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        태권도 美와 예술의 美에 관해

        송일훈(Song Il-Hun),김창우(Kim Chang-Wo),이재학(Lee Jae-Hak),조충현(Jo Chong-Hyun),이동헌(Lee Dong-Heon) 한국체육과학회 2008 한국체육과학회지 Vol.17 No.3

        Art is the direct expression which contains human nature, whereas a science is the preparation for deviating deliberately from human nature. On the basis of this logic, Taekwondo is referred to as the composite art of martial arts. Then, according to the detailed investigation, analysis, and discussion of this study, this study could confirm the following implications. That is, the beauty is aloof from the fictitious world which is not related to life, and is not an absolute being. Because the beauty is always related to life, such beauty can be formed. In other words, from the standpoint of art for art's sake, the beauty is weak. That is, as this study mentioned earlier, Taekwondo, as the aesthetics of martial arts, is an excellent movement art. However, Taekwondo, as the aesthetics of martial arts, should be mentioned in category of value, and so is never the problem of truth. Therefore, Taekwondo can be recognized aesthetically from the viewpoint of value theory. Considering the beauty of Taekwondo is not that real beings exist through the physical acts of Taekwondo and so the feature, the beauty of physical acts, is extracted, and then movements are analyzed. As the beauty was mentioned not to be only an objective attribute but to be generated in subjectivity, the beauty is formed by the attitude of subjects in the physical acts of Taekwondo. Therefore, we are not to carve the thought of human problem as subjects. As this study implied to a certain extent with the term of personality beauty up to now, the beauty should be accepted as a value, that is, the aesthetic value. As we examined roughly up to now the history on the classification of arts which ranged from ancient Greece through the Middle Ages, the Renaissance, and the Age of Enlightenment to today, antient times did not considered the possibility that pure arts could form their independent artistry. In such antient times, the art, which is recognized today, were only a part of techne (practice). Such thinking was transmitted to the Middle Ages and the Renaissance as it was. Especially, even though the philosophers of the Renaissance had their own understanding of pure arts, they drew no conclusion in the end. However, the pure art, which had declined during the times of 2000 years, came to reach today by Charles Batteux's effort in mid-eighteenth century. Thus, if Taekwondo is defined as the artistry of martial arts, first, such artistry of martial arts is the accuracy which Taekwondo, as martial arts, has. Second, such artistry of martial arts is the artistry which the beauty has. Third, such artistry of martial arts is Taekwondo as the beauty of artistry and arts. Therefore, such beauty should be recognized as the value of one. Further, Taekwondo as martial arts will be able to be spread widely as the worldwide artistic physical acts.

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