치아 및 임플랜트 지지 고정성 국소의치의 비고정성 연결부의 위치에 따른 유한요소법적 응력분석

안병주,황영필,계기성,조규종,An, Byoung-Ju,Hwang, Young-Pil,Kay, Kee-Sung,Cho, Kyu-Zong 대한치과보철학회 1995 대한치과보철학회지 Vol.33 No.4

The purpose of this study was to analyze the stress distribution and the displacement happened to the abutment, the prosthesis, and the surrounding structure according to the location of the nonrigid connector, that is, the keyway in the distal of canine and the mesial of the implant in the three unit fixed partial denture. Two-dimensional finite element model ws constructed and analyzed for the stress distribution and the displacement using software ABAQUS(Ver 5.2 Hibbitt, Karisson & Sorenson, Inc., 1992). After finishing the finite element model, the distribution load of 15kg was applied simultaneously to the all cusp tips of the prosthesis and the concentration load of 10㎏ was applied respectively at the each cusp tip of the prosthesis. The following results were obtained : 1. The amount of displacement of the implant was greater in case of the non-rigid connection than the rigid connection, and the more favorable displacement was shown in case of the IKb than the IKa. 2. Without regard to the connection method, the stress represented at the surrounding bone was similar, and the more favorabel stress distribution was shown in case of IKb. 3. The maximum stress was concentrated at the fastening screw and the neck of implant in all experimental groups, and their stress magnitudes were in the order of IKb, IR, and IKa.

다문화시대에 따른 무용교육의 필요성에 관한 연구

안병주(Beung Ju An),원은정(Eun Jung Won) 한국사회체육학회 2009 한국사회체육학회지 Vol.0 No.37

A human being has never stopped moving his or her body from birth till death, and dance was created to satisfy his or her need for motion. That has long developed in diverse ways with the lapse of time, and a change of mind-set is now required in today`s multicultural society. In modern society, the advance in modern science including the development of media and communication has turned the world into a global village where everybody can communicate with one another without any regional or cultural barrier. Such a change provides an opportunity to be exposed to other races and other cultures, and there is a growing ethnic diversity in our country as well. Lately, our society has evolved into a multicultural and multiracial society due to an increase in international marriage, the settlement of immigrant workers and ensuing greater exposure to people of various races. In fact, however, there have little lively discussions on how to look at the difference triggered by racial and cultural diversity. It`s already been a multicultural era that nobody can escape, and forcing immigrants to assimilate with our culture is likely to produce prolonged conflicts. But the efforts to pursue a coexistence of different cultures through trial and error will make it possible to tide over multiple difficulties that our multicultural society are confronted with. Specifically, looking into the theories of the West marked by diverse historical and cultural background is one of good ways to assess our multiculturalism and determine some of the right directions for Korean dance. The purpose of this study was to examine the definition, object and content of multiculturalism, which was the basis of multicultural dance education geared toward learners of different cultural background, and to explore multicultural dance education tailored to Korean circumstances. Specifically, multiculture has an important meaning in dance education in that it enables students to be exposed to the unique symbols of different cultures to learn about them and their coexistence in a systematic manner. Furthermore, dance education that is built on cultural diversity allows them to have a good understanding of people of different cultural background and to take pride in our culture. In conclusion, this study is expected to serve as a chance to raise re-awareness of the importance of multicultural dance education and to teach students to build their own cultural identity and care for others with respect.

발목부상을 당한 석고환자의 발꿈치뼈ㆍ목말받침돌기 관찰을 위한 Broden 촬영법 연구

안병주(Byeongju An) 한국방사선학회 2013 한국방사선학회 논문지 Vol.7 No.2

발목 병변을 관찰하는 단순 방사선촬영은 여러 가지가 있다. 그 중에서 Ankle Broden법은 발꿈치뼈(Calcaneus)및 발목뼈(Ankle Joint)의 결합상태와 발목뼈의 발꿈치뼈 골절(Calcaneus Fracture), Subtentaculum Tali Frature를 관찰하기 위하여 촬영을 한다. 이 촬영법은 전ㆍ후면과 측면뿐 아니라, 사면 상(oblique view)이나 축 상(axial view)의 촬영을 하며 잦은 부상이 발생하는 목말뼈ㆍ 발꿈치뼈간, 발꿈치뼈ㆍ발배뼈간 결합상을 보기 위해 주로 촬영을 한다. 본 연구는 석고처치 환자들은 발목관절이 영상에 잘 묘출되기가 어렵기 때문에 발목뼈 사이의 관계 및 연부조직의 구조적 변화와 Subtalar joint, Calcaneus Fracture, Subtentaculum Tali Frature에 따른 목말뼈ㆍ발꿈치뼈의 골 결합 (talocalcaneal coalition)을 관찰하기 위한 Harris-Beath View(30°∼55°) 촬영 시 평가에 유용한 발목뼈의 결합상을 얻을 수 있는 각도를 알아보고자 하였다. 연구의 진행은 40명의 환자에게서 획득한 영상을 평가하였으며, 평가결과 25°의 촬영상은 목말밑 관절(subtalar joint)이 열려져 분리되지 않았고 또한, Subtentaculum Tali Frature에 중복되어 보였다. 30°의 촬영상은 발꿈치뼈 골절(Calcaneus Fracture), Subtentaculum Tali Frature, 목말밑관절(subtalar joint)과 후방 관절면의 앞부분이 가장 잘 나타나고 Calcaneo Navicularcoalition, Talocal Canealcoalition, Naviculo Cuneiform coalition의 결합상태가 명확하게 보였다. 35°의 촬영상은 목말밑관절(subtalar joimt), 목말뼈(talus), 발뒤꿈치뼈의 뒤쪽관절면이 명확하고 발목발꿈치관절(talocalcaneal joint)의 분리정도가 좋고 발목뼈굴(sinus tarsi)이 넓게 나타나며 좋은 평가가 되었다. 45°영역에서는 연부조직과 석고 분리를 판별할 수 있었고 가쪽복사와 뼈 밀도가 명확하게 보였다. 35°에 비해 발꿈치뼈(Calcaneus)이 분리되었지만 영상이 왜곡되어 보였다. Calcaneus, Subtentaculum Tali Frature는 25°에서 1.20±0.414, 30°에서는 2.47±0.516, 35°에서는 2.87±0.352, 45°에서는 2.27±0.458로 나타났고 통계적으로 유의한 차이가 나타났다(p<0.05). 왜곡의 정도를 포함시키면 30°영역의 왜곡이 적게 나타났고, 40°영역은 심한 왜곡현상을 보였다. 따라서 Ankle(Broden)촬영에서 30∼35°상이 가장 좋은 영상이었으며, 30∼40°상에서는 Calcaneus Fracture, Subtentaculum Tali Frature의 진단에 가장 좋은 영상을 묘출하였다. There is an Ankle Oblique(Broden’ low) as an examination for the patient whose ankle was encased in orthopedic plaster. Some types of Ankle Joint coalition - Calcaneonavicular coalition, Talocalcaneal coalition and Naviculocuneiform coalition. This study is focused on the relation between Ankle Joints and the structural change of soft tissues, also finding the most proper angle to obtain good images of Ankle Joint from the patient who wore a plaster on his ankle, when we x-ray with Harris-Beath View(30°∼55°) - for observing Subtalar joint, Calcaneus Fracture, Subtentaculum, Tali Fracture and Talocalcaneal coalition. We intend to get the angle which makes us achieve the good image that shows Calcaneus Fracture, Subtentaculum, and Tali Fracture by changing internal angles of the patient’s ankle. We evaluated the images obtained from 51 patients with PACS monitor. The result of the evaluation, subtalar joint was not seperated but opened, and Subtentaculum Tali Fracture was seen overlaid. at the angle 30, we could observe Calcaneus Fracture, Subtentaculum Tali Frature and the front part of behind side of subtalar joint well. And Calcaneo Navicularcoalition, Talocal Canealcoalition, Naviculo Cuneiform coalition condition were clearly seen at that angle. At the angle 35, we could achieve the clear images of subtalar comminuted fracture, talus, the behind joint of heel bone and get the high definition image on the degree of talocalcaneal joint separation. In addition to, We could obtain the good wide image of Sinus Tarsi. At the area of 45, We can distinguish the soft tissues from gyps separation. The outer-talus and density of the bone were definitely seen and Calcaneus is more separated than that of at the angle of 35, but this image is distorted. Calcaneus, Subtentaculum Tali show 1.20±0.414 at the angle 25, 2.47±0.516 at the angle 30, 2.27±0.458 at the angle 45. This difference is statistically meaningful. (p<0.05). Including the degree of distortion, The distortion appears less at the area of 30° but at the area of 40, there is heavy distortion. So, We could get the best image for making a diagnosis. At the 30∼35° degree for X-raying ankle. and at the 30∼40° for Calcaneus Fracture, Subtentaculum Tali Fracture.

스트릿 댄스에 대한 전공별 인식 차이 연구

박성진(Part, Sung-Jin),안병주(An, Byong-Ju) 한국체육과학회 2012 한국체육과학회지 Vol.21 No.4

As this is a basic study for suggesting normalization and developmental direction of the biased recognition on street dance and for establishing a systematic theory, it aims to survey difference in recognition between street-dance majors and dance majors on street dance. For this, it surveyed concept recognition level, interest & experience appearance, and value recognition level on street dance targeting 171 street-dance majors and 163 dance majors, and examined major-based difference. The following conclusions were elicited. First, as a result of examining recognition level of terminology for examining the concept recognition level of street dance, the street-dance majors were indicated(p<.001) to have the lower concept recognition level than the dance majors. In case of dance majors, even the term recognition on the detailed genre in street dance was indicated(p<.001) to be lower than the street-dance majors. Second, as a result of examining recognition level on characters of street dance for examining the concept recognition level of street dance, both groups were indicated to be the highest in a case of recognizing that ‘it is dance art.’ However, the recognition level on characters of street dance was indicated(p<.001) to have difference by major. Third, as a result of examining the appearance of having experience on street dance, in case of dance majors, only 79 people(48.5) were indicated to have experience. The appearance of having experience on street dance by major was indicated(p<.001) to have difference by major. Fourth, as a result of examining the appearance of having an interest in street dance, the street-dance majors’ interest was indicated to be higher. An interest in street dance was indicated(p<.001) to have significant difference by major. Fifth, as a result of examining the value recognition on necessity of street-dance education in the dance education, both groups were indicated to recognize as saying of being necessary. However, the street-dance majors’ value recognition was indicated to be higher(p<.001). Sixthly, as a result of examining the individual value, artistic value, social value, and cultural value on street dance, both groups were indicated to have high value recognition level. However, the street-dance majors’ recognition was indicated(p<.001) to be higher than the dance majors’ recognition. Synthesizing the above conclusions, the major-based difference was shown in concept recognition, interest & experience, and value recognition level on street dance. Thus, to straighten an bad effect that street dance is delivered and transformed by wrong terminology, the education of theory is considered to likely need to be further reinforced in the actual condition for the current education of centering on practical skill. An effort for normalizing recognition of terminology on street dance was analyzed to be imminent through mass communication and relevant books.

1930년대 전반의 최승희의 작품세계와 예술관

안병주(Byeong Ju An),김민이(Min I Kim) 한국체육철학회 2005 움직임의철학 : 한국체육철학회지 Vol.13 No.3

제16회 동양학 학술회의 - 중국사회사상사의 제문제 : 황종희『명이대방록』의 공리적 민본사상

안병주 ( An Byeong Ju ) 성균관대학교 대동문화연구원 1987 大東文化硏究 Vol.21 No.-

키워드 네트워크 분석을 이용한 무용/동작치료의 해외연구동향

안병주(An, Byong-Ju),최일영(Choi, Il-Young) 한국체육과학회 2016 한국체육과학회지 Vol.25 No.3

As dance/movement therapy (DMT) is one of the methods which can prevent and treat metal and physical illnesses, it is an important research topic in the dance studies. In this paper, we investigated DMT-related research trends to create a virtuous circle of sharing and diffusing knowledge and to provide researchers with insights by keyword network analysis. For the analysis, we retrieved the DMT-related research papers from Science Direct, Wiley Online Library, and SAGE Journals between 2006 and 2015, and then collected keywords from the papers. Through the network analysis, the results were as follows. First, most of the MOT-related research papers published in The Arts in Psychotherapy. Second, research has been diversified into various topics including emotional and psychological research through education and training for recent 5 years. So, for quantitative and qualitative growth of DMT-related research, researchers are need to retrieve keywords with high degree centralities and to be combined with emotional and psychological research through education and training.

인터랙티브 댄스 러닝 시스템의 수용에 관한 연구

방미나(Bang, Mi-Na),최일영(Choi, Il-Young),안병주(An, Byong-Ju),정승혜(Jung, Seung-Hye) 한국체육과학회 2015 한국체육과학회지 Vol.24 No.1

An interactive dance learning system can help a user to learn a dance step by step. However, previous studies have not analyzed the factors to have effects on the behavioral intention to use the interactive dance learning system although it is important to analyze them for popularizing a dance. In this study, we analyse the factors to have an effect on the behavioral intention for the meaningful use of the interactive dance learning system in consideration of the characteristics of interactive dance learning system and the user behavior. For this purpose, we use a model which is based on Technology Acceptance Model (TAM) to incorporate an additional factor, trust. A survey data for 155 respondents is used for statistical analysis. Detailed research results are following; First, the perceived ease of use affects the perceived enjoyment and the trust. Second, the perceived enjoyment and the trust affect the perceived usefulness. Third, the perceived enjoyment, the trust, and the perceived usefulness affects the intention to use. Fourth, the perceived easy of use shall not affect the perceived usefulness and the intention to use. Through these results, we expect to provide the useful implications for popularizing the interactive dance learning system.

논문 : 한영숙류 살풀이춤 기록 실태에 관한 비교분석 -무보관련 학위논문을 중심으로

안병주 ( Byong Ju An ),홍승희 ( Seung Hee Hong ) 한국무용기록학회 2011 무용역사기록학 Vol.21 No.-

본 연구는 민속춤 관련 연구의 기록 실태를 비교 분석하기 위하여 국내에서 지금까지 발표된 민속춤 관련 연구 중 가장 활발한 양적 연구 실태를 나타내고 있는 한영숙류 살풀이춤을 대표적으로 선정하여 관련 연구의 기록 실태를 비교함으로써 민속춤 연구의 객관성과 정확성의 문제의 식을 강조하는데 목적을 두었다. 한영숙류 살풀이춤 관련 논문의 기록의 실태를 비교하기 위하여 수집된 21건의 관련 논문 중 무보를 포함하는 총 3건의 논문을 최종 연구대상으로 선정하여 분석하였다. 구체적인 연구 결과는 다음과 같다. 첫 번째로 한영숙류 살풀이춤 연구의 기록 실태를 춤사위 용어와 무보로 나눠 살펴본 결과, 우선 춤사위 용어에 있어서 21건의 춤사위 용어가 개별적 춤사위로 한 논문에 집중적으로 나타나는 것으로 분석되었을 뿐만 아니라 팔사위, 다리사위 용어 분류에 있어서도 각 논문에 따라 기록이 상이하게 기록되어있어, 기록된 춤사위 용어는 자료로서의 신뢰도가 떨어지는 것으로 나타났다. 두 번째로 무보를 장단과 춤사위로 나눠 살펴보았으며, 우선 장단을 분석한 결과 연구자료 중 느린 살풀이 장단이 포함되지 않은 기록이 있을 뿐만 아니라, 모든 연구자료에 기록된 내용이 「벽사춤보존회의 한국전통춤전수교본총서 살풀이춤」에 기록된 내용과도 상당부분 차이가 있는 것으로 나타나 연구과정에 있어서의 감수과정의 중요성과 이러한 자료들의 객관성 확보가 시급한 것으로 분석되었다. 세 번째로 무보에 포함된 춤사위 분석 결과 호흡, 팔사위, 다리사위 설명이 3편, 2편의 논문에서 일치하는 경우가 모두 50%이하로 나타나 동일한 춤사위에 대한 동일한 춤사위 용어설명이 이루어지고 있지 않아 기록된 자료의 신뢰도가 떨어져 현 한영숙류 살풀이춤 관련 연구에 포함된 무보 자료의 객관성 확보가 시급한 것으로 분석되었다. 따라서 현재까지 한영숙류 살풀이춤 관련 연구의 기록 실태를 살펴본 결과 춤사위 용어, 장단 및 춤사위 기록의 객관성과 정확성 확보가 시급한 것으로 분석되었다. 특히 춤사위 기록이 3편, 2편의 논문에서 일치하는 경우가 모두 50%이하인 점을 감안하였을 때, 향후 전통의 보존이라는 차원에서 자료의 객관성을 확보하기 위한 노력이 시급히 이루어져야 할 것이다. 또한 이러한 기록의 신뢰성 확보는 향후 객관적이고 정확한 자료를 토대로 다양한 관점의 민속춤 연구가 진행될 수 있도록 반드시 선행되어야 할 작업이라 사료된다. 이상 도출된 결론을 토대로 전통춤 연구의 질적 성장을 도모하는데 본 연구가 도움이 되었으면 하는 바이며 향후 한영숙류 살풀이춤 뿐만 아닌 다양한 민속춤 관련 연구의 기록 실태를 분석하고, 전통춤 계승과 발전양상에 관한 기록의 객관성과 정확성 확보를 위한 연구가 추후 이루어져야 할 것을 제언하는 바이다. This study chooses Han young-sook`s Salpuri dance, which is one of the famous traditional dance, to analyze the research status and structure. This study grasps the research status of Han young-sook`s Salpuri dance and compare with each research about Han young-sook`s Salpuri dance. For analysis of the research status, we collected the 21 related theses. And for analysis of the structure of Han young-sook`s Salpuri, we selected the 3 thesis. The Han young-sook`s Salpuri dance was classified by movement vocabulary and dancing notation. In the movement vocabulary, 21 movement vocabulary was used in a paper and the other papers used and recorded different movement vocabulary. The dance notation was classified by rhythm and dance notation. From the results of analysis of the dance notation, it is drawn that the dance notation in each study did not accord at many parts, that is, as many as over than 50%. Each study did not use same dance notation, and this problem decreased the reliability and validity of the research. Based on the elicited conclusion in the above, this study is conducive to promoting qualitative growth of a research on traditional dance. There are suggestions of performing further an analysis of the actual condition of recording a research related to diverse folk dances as well as Han young-sook`s Salpuri dance hereafter, and a research for securing objectivity and accuracy of a record on succession and developmental aspects in traditional dance.

동아시아의 유학전공과 대학 조선왕조의 유학전통과 성균관

안병주 ( An Byeong Ju ) 성균관대학교 대동문화연구원 1999 大東文化硏究 Vol.34 No.-