舊韓末 農民紛爭의 背景硏究

黃善嬉 상명대학교 논문집 1984 상명대학교논문집 Vol.14 No.-

If the tenancy dispute at the age of Japanese imperialism is to be regarded as an antiimperialistic movement of modern peasants', its origin can be pursued out from the dispute of the land ownership at the end of the Yi Dynasty. Generally speaking, the peasant' dispute broke out almost in the form of spontaneity and locality. Their land ownership dispute at that time also arose from the protesting movement against the land-taxation which had been continued since the latter half period of the Yi dynasty. While the peasants' social position was radically specialized and their way of thinking was also actively advancing, the external factors like the policy of the government against their requests stimulated them to disbelieve its management and to induce the anti-government movement. And their dispute resulted even in that of the land ownership. The peasant' dispute of the nineteenth century which developed into the social movement of the anti-feudalism brought about the loyal soldiers' participation, the land owenrship dispute, the tenancy dispute, and the national movement of independence. For the purpose of reorganizing the course of the above mentioned, this thesis aims at the gradual and structural analysis of the system of the land owners and the background of the peasant' dispute, in the course of which few questions are needed (to answer) in order to synthesize this treatise. How had the peasant' disputes changed and developed from the protesting movement against the land taxation since the seventeenth century? How was it possible that the peasants' internal abilities, that is, their basic rights and their senses which enabled them to continue the above mentioned disputes? What kinds of policy did the government execute to cope with the continuous disputes of peasants', for instances, the protesting movement against the land taxation the revolt of the people, and the dispute of the land ownership? Why were the peasant' disputes inevitably intensified in spite of the governmental efforts of settling them?

유아의 대처능력에 미치는 관련변인 연구

황선희 미래유아교육학회 2003 미래유아교육학회지 Vol.10 No.4

본 연구는 만 4세-5세 유아들을 대상으로 유아의 대처능력에 미치는 관련변인을 보고자 하였다. 본 연구의 대상은 부산광역시에 소재하고 있는 사립유치원 유아 49명이었다. 본 연구에서 사용한 대처능력검사와 자기조절검사 도구는 Eisenberg, Fabes, Karbou, Murphy, Wosinski, Polazzi, Carlg & Jahuke(1996)가 사용한 것을 수정하여 유아의 이해 수준에 맞추어 재구성한(안지영, 1998)것을 사용하였다. 수집된 자료는 Pearson의 적률상관분석, 중다회귀분석과 경로분석을 실시하였다. 가설적으로 설정한 경로모형에 대한 검증결과 모의 경제적 만족도, 연령, 기질은 자기조절에 영향을 미쳐 대처능력에 영향을 미치는 경로를 보이고 있다. 그러므로 유아의 자기조절은 대처능력에 대한 직접ㆍ간접적 효과를 모두 보이는 중요한 변인으로 밝혀졌다. The purpose of this study was to investigate the factors which affect young children’s coping competence. The subjects were 49 four to five years old children and their mothers. Instruments used in this study were the modified CCCS(Children’s Coping Competence Scale) and the modified CSRS(Children’s Self-Regulation Scale)for children, TQ(Temperament Questionnaire) for children four to five years age, and environmental variables. The data were analyzed by Pearson’s correlation and regression and path analysis. Findings were as follows : The young children’s self-regulation directly affected problem-focused coping competence. The young children’s self-regulation, age and sex directly affected the young children’s emotion-focused coping competence. The young children’s self-regulation, age, maternal economic satisfaction directly affected the young children’s support-focused coping competence. Then, the young children’s age, temperament and maternal economic satisfaction affected the young children’s self-regulation that directly predicted the young children’s coping competence. Results of the test for the mediation, the young children’s age and maternal economic satisfaction affected the young children’s self-regulation that directly predicted the young children’s problem-focused coping competence. The young children’s temperament and maternal economic satisfaction affected the young children’s self-regulation that directly predicted the young children’s emotion-focused coping competence. Maternal economic satisfaction affected self-regulation that directly predicted the young children’s support-focused coping competence. The young children’s self-regulation were mediator of the young children’s coping competence. Among the variables, the young children’s self-regulation played a critical role to predict copying competence.

韓國獨立運動과 民族精氣

黃善嬉 한국민족운동사학회 1997 한국민족운동사연구 Vol.17 No.-

한국민족주의운동에 대한 역사적 평가 - 국내민족운동을 중심으로 -

황선희 한국민족운동사학회 1999 한국민족운동사연구 Vol.23 No.-

A Comparative Study on Demonstratives in Korean and English

황선희,박종언 미래영어영문학회 2019 영어영문학 Vol.24 No.2

This study aims to examine the distribution and uses of demonstratives, a major class of spatial deixis, in Korean, in comparison with English from a comparative perspective. We particularly explore whether the two languages are different with respect to a full inventory of semantico-pragmatic features influencing the selection of demonstratives and look further into whether there is any difference in the way even the same kinds of features are operative. Building on Imai (2003), we first suggest that physical distance and an addressee-oriented feature are commonly operative in demonstrative choice in both languages; departing from Imai, however, we argue that just as in English, psychological distance and [Equi-distance Contrast] should be included on the list of semantico-pragmatic features for Korean. Secondly, extending Niimura and Hayashi’s (1996) observation on Japanese and English, we claim that when physical and psychological distance conflict, the former determinant takes precedence over the latter in Korean whereas the hierarchical order is reversed in English. Finally, we show that the use of a pair of contrastive demonstratives is not always possible but restricted by a contextual condition: in short, the referents must be within the addressee’s physical territory in Korean (cf. Meira & Terrill (2005) for English). A consequence from our study is that it would not be sufficient just to provide a list of determining features for demonstratives.

공포영화 캐릭터에 표현된 칼 로젠크란츠의 “추(醜)” 이미지에 관한 연구

황선희,김경희,최미혜 한국니트디자인학회 2013 패션과 니트 Vol.11 No.3

As for modern people who are living in the rapidly changing era culturally, a meaning of ugliness(醜) cannot be regarded only as the opposite meaning of beauty any more. As for ugliness in the middle of society, it is being expressed as image of beauty in "ugliness" in culture, fine arts, fashion, and movie while even "ugliness" is developed as element of giving a sense of joy about which a human being feels. There is significance in utilizing it as basic data of developing character by which a researches examines beauty of ugliness by Carl Rosen Kranz of being seen in external element of character, which appears in horror movie, by selecting horror movie that has been together with radical development in a movie. A research method was considered a meaning of ugliness by Carl Rosen Kranz and was suggested the new ugly image as formlessness and inaccuracy, which come from the meaning of ugliness by Carl Rosen Kranz and as destructiveness, de-construction and monstrosity in the form of having been inferred from abnormality in a form. The aim is to analyze and interpret by integrating this into external element of horror character, which was selected.

뷰티종사자들이 경험하는 성희롱이 직무스트레스와 이직의도에 미치는 영향

황선희,최정순,한순영 한국네일미용학회 2017 한국네일미용학회지 Vol.5 No.1

This study attempted to determine the effects of sexual harassment on job stress and turnover rate among beauty industry workers. For this, a total of 264 women working in diverse beauty fields such as skin care salons, beauty salons, nail shops, and beauty clinics attached to a hospital were examined. The study results found the following: According to analysis of the influence of sexual harassment on turnover rate, ‘gender harassment’ was the highest, followed by ‘sexual interest’ in terms of relative contribution. In multiple regression analysis of the effects of sexual harassment on job stress, on the contrary, ‘sexual coercion’ revealed a statistically significant influence when the effects of sexual harassment on job insecurity were analyzed. The results of the multiple regression analysis of the effects of sexual harassment on relationship conflict reveal that the regression equation is compatible with statistical significance. In addition, the results of the multiple regression analysis of the influence of sexual harassment on job autonomy confirmed that the regression equation is compatible with statistical significance. In terms of the effects of sexual harassment on job autonomy, statistically significant influence was found in ‘gender harassment.’ method and creation subject have changed significantly these days by combining with digital media. Especially, trans-genre of art and change of receiver's paradigm are outstanding. Art escapes from the frame of traditional art and time and space are expanded so art shows opening type that is completed with audience's participation. The purpose of this study is to propose the direction of art and design by selecting 'expandibility' as a key word to represent the change of art and grasping the flows of various changes in entire art field, which are caused by introduction of digital media. The study suggested 4 factors such as perception expandibility, time expandibility, space expandibility and communication expandibility for representative expandibility shown in digital art and verified its validity through case study. Today, digital art should escape from the concept that audience 'appreciates' the work completed by artist. It should have an open structure where uncompleted work is completed through audience's experience.

김승희 시에 나타나는 ‘안-밖’의 이중 구조

황선희 국제어문학회 2023 국제어문 Vol.- No.96

This study critically analyzes the dual structure and meaning of “inside” and “outside” that appear in Kim Seung-hee's poetry. We especially focus on How to Get Out(1991), where Kim Seung-hee's thoughts on “outside” are in full swing. In particular, we attempt to reevaluate the poems by looking at the place and meaning of this poem in Kim Seung-hee’s world of poetry. Even in poetry with a dual structure of “in and out,” the poetic subject is not buried in such a structure, but creates a “between” zone. The poetic subject's value judgment on “inside” and “outside” continues to be delayed rather than clearly appearing. “An” can be read as a preliminary step or a state of restraint to go outside, but at the same time, “I” is the basis for rolling life. “Outside” is sometimes drawn as a space that the poetic subject wants to reach, but also serves as a basis for looking critically at urban civilization. Kim Seung-hee's fifth collection of poems How to Get Out, which has not received much attention in the world of poetry, needs to be evaluated more actively, as the poet’s imagination of nomadism and metonymy takes her poetry beyond the “in” and “out” confrontation. 이 논문에서는 김승희의 ‘밖’에 대한 사유가 본격화하는 제5 시집 『어떻게 밖으로 나갈까』(1991)를 중심으로 김승희 시에 나타나는 ‘안’과 ‘밖’의 이중 구조와 그 의미를 살펴보았다. 특히 이 시집이 김승희의 시세계에서 어떤 자리에 놓이며 어떠한 의미를 지니는지 살펴봄으로써 수록 시편들을 재평가하고자 했다. ‘안-밖’의 이중 구조를 띠는 시에서도 시적 주체는 그러한 구도에 매몰되지 않고, ‘사이’의 지대를 만든다. ‘안’과 ‘밖’에 대한 시적 주체의 가치판단은 뚜렷하게 나타나기보다는 계속해서 지연된다. ‘안’은 ‘밖’으로 나가기 위한 예비적 단계 혹은 속박의 상태로 읽어낼 수도 있지만, 그와 동시에 ‘나’가 삶을 굴려 가는 기반이다. ‘밖’은 시적 주체가 도달하고자 하는 공간으로 그려질 때도 있지만, 한편으로는 도시 문명을 비판적으로 바라보게 하는 근거가 되기도 하였다. 그동안 김승희의 시세계에서 크게 주목받지 못했던 제5 시집 『어떻게 밖으로 나갈까』는 좀 더 적극적으로 평가될 필요가 있다. 김승희가 보여준 유목과 환유의 상상력은 그의 시를 안과 밖의 대결 구도에만 머물지 않도록 하였다.

김승희 시에 나타나는 ‘안-밖’의 이중 구조

황선희 국제어문학회 2022 국제어문학회 학술대회 자료집 Vol.2022 No.2

송욱과 김우창의 시론에 나타난 전통에 대한 태도—만해 한용운을 바라보는 관점을 중심으로—

황선희,이경수 우리어문학회 2014 우리어문연구 Vol.49 No.-

The purposes of this study were to investigate an attitude toward tradition in criticisms of poems by Song, Wook and Kim, Woo-chang and compare them on the grounds for their evaluation Manhae Han, Yong-woon as the greatest modern poet. For those purposes, the study depicted the images of tradition perceived by them with a focus on “Zen” ideology of Buddhism and examined the context of their esteemed criticisms of Manhae. The present study focused on the following differences in perspectives between them: Song placed the Zen ideology of Buddhism alongside Manhae's ideology of poetry creation and had a positive view of them. He believed that one would not be able to consider the poetry and steps of Manhae separate from the Zen ideology of Buddhism. Meanwhile, Kim argued that Manhae was close to achieving the overall structure without escaping into the Zen world while being cautious against Korean poets that withdrew into the Zen view of the world and personal culture. While Song had an understanding and perception of Manhae for Zen ideology for his esteemed criticism of Manhae, Kim cited him as the greatest poet for his keeping a critical distance from Zen ideology. Thus there were huge differences in the perspective of tradition of Zen ideology in Buddhism between the two critics. The problematic consciousness of the study is a need to actively explain the grounds behind the esteemed criticisms of Manhae by the two critics rather than mere comparison on the result between them. Such efforts will help to explain Zen ideology and further tradition understood by the two critics of poetry. 이 논문의 목적은 송욱과 김우창의 시론에 나타난 전통에 대한 태도를 살펴본 뒤, 두 시론가가 만해 한용운을 최고의 현대 시인으로 평가하게 된 근거를 비교하는 데 있다. 이를 위해 이 논문에서는 먼저 송욱과 김우창이 인식했던 전통의 상을 불교의 ‘선(禪)’ 사상을 중심으로 그려보고, 두 시론가가 한용운을 고평하는 맥락을 밝혀 보고자 했다. 이 논문에서 주목한 두 시론가의 관점의 차이는 다음과 같다. 송욱은 불교의 선사상과 한용운의 창작시, 사상을 함께 놓고 긍정적으로 보았다. 한용운의 시와 행보를 불교의 선사상과 떼어 놓고 볼 수 없다는 것이 송욱의 생각이다. 반면 김우창은 선적인 세계관과 개인적인 문화에 침잠하는 한국 시인들을 경계하면서 선의 세계로 도피하지 않고 전체적인 구조를 이루는 데 근접한 시인이 한용운이라고 보았다. 송욱이 한용운을 높이 평가한 근거가 선사상에 대한 한용운의 이해⋅인식에 있었다면, 반대로 김우창은 만해가 선사상으로부터 비판적인 거리를 유지했다는 점을 근거로 그를 최고의 시인으로 평가한 것이다. 이렇듯 두 시론가가 불교 선사상의 전통을 바라보는 관점은 상당한 차이를 보인다. 이제는 송욱과 김우창이 한용운을 높이 평가했다는 결과만을 놓고 비교하기보다는 그러한 평가가 왜 나오게 되었는지 적극적인 해명이 필요하다는 것이 이 논문이 지니는 문제의식이다. 이러한 작업을 통해 두 시론가가 이해한 선사상, 나아가 전통이란 무엇이었는지 설명할 수 있을 것으로 기대한다.