舊韓末 農民紛爭의 背景硏究

黃善嬉 상명대학교 논문집 1984 상명대학교논문집 Vol.14 No.-

If the tenancy dispute at the age of Japanese imperialism is to be regarded as an antiimperialistic movement of modern peasants', its origin can be pursued out from the dispute of the land ownership at the end of the Yi Dynasty. Generally speaking, the peasant' dispute broke out almost in the form of spontaneity and locality. Their land ownership dispute at that time also arose from the protesting movement against the land-taxation which had been continued since the latter half period of the Yi dynasty. While the peasants' social position was radically specialized and their way of thinking was also actively advancing, the external factors like the policy of the government against their requests stimulated them to disbelieve its management and to induce the anti-government movement. And their dispute resulted even in that of the land ownership. The peasant' dispute of the nineteenth century which developed into the social movement of the anti-feudalism brought about the loyal soldiers' participation, the land owenrship dispute, the tenancy dispute, and the national movement of independence. For the purpose of reorganizing the course of the above mentioned, this thesis aims at the gradual and structural analysis of the system of the land owners and the background of the peasant' dispute, in the course of which few questions are needed (to answer) in order to synthesize this treatise. How had the peasant' disputes changed and developed from the protesting movement against the land taxation since the seventeenth century? How was it possible that the peasants' internal abilities, that is, their basic rights and their senses which enabled them to continue the above mentioned disputes? What kinds of policy did the government execute to cope with the continuous disputes of peasants', for instances, the protesting movement against the land taxation the revolt of the people, and the dispute of the land ownership? Why were the peasant' disputes inevitably intensified in spite of the governmental efforts of settling them?

공포영화 캐릭터에 표현된 칼 로젠크란츠의 “추(醜)” 이미지에 관한 연구

황선희,김경희,최미혜 한국니트디자인학회 2013 패션과 니트 Vol.11 No.3

As for modern people who are living in the rapidly changing era culturally, a meaning of ugliness(醜) cannot be regarded only as the opposite meaning of beauty any more. As for ugliness in the middle of society, it is being expressed as image of beauty in "ugliness" in culture, fine arts, fashion, and movie while even "ugliness" is developed as element of giving a sense of joy about which a human being feels. There is significance in utilizing it as basic data of developing character by which a researches examines beauty of ugliness by Carl Rosen Kranz of being seen in external element of character, which appears in horror movie, by selecting horror movie that has been together with radical development in a movie. A research method was considered a meaning of ugliness by Carl Rosen Kranz and was suggested the new ugly image as formlessness and inaccuracy, which come from the meaning of ugliness by Carl Rosen Kranz and as destructiveness, de-construction and monstrosity in the form of having been inferred from abnormality in a form. The aim is to analyze and interpret by integrating this into external element of horror character, which was selected.

따로 또 같이 열어가는 염려의 공간 - 2025년 봄의 시

황선희 (사)딩아돌하문예원 2025 딩아돌하 Vol.- No.75

충청북도 중학교 여학생의 기술에 대한 태도

황선희,최준섭,정성봉 한국기술교육학회 2005 한국기술교육학회지 Vol.5 No.2

The purpose of this study was to examine the attitude of girl students of middle school toward technology. This study was carried out using the questionnaire of attitude scale test developed by Lee(1999).In order to select the appropriate number of girl students cluster sampling with stratification has been employed in Chungbuk province: 4 girls' middle schools and 5 coeducational middle schools have been randomly selected, respectively.The main results of this research were as follows: (1) Girl students' response with attitude toward technology was in the level of average of 3.06 out of perfect 5.(2) Girl students showed negative attitude toward the tendency that they are differentiated from boy students in the daily activities related with technology. (3) Girl students recognized the importance and influence of technology. And also they thought technological activities positively. (4) Frequency of conversations with parents in their home regarding technology had greatly influenced on girl students' attitude toward technology.

A Comparative Study on Demonstratives in Korean and English

황선희,박종언 미래영어영문학회 2019 영어영문학 Vol.24 No.2

This study aims to examine the distribution and uses of demonstratives, a major class of spatial deixis, in Korean, in comparison with English from a comparative perspective. We particularly explore whether the two languages are different with respect to a full inventory of semantico-pragmatic features influencing the selection of demonstratives and look further into whether there is any difference in the way even the same kinds of features are operative. Building on Imai (2003), we first suggest that physical distance and an addressee-oriented feature are commonly operative in demonstrative choice in both languages; departing from Imai, however, we argue that just as in English, psychological distance and [Equi-distance Contrast] should be included on the list of semantico-pragmatic features for Korean. Secondly, extending Niimura and Hayashi’s (1996) observation on Japanese and English, we claim that when physical and psychological distance conflict, the former determinant takes precedence over the latter in Korean whereas the hierarchical order is reversed in English. Finally, we show that the use of a pair of contrastive demonstratives is not always possible but restricted by a contextual condition: in short, the referents must be within the addressee’s physical territory in Korean (cf. Meira & Terrill (2005) for English). A consequence from our study is that it would not be sufficient just to provide a list of determining features for demonstratives.

나희덕의 시와 시론에 나타난 포스트휴먼 시대 공생의 상상과 윤리 - 2010년대 이후 작품을 중심으로 -

황선희 대구가톨릭대학교 인문과학연구소 2024 인문과학연구 Vol.- No.52

This paper explores the development of the imagination and ethics of symbiosis in the posthuman era. For this purpose the poetry and poetics of Na Hui-deok (since the 2010s) will be examined. With this in mind Na Hui-deok’s sense of ethics necessitates a re-evaluation within the context of post human discourse. Sense of ethics is concerned with the relationship between humans and non-human others, and exhibits ecological sensitivity and ethics; thus bringing a new understanding to the existing related discourse. Significantly Na Hui-doek broadens the category of the ‘other’ to non humans. Her poetry features not only other categories of living organisms namely animals and plants but also inanimate objects, demonstrating the imagination of symbiosis. Furthermore, by employing a method of actively referencing reality through citations, she demonstrates the potential for expanding the poetic universe. Further still, the methodology of referencing underscores the intellectual qualities present in her poetry. Her methodology is characterized by using a diverse range of citations, a poetic practice that demonstrates not only her intellectual scope but how creative she is. It is Na Hi-deok’s focus upon the ‘ecological nature’ within humanity that is key to reading her poetry though; this focus designate the subject of her poetry, undergoing an internalization process as a ‘possibilist’. From her work, comparisons and further implications of Donna Haraway’s seminal work ‘A Cyborg Manifesto’ can be made. Na Hi-doek’s poetry offers new possibilities for the exploration into the imagination and ethics of symbiosis, leading the way in a Korean poetic contribution to this new frontier.

뷰티종사자들이 경험하는 성희롱이 직무스트레스와 이직의도에 미치는 영향

황선희,최정순,한순영 한국네일미용학회 2017 한국네일미용학회지 Vol.5 No.1

This study attempted to determine the effects of sexual harassment on job stress and turnover rate among beauty industry workers. For this, a total of 264 women working in diverse beauty fields such as skin care salons, beauty salons, nail shops, and beauty clinics attached to a hospital were examined. The study results found the following: According to analysis of the influence of sexual harassment on turnover rate, ‘gender harassment’ was the highest, followed by ‘sexual interest’ in terms of relative contribution. In multiple regression analysis of the effects of sexual harassment on job stress, on the contrary, ‘sexual coercion’ revealed a statistically significant influence when the effects of sexual harassment on job insecurity were analyzed. The results of the multiple regression analysis of the effects of sexual harassment on relationship conflict reveal that the regression equation is compatible with statistical significance. In addition, the results of the multiple regression analysis of the influence of sexual harassment on job autonomy confirmed that the regression equation is compatible with statistical significance. In terms of the effects of sexual harassment on job autonomy, statistically significant influence was found in ‘gender harassment.’ method and creation subject have changed significantly these days by combining with digital media. Especially, trans-genre of art and change of receiver's paradigm are outstanding. Art escapes from the frame of traditional art and time and space are expanded so art shows opening type that is completed with audience's participation. The purpose of this study is to propose the direction of art and design by selecting 'expandibility' as a key word to represent the change of art and grasping the flows of various changes in entire art field, which are caused by introduction of digital media. The study suggested 4 factors such as perception expandibility, time expandibility, space expandibility and communication expandibility for representative expandibility shown in digital art and verified its validity through case study. Today, digital art should escape from the concept that audience 'appreciates' the work completed by artist. It should have an open structure where uncompleted work is completed through audience's experience.

단원FM 공동체 라디오에서 책 읽어드립니다

황선희 사단법인 어린이도서연구회 2025 동화읽는어른 Vol.2025 No.3

김춘수의 『處容斷章』(1991)에 나타난 무의미시의 퇴행 양상 연구

황선희 한국문학회 2022 韓國文學論叢 Vol.90 No.-

Poet Kim Chun-Su, after long figuring out ‘Cheoyong’ as a literary figure, published a long series of poems called ‘Cheoyongdanjang’. As a long-term project, Cheoyongdanjang shows a different form from the previous form of Cheoyong. The judgment on Nonsense Poetry differed greatly depending on the author, but it is somewhat questionable whether Kim Chun-soo's early experiments were specifically explained in text. Also, there are not many discussions that examine the creative methodologies shown in the poetry texts without being bound by Kim Chun-su's poetry. Accordingly, in this thesis, Kim Chun-su's Cheoyongdanjang is defined as an 'autobiographical record of a problematic individual' and a project, and the characteristics of speech appearing in the text and the attitude of the poetic subject in the text were examined. In Cheoyongdanjang , which constitutes the culmination of an experiment on Nonsense Poetry, the poetic subject restricts the depth of the image while showing an obsession with the senses. The words implicitly expressed through the poetic subject's mouth are closer to utterance than conscious remarks, and the attitude of the subject, who cannot abandon the world, is difficult to regard as participation. Moving on to the second part, the poetic subject shows a paradoxical gesture that the more he tries to escape from reality, the stronger he is bound to reality. A poetic subject, who tried to hide the ‘I’, reveals itself without realizing it and ignites the reality and meaning. The subject of the third part of the speech retreats to the rhythm of the poem while fleeing to the place of the dream. Kim Chun-su's poetic subject pursues ‘meaninglessness’, but shows that he is constrained by the realm of meaning. What remained in the place where the confession and rhythm had deteriorated was a retreat from Nonsense Poetry and the limitations of Cheoyongdanjang . 시인 김춘수는 오랫동안 ‘처용’을 문학적으로 형상화하다가 處容斷章 이라는 장편 연작시를 발표했다. 장기간에 걸친 기획으로서 處容斷章 은 이전의 처용 형상과 변별되는 모습을 보여준다. 김춘수의 무의미시에 대한 판단은 논자에 따라 극심한 차이를 보였으나 정작 텍스트 차원에서 김춘수의 시작 실험이 구체적으로 해명되었는지는 다소 의문이다. 또한 김춘수 시론에 얽매이지 않고 시 텍스트에 나타난 창작 방법론을 살핀 논의는 많지 않다. 이에 따라 이 논문에서는 김춘수의 處容斷章 을 ‘문제적 개인의 자전적 기록물’이자 기획으로 규정하고, 텍스트에 나타나는 언술상의 특징과 시적 주체의 태도를 살펴보았다. 무의미시 실험의 극점을 이루는 處容斷章 에서 시적 주체는 이미지의 깊이가 깊어지는 것을 제한하면서도 감각에 대한 강박을 보인다. 시적 주체의 입을 통해 은연중에 나오는 말들은 의식적인 발언이라기보다는 발화에 가까우며, 세계를 저버리지 못하는 주체의 태도는 참여라기보다는 참가에 가깝다. 2부로 넘어가면서 시적 주체는 현실에서 벗어나려 할수록 현실에 강하게 구속되는 역설적인 몸짓을 보여준다. ‘나’를 숨기고자 했던 시적 주체는 자기도 모르는 사이에 자신을 내보이고 현실과 의미에 대해 발화한다. 3부의 시적 주체는 꿈의 자리로 달아나면서 시의 리듬을 후퇴시킨다. 김춘수의 시적 주체는 ‘무의미’를 지향하면서도 의미의 영역에 구속되어 있는 모습을 보여준다. 고백과 리듬이 퇴화한 자리에 남은 것은 무의미시의 후퇴이자 處容斷章 의 한계였다.

이돈화(李敦化)의 사상연구(思想研究) - 인내천논증(人乃天論證)을 중심으로 -

黃善嬉 상명사학회 1993 상명사학 Vol.1 No.-