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소설 「선학동 나그네」와 영화 「천년학」의 서사 비교 연구
정문권(Jung Mounkwon),이강록(Lee Gangrock) 한국언어문학회 2007 한국언어문학 Vol.61 No.-
The expression aspect which is important narration, from verse with prose and passes by the process of medium transfer with picture from text and it is changing. Culture it is new it flows and to understand it accepts and it leads and the fact that important<BR> This writing Lee Ch"ong-jun‘s 「The Wanderer of Seonhakdong」 and Im Kwon Taek"s 「beyond the years」 With the narrative difference which coexists between two works. it search same and difference it puts out the fact that with aim. and comparison it tried to analyze two works with ‘structural poetics’ analysis method and present-day narratological analysis method.<BR> In ‘structural poetics’ analysis method led and it searched it put out a many difference. The delay which leads a ‘analepesis’ from ‘structural poetics’ viewpoint, ‘seqence’, ‘motif analysis of story’. It removal difference as a result static motif and mise-en-Sc?ne resemble it discovered last in scene. Plot of desire it led the expression of desire is same. It is discovered from narratological analysis.<BR> It appeared in aspect of the sublimation where the with each other different intention is similar it resembles it discovered.
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바라보기의 시학(詩學) - 중국조선족 시(詩)의 한 특징
정문권 ( Jung Moun-kwon ),석화 ( Suk-hwa ) 한국문학이론과 비평학회 2003 한국문학이론과 비평 Vol.21 No.-
The main motivation for poetry of China-Koreans is about a longing which has been lost. We can call it as poetry of looking at something. It is evident that their poetry comes from a longing for native country and hometown lost. The objects of longing shown in their poetry -d re about their lost mother country and hometown. The .sense of their hometown loss implied in China-Koreans carrying on the life of wanderer is present ed in their imaginative poetry. As we see in the compound name of China-Koreans, they are suffering from psychological conflicts resulting from different country and race. The dual structure of their seams brings about the confusion of stagnation of self-consciousness and prevents them from them having a sense of single body and position. Therefore, their lives as outsiders in China have taken on a sense of alienation, and naturally their literature assumes an aspect of unreal and dependent char acteristics.
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아우토노미아의 가능성 - 『난장이가 쏘아 올린 작은 공』을 중심으로
정문권(Jung Mounkwon),이강록(Lee Gangrock) 한국언어문학회 2006 한국언어문학 Vol.58 No.-
-It centered on 〈small-sized ball shot by a dwarf〉:written by cho se hui-Until now, the research and assesment about 〈small-sized ball shot by a dwarf〉are divided two dimension. One is literal-social approch that concerned the life and pressive structure of out side status and contrastive universial recognition. Two is structure or using method of 〈small-sized ball shot by a dwarf〉. This paper emphasizes that diversity as a structure method of 〈small-sized ball shot by a dwarf〉 is actually dening contrast and division of universial recognition and recognising diversity through ‘difference’ and ‘disliking’. Such a diversity is constitued new society through the communication. this is the thought of autonomia. the thought of autonomia identified the diversity.<BR> This paper try to approve the identity thought of autonomia and the catagory of recognition that present this 〈small-sized ball shot by a dwarf〉. As a result, the concept of ‘difference’ and ‘disliking’, ‘potential’, diversity ‘change -over recognition’ is discovered. As a same concept, the possibility of new constitution society is discovered.<BR> So, 〈small-sized ball shot by a dwarf〉 is not a contrastive and divisional universial recognition that represented labor demonstration but a new active method as a preparing proposal that contain new recognition. As a result, that is the thought of autonomia that suggested by anthonio negry. As a same word, this paper try to approve that the thought of autonomia identified the diversity.
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이내관(Lee, Nae-kwan),정문권(Jung, Moun-kwon) 한국언어문학회 2014 한국언어문학 Vol.90 No.-
Kwon Jeong-saeng(09/10/1936-05/17/2007) is the first election to the Christian Children's Literature in 1969 "Puppy shit". And he won in 1971 in Daegu daily newspaper "Baby sheep and shadow". Also he is elected to Chosun Ilbo Literary New Year 1973 "Cotton jacket and mom" stands for in the way of children's literature. After, Kwon Jeong-saeng receives recognition literature representing children in Korea. Looked at the history and characteristics of discourse analysis and narrative structure of the epic work aspects, which have to work around the "Cotton jacket and mom" of Kwon Jeong-saeng study. Says the format of the time talking to imitate the first second epic than the perspective of the primary concepts of the traditional concept of the epic poem mentioned in this paper. Take the time and order of work from Chapter 1 to Chapter 10, which describes a long history, from the 1910s to the 1960s. And can be seen as a narrative technique chosen to suit the child's eye level is configured as a net result of the acts and historical events. This story describes, in the form at the root of our modern history is recognized and the following Kwon Jeong-saeng. First, is that the historical time of a contemplative time, ranging from Japanese occupation troops in the Vietnam War Kwon Jeong-saeng records. Chapter 10 is also expressed in short sentences longer than 300 historical time, although the prose of julgeul format, was able to see the other as epic poem. Second, the story is that the narrative of the historical events that have suffered misfortune and suffering of our people have their own family members. Can be seen as an appropriate way to be able to reflect on the epic history of the nation over the issue of the individual is a story that describes the transformation of individuals, called the grand narrative of national history.
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이내관(Lee, Nae-kwan),정문권(Jung, Moun-kwon) 한국비평문학회 2015 批評文學 Vol.- No.58
최수철은 1981년 조선일보 신춘문예에 「맹점」이 당선되어 등단하였다. 그는 ’80년대 문학의 주된 경향이었던 거대담론에서 벗어난 작품을 발표하면서 문단의 주목을 받기 시작한다. 주지하다시피 1980년대 문학은 진정한 민주주의의 갈망과 노동의 문제, 그리고 이들 노동자의 삶을 본격적으로 담아내려는 시도가 돋보였다. 그러나 최수철은 이러한 문학적 담론과 거리를 두면서 자신만의 독특한 문학세계를 추구하였다고 볼 수 있는데, 이러한 점이 본 연구의 출발점이 되었다. 이 글에서는 위르겐 슈람케의 내적독백에 의한 의식의 흐름에 관한 이론을 토대로 최수철의 「공중누각」(1982)에 나타난 작중인물의 내면의식 표출방식에 대해 고찰하였다. 그 결과 「공중누각」은 공간의 이동에 따른 순행적 서술을 통하여 작중인물의 내면의식이 표출되어 있었다. 특히 집, 서가, 다방, 술집 등으로 이어지는 공간의 이동을 통하여 작중인물인 ‘방기본’의 내면심리가 안정적이지 못한 채 부유(浮游)하고 있음을 알 수 있었다. 그리고 최수철은 내포작가를 통하여 방기본의 병리적 자의식을 서술한다. 무엇보다 아침부터 저녁까지 이어지는 시간의 흐름을 통하여 자의식의 묘사가 주로 이루어지고 있다는 점도 특징적이다. 또한 작가는 작중인물의 내면의식 표출을 위하여 시각, 촉각, 후각 등의 이미지를 사용한다. 이러한 이미지의 활용과 선명한 대비는 작품에서 방기본의 내면의식을 보다 뚜렷하게 드러내는 역할을 하기에 충분하다. 특히 서두와 대단원 부분에서는 똑같이 시각 이미지를 제시하고 있는데, 이는 수미상관의 서술전략을 보여준 것으로 볼 수 있다. This paper purpose is to examine the Narrative and inner consciousness about Choi Su-cheol’s 「Gongjungnugak」. In 1981, Choi Su-cheol is elected 「Maengjeom」 in the New Year Writing of Chosun Ilbo. He was noted for work activities out of the "80s literary features. In this paper, we borrowed the theory of the concept of time and inner monologues of the above Jürgen Schramke research methods. This research method will help you examine the Narrative and inner consciousness. First, 「Gongjungnugak」was the order of the acts takes configuration. Temporal background was from the morning until the afternoon. But it does not exceed 24 hours. And self-conscious of Bang Gi-bon is described variously depending on the area. In addition, 「Gongjungnugak」 comes out Bang Gi-bon describe the pathological self-consciousness of the basic role of the descriptor implies there is a feature writer. Such may in particular be applied to describe the features of the novel as a creative interior monologue or stream of consciousness flow, the 「Gongjungnugak」 is the main of this self-conscious statement by the descriptor. Finally, the inner consciousness of Bang Gi-bon is shaped to take advantage of a variety of sensory images. Robert Holt had insisted that any role in the incident image. In particular, the visual image reveals a significant part of the 「Gongjungnugak」. Visual image is sufficient to clearly highlight or give the impression to the reader a basic in the inner consciousness of Bang Gi-bon.
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