현대 한일 양국어의 대조비교(2) : 복합동사를 중심으로 複合動詞を中心にして

양순혜 한국일어일문학회 1982 日語日文學硏究 Vol.3 No.1

자연녹지 토양 미생물 생태 변화 연구

양순혜,사동민 선문대학교 자연과학대학 1999 자연과학대학 논문집 Vol.2 No.-

자연녹지의 미생물 생태 변화를 살펴보기 위하여 오대산, 남산, 청량산, 마니산 및 창덕궁 후원의 신갈나무림 서어나우림, 소나무림, 리기다 소나무림 및 아까시나무심의 표토와 심토를 채취하여 미생물 밀도, 분포 및 다양성 지수를- 조사하였다. 총균수는 표토에서 서어나무림 1,97×10^(7), 신갈나무림 2.64×10^(7), 소나무림 3.32×10^(7), 아까시나무림 5,37×10^(7), 리기다소나무림 2,60×10^(7) c.f.u,/g soil였다. 사상균의 총균수 는 지역별로 남산 3.54×10^(6), 오대산 0.69×10^(6), 마니산 0,32×10^(6), 청량산 0.29×10^(6), 창덕궁 0.21×10^(6) c.f.u/g soil이었다. 다양성 지수는 지역별로는 오대산(0.4897) > 마니산(0.4638) > 남산(0.3699) > 창덕궁 (0.3577) > 청량산(0,2847) 순서였으며, 서식림별로는 소나무림((),4772) > 서어나무림(0.4517) > 신갈나무림 ((),4316) > 리기다소나무림(0.3366) > 아까시나무럼(0,3232)으로 나타났다. Microbial density, proportion and diversity in surface and sub soil under Queraus mongolica, Carpinus laxiflora, Pinus densiflora, Robinia Pseudoacacia, Pinus rigida of Mt. Nam, Mt. Odea, Mt. Manee, Mt, Chungyand and Chanduckgung were examined. Total microbial density were Carpinus laxiflora 1.97×10^(7) c.f.u./g-soil, Quercus mongolica 2.64×10^(7) Pinus densiflora 3.32×10^(7) Robinia Pseudoacacia 5.37×10^(7) Pinus; rigida 2.60×10^(7) c.f.u./g soil in surface soil. Density of fungi were Mt. Nam 3.54×10^(6), Mt. Odea 0.69×10^(6), Mt. Manee 0.32×10^(6). Mt. Chungyang 0.29×10^(6) Changduckgung 0.21×10^(6) c.f.u./g soil in location. Microbial diversity were Mt. 0dea(0.4897) > Mt. Manee(0.4638) > Mt. Nam(0.3699) > Changduckgung(0.3577) > Mt. Chungyang(0.2847) in location and Pinus densiflora(0.4772) > Carpinus laxifloa(0.4517) > Quercus mpgolica(0.43l6) > Pinus rigida(0.3366) > Robinia Pseudoacacia(0.3232) in forest.

吉田兼好硏究 : 「徒然草」에 나타난 自然觀을 中心으로 mainly in the Nature in 'Tureturegusa'

梁淳惠 建國大學校 敎育硏究所 1986 論文集 Vol.10 No.-

We can say like this as the above mentioned from the main subject. There are some exceptions for Kenko Yoshida, but, generally, we can find out that he shows much more interest in the beauty which is coming from between Nature and personal harmony more than Nature itself. That means we can understand there are lots of stuffs of explanation pertaining to the way of Nature's appreciation. Well, let's find out what the Kenko's beauty is. First, He showed so much admire of the traditional beauty which comes from dynasty period. Therefore, we can figure out the paragraphs which he attaches great importance to manner and customs. We can say as like this shows us Kenko's an aspect reminiscent. Next, we can darely to say that he emphasizes the beauty which comes from the change's process and he doesn't want to include the beauty of momentary or mood. This means, he tried to show the beauty as dynamic and also, tried to be dominated by philosophical theory which mean "All has changing and succession." "Everything is mutable" as Kenko's funaamental theory and tried to show an aspect as a wise man. Also, Kenko loves simple, natural beauty, that is to say, reverberative itself better than artifical and splendid beauty. This was the part of mood which was loved by the middle age's poet, and shows us Kenko was also one of the people as the above mentioned. Finally, Kenko showed us the affection which is dominated by mental and sentimental and delicate stuff pertaining to, how Nature is, Season is, and life is. This point means, he could not perfect reduse and also, tried to show us an aspect of sympathetic person.

日本平安時代에 있어서의 女流文學硏究 : 『源氏物語』의 末摘花卷을 중심으로 With Focus on the Volume 'Suetsumuhana' of "Gengimonokadari"

양순혜 건국대학교 교육연구소 1998 論文集 Vol.22 No.-

『源氏物語』연구 : 「木」券에 나타난 여성론을 중심으로 Focused on the Theory of Women Found in the Volume of 'Hahaki'

양순혜 건국대학교 교육연구소 1999 論文集 Vol.23 No.-

SUMMARY This study was intended to investigate the theory of women that four male exhibited in the 'Hahaki' volume, the second volume of "Gengimmonkatari" This theory of women started with the high evaluation of the personality and fascination of women in the middle class in the upper class aristocratic society. It was addressed in such diverse aspects as several types of women, the theory of women likened to accomplishments, the desirable image of woman and wife, narratives of their husbands' personal experiences, and the like. In consequence, it could be seen that its content naturally reflected the climate of the then upper middle-class aristocratic society. It is equal to the 'sentiment leaving latitudes behind'. The ideology of beauty underlies everything which include words, expression callisgrapic style, concentration of Indian ink, voice and so on in composing the 'waka' to name a few. Consequently, it could be seen that greater importance was first of all attached to women's mentality of understanding elegance or refinement as well as their generous and good-natured mantality.

松尾芭蕉硏究 : 『奧の細道』의 散文을 중심으로 A focus on proses of 『 The Oku no HosoMitsi 』

양순혜 건국대학교 교육연구소 1997 論文集 Vol.21 No.-

吉田兼好硏究 III : 「徒然草」에 나타난 「愚かなる人」關을 中心으로 On the Fool in Tureturegusa

梁淳惠 건국대학교 1992 學術誌 Vol.36 No.1

「徒然草」は日本古典文史上代表的な隨筆の-つである.作吉秉好はその中で自然,人生,世界をはじめとして趣味訓,課話,檢な』多方面にわたって作の幅い知性と養をぃかんなく揮している.本文でi;t作が「_人」という形で人間を論じている章段が多いのに注目しそのやでも特に「_人」という形で'鑛されている人物論び人物の中で否定的側面と思われる章段に焦を置いて作吉覺需好の人物をたとってみたまずその形態としては「愚かなる人」(9頻度粒),「ったなそ人」(3),「よからぬ人」(3回),「かたくななる人」(2),「下ざまの人」(a),「っぎぎまの人」,「漠オの人」,「ぃたづらなる人」,「ひがひがしからん人」,「うとき人」,「腹あしき人」,「ひがごとする人J,「かたいなかの人J,「下愚のへ」,『くらき人」,「思ひ分かざらん人」,「物なれぬ人」な』のように表現されていた.以上のような形で表現されている人間像は結論的に言えば多くは無常,驗俗,離緯思想を根本として價されていると言うことができる,タ回にわたって鑛されている「愚かなる人」の未部分はこのような. て1をり投わられていると言える.部ち帶に徹底できない人の性として世俗的名善,利靈,財産に執着して普しむ人,この世は常に化してかるという纖然と;_た攝理に目ぎめられず人生の無常をさとれない人.何が重要であり何が無鐵であるかもわからずただ目先の利錢にあくせくしている人.この世の中が相的に動いているということを悟れない人.そのために人生における眞の力事である傳に楕できない人を吉田秉好は觀照的に時には李らつに非している.「徒然草」の底に流れている思想は傳驗思想であり老莊思想,儒驗思想であることが「_人」にあらわれた人間においても如に現われそのような立場で軌脚に經が展顯されている事を知るのである.

「紫式部日記」 硏究

양순혜 建國大學校 敎育硏究所 2002 論文集 Vol.26 No.-

Murasakisikibu, the writer of Murasakisikibu's Nitki was the person who served as court lady serving Syousi, emperor Ichizyo's empress contary to her will. But Murasakisikibu was much agonized because of failure to adapt herself to the luxurious and sociable life. She tool a passive life and paod attention to her relations with fellow court ladies. The reason for it might originate from a deep awareness of the enviornment, difference in social status, age and the like, in which we can take a look at Murasakisikibu's reflective and strict look at any object or thing. This personlity of hers led her to own the spiritual world of agonizing and being distressed all the time. What Murasakisikibu never forgot all the time in her view of life was to feel aware that this world is transient and to abandon this world. But it was to become a Buddhist priest. But she found herself accustomed to the conflict and agony coming from failure to carry it into practice, and further this world(court life) and longing for its life and deplored her contradictory figure. Murasakisikibu's this endless self-introspection and self-criticism causes Murasakisikibu's Nitki to be called self-mocking literature.

吉田兼好硏究Ⅱ : 「徒然草」에 나타난 「よき人」觀을 中心으로

梁淳惠 건국대학교 교육대학원 1992 敎育論叢 Vol.17 No.-

淸少納言의 「枕草子」硏究 : 自然描寫를 中心으로 mainly in the description about the nature

梁淳惠 건국대학교 1986 學術誌 Vol.30 No.1

The following conclusions were drawn from the above-mentioned studies. The auther, SEI SHOU NA GON, was very attached to the change of four seasons. It seems to me that among the natural phenomena, the realistic description about snow, wind, rain, the moon and dewdrop, in particular, was very much and the interest about flower, wood, grass, bird and insect was very high. The striking characteristic in describing the natural objects is very sensual and impressive. As far as the description about the natural phenomenon and animal and vegetation is concerned, the distinctive color of objects and things and the esthetic sense coming from the harmonic contrast between the environmental landscape and the state of things were captured keenly and precisely and expressed concisely. It means that the author, SEI SHOU NA GON, was the owner of a high sense of color and beauty. Though the natural object seeks after the ideal of beauty, it is certain that in this literature, the difference of beauty which was modified as the time ranging from morning till night was observed keenly and described precisely and distinctively. As a result, in this article a great deal of vacabuary represented by the emphasis and color, for example, white and light purple, and limited time for example, daybreak and evening was used. Most of the descriptions of nature were estimated by "OKASI," which is the emotion generated by the objective and intellectual observation about objects. It means that the character of author is very bright and cheerful. At last, the fact is that the style of MAKURANO SOUSI is very ommisive. Most of the articles were ended in the substantive and inflected word. That is the main reason why is it that the readers are liable to feel the conciseness and flexibility of article and the vivid description of nature.