 수 있다. 최근 전 세계에 큰 영향을 끼친 코로나바이러스감염증-19(COVID-19)는 사람들의 일상을 뒤바꿔놓을 정도로 영향력이 컸다. 초기에는 사람들에게 큰 공포와 충격을 안겼으나 시간이 갈수록 사람들은 익숙해졌고, ‘End Corona’ 시대를 맞이한 지금, COVID-19에 대한 사람들의 감정이 변하고 있음을 느낄 수 있다. 본 연구는 COVID-19를 검색어로 한 SNS 데이터를 NRC 감정사전을 이용하여 감정을 파악하고 시간의 흐름에 따른 COVID-19에 대한 사람들의 감정 변화를 살펴본 후, 감정이 어떻게 변하였는지 LDA와 언어 네트워크를 통해 알아보았다. 분석 결과, 가장 크게 느낀 감정은 ‘공포’와 ‘신뢰’였으며 감정의 변화에 주된 원인은 ‘백신’임을 알 수 있었다. 또한, 백신 개발 초기에는 백신에 대한 신뢰로 공포감이 낮았으나, 백신의 부작용으로 인해 다시 공포감을 느꼈으며, 초기인 2020년과 말기인 2022년의 COVID-19에 대한 감정에서 차이가 있음을 확인하였다. With the expansion of the social network service (SNS) market, a large amount of data is accumulated and analyzed, so people's emotions can be confirmed in people's thoughts and opinions. The coronavirus infection-19 (COVID-19), which has recently had a great impact on the world, has been so influential that it has changed people's daily lives. In the beginning, it gave people great fear and shock, but as time went on, people got used to it. Now that we have reached the era of ‘End Corona’, we can feel that people’s feelings about COVID-19 are changing. This study identifies emotions by using the NRC Emotional Dictionary with SNS data related to COVID-19, examines changes in people's emotions about COVID-19 over time, and then investigates how emotions change using LDA and language network. The analysis results indicate that the most felt emotions are 'fear' and 'trust', and the main cause of the change in emotion is 'vaccine'. In addition, in the early stage of vaccine development, ‘fear’ is low due to trust in the vaccine, but ‘fear’ is felt again due to the side effects of the vaccine, and it is confirmed that there is a difference in feelings about COVID-19 between the early stage of 2020 and the late stage of 2022.

단간, 중만생 찰벼 신품종 ‘효원2호’

이아림(Ah-Rim Lee),장성규(Seong-Gyu Jang),임다은(Da-Eun Im),박소연(So-Yeon Park),전태환(Tae-Hwan Jun),윤민영(Min-Young Yoon),라원희(Won-Hee Ra),박용진(Yong-Jin Park),조유현(Yoo-Hyun Cho),권순욱(Soon-Wook Kwon) 한국육종학회 2016 한국육종학회지 Vol.48 No.3

Hyowon 2’, a new medium-late maturing glutinous rice variety with short clum and lodging tolerance was developed by the rice breeding team of Pusan National University in 2013. This cultivar was derived from a cross between Junam’ as a short clum source and ‘Donna’ with a good glutinous properties. During selected by the pedigree breeding method, until F8 generation. As a result, a promising line, JS22-3-24-1-6-2-1-1-1, was advanced and designated as the name of ‘SP 105’ in 2012. This variety headed on Aug. 22 is 9 days later than ‘Dongjinchal’ in middle plane. The Culm length and panicle length of this variety was 65.6 cm and 22.5 cm, respectively. This variety has about 14.4 tillers per hill and 113 spikelet numbers per panicle. The ratio of ripened grain is about 93.0% and 1000-grain weight was 18.4 g in brown rice. This variety has higher α-tocotrienol content compared to that of ‘Hwasunchal’. The yield performance of brown rice was 4.81 MT/ha in local adaptability test.

高句麗 古墳壁畵와 同時代 中國 北方民族 古墳美術과의 比較硏究

朴雅林(Ah-Rim Park) 고구려발해학회 2007 고구려발해연구 Vol.28 No.-

The present study attempts to discern the distinctive non Han Chinese characteristics of Koguryo tomb paintings which are different from Han Chinese tomb murals by comparing with those built by the Northern people or during the Wei-Jin and Northern Dynasties periods in China. In this paper, the non Han Chinese characteristics in funerary arts of Koguryo and other Northern people were explored, especially in terms of nomadic culture, Central Asian features, and Buddhist cave temple art. Considering the facts that Koguryo made an advanced evolution in tomb murals than Xianbei people who built the Northern Wei and Northern Qi, it is quite possible that Koguryo could have exerted a great influence on the development of funerary art by other non Han Chinese people, and that Koguryo made such significant contribution in the entire evolution of East Asian funerary alt. The wide range of interactions made by Koguryo people with non Han Chinese, Han Chinese, as well as Cental and West Asian people which are exhibited in Koguryo wall paintings provides us with solid evidence that Koguryo tombs and wall paintigs are such extraordinary cultural heritage to be studied and preserved.