제인 오스틴과 페미니즘: 『맨스필드 파크』

한애경 ( Ae Kyung Han ) 근대영미소설학회 2000 근대 영미소설 Vol.7 No.2

In this article, I try a feminist reading of Fanny Price in relation to a proper lady in the contemporary women`s conduct-book and theories of the female body. Fanny wants to listen without acting and speaking. Such an attitude is both what she wants and what is asked of her. Fanny has both a fragile body and a weak mind. She reveals her mind which she cannot express directly through the somatic symptoms of her body, such as headache and exhaustion These symptoms show the close relation between her body and mind. As she expresses herself more through her body rather than words, she seems to be a proper lady because of her silence and inaction. But there are two important episodes to prove that she is not always a passive heroine: 1) her objection to a play by the Bertram brothers and sisters and 2) her denial of Henry`s proposal. I think what this abrupt and incestuous marriage between cousins represents in spite of many controversies: 1) Austen`s concern is whether the traditional conservative order can be protected from the powers of the Crawfords such as Mary and Henry, 2) their marriage suggests an equal relation or a companionate marriage. Thus she becomes different from a proper lady in that she acts by her own will despite all dangers and criticisms.

< 미들마취 > : 환상 / 현실 , 꿈 / 좌절

한애경(Ae Kyung Han) 문학과영상학회 2001 문학과영상 Vol.2 No.1

In this article, I will analyze how the two main characters, Dorothea and Lydgate, become frustrated within their societies, despite the high ideals for achievement. Their ideals and frustration are clearly the primary thematic elements in both this work and the motion picture. At first, Dorothea seeks a worthy life. She, a modern Theresa, tries to serve her society by marrying the ideal husband. She ultimately marries Casaubon, a pastor of Lowick, and 27 years her senior. Unfortunately, she is frustrated with her so-called happily married life and with the academic work of her husband. Her marriage with Casaubon, a modern-day Milton, becomes a major disillusion. Also, his academic project The Key to All Mythologies is a fruitless and vain failure. When she is finally freed from her unhappily married life by Casaubon`s death, she marries Will again. Secondly, Lydgate, who is an ambitious doctor with a desire for medical development, has a dream to practice his revolutionary medical techniques. Furthermore, he actually seems to have such abilities. Like Dorothea, however, Lydgate`s dream also fails through both his marriage and his work. His wedded life with Rosamond is regarded as a perfect union, but it becomes a disaster, and his medical ambitions become degenerated. So, Lydgate too regards his life as a failure, although he makes a living as a doctor and is able to provide well for his family. This film is worthy enough to invest the six and half-hours necessary for a complete viewing. Because the primary themes, the ideals and frustrations of Dorothea and Lydgate within their society, is extremely moving and impressive in the motion picture as well as in this work.

중학교 여학생의 비만도에 따른 식습관 및 신체활동

한애경 ( Ae Kyung Han ),윤현경 ( Heun Keung Yoon ),조윤희 ( Yoon Hee Cho ),박정모 ( Jeong Mo Park ),김미원 ( Mi Won Kim ) 경희대학교 동서간호학연구소 2012 동서간호학연구지 Vol.18 No.2

기동장애 노인의 신체 부위별 피부수분 상태와 피부표면 산성도

한애경(Han Ae Kyung),원종순(Won Jong Soon),김옥수(Kim Ok Soo) 기본간호학회 2010 기본간호학회지 Vol.17 No.3

Purpose: This study was performed to identify skin hydration status and skin surface pH according to the body parts of the aged with immobilization. Methods: The subjects were 101 aged patients in a hospital and a institution for the elderly in Seoul. Data for skin hydration and skin surface pH were collected using corneo-meter and skin pH-meter. The body parts of measurement were 10 parts; face, forearm, back of the hand, flank, upper abdomen, leg, back of the foot, heel, scapular, and sacrum. The data were analyzed by SPSS/WIN 12.0 program. Results: Skin hydration status were relatively low especially on lower extremity and back of body, and skin surface pH of scapular and sacrum were high. There was significant negative correlation between skin hydration status and skin surface pH on the 6 body parts. Conclusion: Skin hydration status and skin surface pH, especially on scapular, sacrum, and lower extremity need to be considered as important control factors for increasing skin health status of the aged with immobilization.

잭 클레이톤 감독의 <위대한 개츠비>와 "미국의 꿈"

한애경 ( Ae Kyung Han ) 근대 영미소설 학회 2010 근대 영미소설 Vol.17 No.3

In this article, I try to analyze why The Great Gatsby, the film (1974), is estimated as a failure compared with The Great Gatsby, the book. I analyze the main reason for its failure as the following: 1) the disappearance of deep contemplation and meditati

상징폭력을 넘어선 새로운 대안적 공동체의 모색: 『로몰라』와 『데니엘 데론다』

한애경 ( Ae Kyung Han ) 한국현대영어영문학회 2015 현대영어영문학 Vol.59 No.4

In this article, I analyse George Eliot`s Romola (1863) and Daniel Deronda (1876) on the ground of French sociologist Pierre Bourdieu`s concept of “Symbolic Violence.” I focus on three points: 1) the two heroines, Romola and Gwendolen reveal voluntary conspiracy to symbolic violence in their respective marriages; 2) both of them each deny their voluntary conspiracy in these relationships; and 3) they each search for a new community as an alternative to their unhappy married lives. Romola marries Tito, and Gwendolen bends to family pressure and marries Grandcour, which suggest their voluntary conspiracy to the invisible symbolic violence. However, they realize that their married lives are the beginning of conflict. Tito not only is an immoral coward who betrays some people, but also a patriarchal husband, and Grandcourt is a man of supreme will of dominance. So Romola pose questions the institution of marriage through her escape from her husband twice, and Gwendolen asks Deronda the way to overcome her will to kill the dominating Grandcourt. After the sudden death of their husbands, Romola and Gwendolen form a new matriarchal community. Romola enjoys her free life, though her new community without men is unrealistic and isolated from the world. Although Gwendolen`s society is also isolated from society, it seems to be more realistic than Romola`s. (Koreatech)

율동적 근육운동 프로그램의 적용 기간에 따른 노인의 신체기능 변화

한애경(Han Ae Kyung),원종순(Won Jong Soon) 기본간호학회 2000 기본간호학회지 Vol.7 No.2

제인 오스틴과 "정숙한 귀부인"

한애경 ( Ae Kyung Han ) 근대 영미소설 학회 2003 근대 영미소설 Vol.10 No.2

This articles analyses the two works of Jane Austen, Sense and Sensibility and Emma, and their three films from the perspective of "the Proper Lady", which is the social decorum demanded to the 18th-century and the 19th-century women. Austen`s ideal vision is "the Proper Lady" for whom Austen puts more emphasis on the sense than sensibility. For instance, Elinor`s sense is highly esteemed than sensibility of the impulsive Marianne in Sense and Sensibility, and Emma becomes an intellectual and altruistic "the Proper Lady" through her self-awakening. However, Austen`s unconscious attraction to sensibility is suggested in her two works, and sensibility is put to the foreground more strongly in the three films; the proportion of sensibility in the three films is more heightened than in the original texts. As a result, it becomes necessary to view Austen`s position from Austen`s first work, Sense and Sensibility to her final work, Persuasion from the larger perspective. Austen becomes to put on emphasis on sense soaked with sensibility through Anne`s choice in Persuasion, though she emphasized more sense than sensibility as a condition of "the Proper Lady" despite her favor to sensibility in her early two works. This change of "the Proper Lady" can be interpreted as Austen`s development in her feminist consciousness. Elinor, Marianne, and Emma, seems to be on the way to the maturer, more open and widened "the Proper Lady" of Anne. Here we can guess the cultural topography in the 19th-century English society, as "the Proper Lady" is a product of the contemporary sexual ideology that oppresses the intense passion and excessive sensibility of women as dangerous ones.

여성의 몸과 히스테리: 『지성과 감성』

한애경 ( Ae Kyung Han ) 근대영미소설학회 2002 근대 영미소설 Vol.9 No.1

In this article, I try to analyse Jane Austen`s Sense and Sensibility from the view of the female body and hysteria. There are the similarities with hysteria in Marianne`s disease, and discourses of the female body and hysteria are related with a proper lady of the contemporary conduct-book. Though detailed descriptions of the dilemma of the two sisters by the heritage of Norland Park in the first three chapters, pose the feminist issues such as economic·social status of women and the exclusion of women from inheritance, they lead to their love stories. While Elinor seems to be both a heroine and a proper lady, both positive and negative aspects in Marianne`s sensibility are suggested in several episodes. Marianne`s disease can be compared with the case of Anna 0., Freud`s famous female hysterical patient in that they show the cause of hysteria which comes from the strong intelligence and the desire of self-achievement. In this sense, Marianne`s disease can be explained as both a language of her conflict inscribed on her body and a signifier between Marianne`s personal desire and the social demand of a proper lady. The ideal cure of female hysterical patients in the contemporary society, the return to her family as the "Angel in the house", is suggested in the ending, also, despite criticism of most critics. Thus Marianne`s disease reflects not only the conflict inscribed on her body and the social control of the female body and sensibility but the cause and the ideal cure of hysteria. We can see the cultural topography in the 19th-centuly society reflected through her disease.

여성의 몸과 히스테리: 『대니엘 데론다』

한애경 ( Ae Kyung Han ) 근대영미소설학회 2001 근대 영미소설 Vol.8 No.1

In this article, I will analyze the psychological conflict inscribed in the body of Gwendolen through her hysteria In that the female body has meaning as a place where psychological conflict is inscribed in recent discourses of the female body. Besides the three episodes in Gwendolen`s childhood that suggest her hysteria in the first stage, there are three episodes wherein she can be insisted as a hysteric: her hysterical fit and paralysis before her marriage, the first night of her marriage, and the drowning of Grandcourt after her marriage I find the cause and symptoms of hysteria, the response of criticism and tolerance to hysterical patients, a return to a family recommended as a cure of hysteria, and the relation between hysteria and feminism in these episodes. Her hysteria in these three episodes, reflects the conflict between her desire of great achievement and reality (in the first episode), her fear of a destiny of women after her marriage and her conflict between her curiosity and her fear about sex (in the second episode), the conflict between her will to power and her frustration of this will, and one between her many guilty feelings resulting from her immoral marriage and her justification of this marriage as a right one (in the third episode). In this context, the female body is a place of symbolization in that the mind is inscribed and her hysteria shows the female body "verbalized". The ending in this work seems to suggest a successful return to her society as an "angel in the house" by Deronda She seems to almost recover hysteria by her will to live and to be "one of the best of women" - and by her warmer attitude to her family. However, her hysterical response in this ending, is different from a successful return to "angel in the house" It suggests that the return of a female hysterical patient of excessive energy and intellectual desire to her family without financial and social alternative such as fortune and job, may not be a complete solution. Eliot draws the psychological conflict of Gwendolen through her psychological disease penetratingly, and then suggests that this return to her family is not always a complete solution through her hysterical fit in the ending This is the most important achievement that this work has in relation to the recent discourses of the female body and hysteria.