치과기공소의 보철 기공물 제작 과정에 사용되는 재료 및 방법에 관한 실태조사 연구

황경숙,Hwang, Kyung-Sook 대한치과기공학회 1994 대한치과기공학회지 Vol.16 No.1

The purpose of this study is to investigate the extent to which dental laboratories use proper materials, procedures, devices, and equipments to fabricate crown & bridge, PFM(Porcelain Fused to Metal) crown & bridge, partial denture, complete denture, and other prosteses. 100 laboratories in Seoul were selected for this investigation. Questionnaires were constructed focusing on five topocs:crown & bridge, PFM crown & bridge, partial denture, complete denture, and other prostheses. The results from this survey were as follows : 1. Most dental laboratories used old, inexpensive, and familiar materials rather than newly developed ones. 2. Most of the dental technicians did not stick to the standard procedures of handling materials, but to their own experiences. 3. Newly developed equipments to fabricate dental prostheses were possessed by nearly 30% dental laboratories. 4. About 80% of dental laboratories were using the procedures they had learned in the school : die trimming for accurate crown margin and softening heat treatment after RPD gold casting. But less than 30% of laboratories were shown to follow the boxing procedure to produce master cast and laboratory remounting in the process of complete denture. The findings show that dental laboratory procedures to fabricate dental prostheses are incomplete and inaccurate in some instances. So, further studies are neededs to clarify the causes of some inaccurate procedures, the better and more equipments should be supplied to produce the more accurate dental posthesis, and more efforts at enancing the appropriate use of dental materials and procedures should be made.

치기공과 학셍들의 임상실습만족도에 관한 연구

황경숙,Hwang, Kyung-Sook 대한치과기공학회 1997 대한치과기공학회지 Vol.19 No.1

An aim of this study is to find out influenced factors of satisfaction degree on the clinical practice for the dental technology student and it can be provided the basic necessary data for the educational planning of the curriculum for the clinical practice. The target of study are selected form 7 junior health college students and colleges are located in around seoul form 14 junior health college throughout the nation. The questionnaries were distributed between 24th Feb to 30th July in 1997 to the 100 dental technicians who finished clinical practice and entered profession in 1997. All collected data were analysed by using SPSS/PC, Technical Statistic, One-Way ANOVA, Ttest, Person Correnlation Coefficient, Chrobach Alpha Coefficient and the result of the study is follow. 1) The satisfaction degree were classificated as 7 aspect and overall average score was 3.042. During that period satisfaction of personal relation aspect(M=3.737) shows highest level. Satsfiaction of clinical parctice(M=3.571) shows as second, Satisfiaction of environment(M=3.028), Satisfaction of guidance(M=2.915), satisfaction of subject are ordered of their scores. According to above study satisfaction's degree of subject show lowest level. 2) According to the result of verification of study. general character of student and satisfiaction degree has not much relation with sex, location of college, religion, period for enrolling college, teaching method of clinical practice. But the result show similar relation with following items. Satisfaction if subject and satisfaction of clinical practice(P=0.000), place of clinical practice and satisfaction of clinical practice(P=0.002), Academic record of college and satisfaction of clinical practice(P=0.000). 3) The relation of satisfaction(Subject, method of teaching, environment, period, rating, personal relation) of clinical practice and age of investigation's target Older student show higher satisfaction(P=0.040). Also method of teaching, environments, period, rating, personal relation has similarities with satisfaction. Therefore student who has higher satisfaction of clinical practice they also have higher rate for subject, environment, period, personal relation. 4) The result fo investigation, most interesting subject was crown & bridge and most difficult factor was too many simple-works to the student. One of ideal factor was discussing with counselor before they choose place for clinical practice. Third grade and first semester is most efficient time for clinical practice and 8 week is proper period for clinical practice. Clinical practice is absilutory mecessary and we find out most student rated positively. However we need more specific study about satisfcation of each subject. Because it shows lowest level and we need more pay attention for planning of clinical practice.

보문 : 기능성 농약방제복 개발을 위한 소재 및 성능에 관한 연구

황경숙 ( Kyoung Sook Hwang ),김경란 ( Kyung Ran Kim ),이경숙 ( Kyung Suk Lee ),김효철 ( Hyo Cher Kim ),김경수 ( Kyung Su Kim ),백윤정 ( Yoon Jeong Baek ) 韓國衣類學會 2007 한국의류학회지 Vol.31 No.11

농약방제복 소재의 차이가 인체 쾌적성에 미치는 영향

황경숙(Hwang Kyoung Sook),김경란(Kim Kyung Ran),이경숙(Lee Kyung Suk),김경수(Kim Kyung Su) 한국지역사회생활과학회 2006 한국지역사회생활과학회지 Vol.17 No.4

복원된 문화유산을 활용한 향유여건 조성방안 : 국립국악원의 공연사례연구를 중심으로

황경숙(Hwang Kyung Sook),백재화(Back Jai Hwa) 국립국악원 2009 국악원논문집 Vol.19 No.-

문화는 역사보다 시시각각 처하게 되는 현재적 시점에 탄력적으로 작용하는 현상이다. 역사만큼 거창한 틀을 지닌 문화는 현대의 발전상과 더불어 그 변모를 하루가 다르게 보여주고 있다. 다문화의 향유, 개성의 색채라는 표상 아래 우후죽순과 같은 수많은 현상들이 한낱 유행과도 같은 현상임에도 불구하고 문화인양 혼돈의 형태로 이 시각, 우리의 사회현상으로 존재양상을 보이고 있는 지금, 전통문화는 보존되어야 살아남고, 활용되어야 발전할 수 있으며, 국가적 정통성을 확보하는데 반드시 필요한 필수불가결한 포괄적 문화형태이다. 전통문화는 우리문화의 뿌리이며, 주체성의 원천인 것이다. 21세기 문화의 세기에 문화경쟁력은 우리의 전통문화와 전통예술에서 나온다고 할 수 있으며, 또 그래야만 한다고 힘을 실어 말하고 싶다. 전통문화예술은 다양한 문화예술의 근간이며 다변화된 세계에 자랑스럽게 내놓을 수 있는 우리 민족의 기본정신인 것이다. 문화의 세기 라는 말이 세간의 화두가 된 이래 문화로 향한 관심이 사회 전 분야에서 부각되고, 더불어 우리 전통문화의 중요성에 대한 인식도 그 어느 때보다 확산, 고조되었다. 우리 것, 가장 한국적인 것은 곧 전통에 바탕을 둔 문화요소를 의미하지만 이러한 문화적 조류의 배경에는 우리의 전통만이 세계 다른 지역의 문화와 구별되는 특수성으로 대우받을 수 있는 것을 가정할 수 있다. 이 가정 속의 의도는 곧 우리의, 우리만의 문화적 특수성을 간직한 전통문화가 대내적으로는 문화적 정체성을, 대외적으로는 문화적 우수성을 담보한다는 점이다. 본 연구는 문헌 및 선행연구 고찰을 중심으로 한다. 특히 전통문화의 복원과 재현을 중점적으로 행하는 국립국악원의 공연사례연구와 비교가 이루어졌으며, 현재 이루어지고 있는 전통문화의 복원을 통해 다각적이고 현실적인 문화수용 단계의 방안을 제시하는데 목적이 있기에 국립국악원의 사례연구를 통해 방안 제시가 주된 연구 방법이다. 국립국악원의 극장공연에서는 전통문화원형의 고수라는 기틀위에 프로시니엄 극장적 특성효과가 자아낼 수 있는 재미의 요소를 첨가하는 기본 틀로 작품의 특성화를 삼자는 제안이다. 전통문화의 재현과 전승이라는 양대 산맥의 화두를 세계적 문화시대에 맞춰 국제적인 위상과 후속세대로의 문화적 물림에서 가장 효율적인 방안으로 차별화되고 활성화된 접근방식을 택하자는 것이다. 또 다른 제안은, 조금 더 활성화된 방안으로, 서울시에 존재하는 가시적인 전통건축 유산물인 경복궁, 창경궁, 경희궁과 같은 상징적인 역사물의 궁 안에서 행해지는 국악원의 작품재현형태이다. 무대 위의 재현작업이 아닌, 그 옛날 궁에서 행해지던 지리적인 공통점에 재현의 주안을 두는 것을 말한다. 쉽게 말해 실사와 같은 재현작업에 총력을 기하는 공연은 궁궐 안에서 이루어져야 한다고 본다. Traditional culture is our roots of cultures and the source of subjecthood. In the 21 century, the culture periods, cultural competitive power comes from our traditional cultures and arts and also it should be. Traditional cultures and arts are the roots of various cultures and arts and our national fundamental spirits which can be introduced very proudly all of the world. Since culture century has a topic of conversation interests about cultures have increased all of the field in the society. In the mean time, perceptions related to importance of our traditional cultures have been spread and risen dramatically. As ours or the most Korean style mean cultures component based on tradition, our tradition only can treat distinctiveness and differ from other countries cultures. This could be explained that our distinctive traditional cultures guarantee cultural identity domestically and demonstrate superiority internationally. This study was conducted by examining sundry records and previous studies. Especially this study utilized case study of the National Classical Musician which performed restoration and reappearance of traditional cultures. The purpose of this study was to propose a plan for diverse and actual culture acceptance steps through restoration of traditional cultures. This study proposes hat fun factors should be added to effect proscenium stage characteristics on the foundation to stick to original tradition cultures when performances are held in the National Classical Musician. It could be the most effective way to enhance international position and transmit our traditional cultures to the next generations when recently the topic of condensations are reappearance and transmission of traditional cultures. Another proposal is the reappearance of the National Classical Musician performs art works in the historical palaces such as Kyngbok Place, Changgyeong Place, and Kyunghee Place in Seoul. This is not a meant that just reappearance works on the stage, but focusing on reappearance of geography common. In other words, actual art works to reappear must be performed within the Place. This works could effect positively on various benefits in many ways. Because the Place is located in Seoul, many domestic or foreign tourists are likely to visit to view the performances. Particularly it is expected that a lot of family units and students will visit the Place. This study wants to emphasize that the most perfect tradition culture reappearance is intangible cultural assets will be actually performed in the Place exists tangible historical treasures.

입출력 요구 특성을 지원하기 위한 디스크 배열 구조의 성능 분석

황경숙(Kyung Sook Hwang),박찬익(Chan-Ik Park) 한국정보과학회 1994 정보과학회논문지 Vol.21 No.12

디스크 배열은 여러개의 디스크를 사용하여 I/O 성능을 향상시키기 위한 것으로, 본 논문에서는 I/O 요구 특성으로 평균 요구 크기, 평균 요구 도착률, 요청되어지는 평균 응답 시간이 주어질때에 이를 만족 시키는 디스크 배열 특성 변수를 결정하는 분석 모델을 제시한다. 결정된 디스크 배열 특성 변수는 최소 디스크 배열 구성 디스크 수, 디스크 배열 구조, 디크러스트링 수인데, 고려되는 디스크 배열 구조는 동기/비동기 디스크들이 조합된 혼합 구조로 동기화 디스크들로만 구성된 동기화 구조와 비동기 디스크들로만 구성된 비동기화 구조는 혼합 구조에 포함된다. 제시된 분석 모델은 시뮬레이션을 통해 검증되며, 검증결과 동기화 구조나 비동기화 구조보다 동기/비동기 디스크들이 조합된 구조가 더 작은 디스크 수로서 주어진 요구 특성을 만족함을 보이며, 요구 도착률이 낮을 때는 비동기화 구조보다 동기화 구조가, 요구 도착률이 높을 때는 동기화 구조보다 비동기화 구조가 더 작은 디스크 수로서 주어진 요구 특성을 만족함을 보인다. Disk array is an I/O system using multiple disks to improve the I/O performance. This paper considers general architectural models of disk array which include synchronized architectures consisting only of synchronized disks, asynchronized architectures consisting only of asynchronized disks, and hybrid architectures consisting of both types of disks. In order to design a disk array architecture which can meet a certain I/O workload, we have to analyze the performance of the disk array architecture. An I/O workload is given by an average request size, an average request rate, and the required mean response time. In this paper, we propose the analytic models of the synchronized, asynchronized, and hybrid systems for a given I/O characteristitics. The analytic models determine the minimum number of required disks, the degree of declustering, and the degree of synchronization for the underlying architecture models in order to satisfy a certain I/O characteristitics. Our analytic models are verified by the simulation. It is shown that the hybrid system requires the smallest number of disks for a certain I/O workload than synchronized system and asychronized system. We have shown that when the arrival rate is low, the synchronized system requires less number of disks than the asychronized system and when the arrival rate is high, the asynchronized system requires less number of disks than the sychronized system.

시사만화를 통한 어느 고등학생의 사회문제 이해도 변화에 대한 연구

황경숙 ( Kyung Sook Hwang ),박영신 ( Young Shin Park ) 한국사회과교육학회 2009 시민교육연구 Vol.41 No.4

Political cartoon placed in the daily newspaper can attract readers` attention with the vivid picture and conversational form of language. It can be understood easily with the complexity of picture and letter. These methods are known to be a highly effective way to enhance understanding and memorization. Political cartoons reflect the realities of the society of our times. They reveal the absurdities and contradictions in sharp satire and humor. The author presented the political cartoon to the 43 high school students, and then realized that political cartoon analysis would help middle level students to understand social problems. Hence, the author applied the political cartoon to one middle level student 7 times, and made a series of observations to catch the exchange of the student`s thinking to understand the social phenomenon. Because of the difficulties that political cartoon has, present study explains further about skilto one background knowledge. It intends to offer political cartoon analysis worksheet. Main findings of the study are as below: First, learning activities using political cartoons increased the student`s interest and participation. Second, political cartoon analysis improved the student`s ability to understand and criticize social phenomena. Third, lessons supported by political cartoon analysis had a positive influence on improving active learning attitude of students. Therefore, as a teaching-learning media, political cartoon have an affirmative possibility in promoting learner`s ability to understand social phenomenon in social studies.

한영숙 살풀이춤의 미적 특징

황경숙(Kyung Sook Hwang) 한국체육철학회 2005 움직임의철학 : 한국체육철학회지 Vol.13 No.3

논문 : 종묘제례악(宗廟祭禮樂)과 종묘일무(宗廟佾舞)를 조화롭게 일치시키는 방법: 『시용무보(時用舞譜)』의 「보태평지무(保太平之舞)」를 중심으로

황경숙 ( Kyung Sook Hwang ),김용 ( Yong Kim ) 한국무용기록학회 2001 무용역사기록학 Vol.1 No.-

Jongmyojeryeak, the No. 1 of intangible cultural asset of Korea has all the 500-year history of Chosun Dynasty contained in it and is the cultural heritage of the highest value and cultural importance. The UNESCO conference held in Paris, France this year declared it as `the masterpiece of human words-of-mouth and intangible heritage,` placing it to the level of the world`s admiration. This study intended to reconsider and illuminate Jongmyoilmoo of Jongmyojeryeak, the No. 1 of intangible cultural asset of Korea, assuming this kind of work would shed another new and fresh interpretation of traditional culture. Unlike other Korean traditional dances, Jongmyoilmoo has its details recorded in 『Siyongmoobo』which is one of the most valuable historic documents concerning Korean traditional dances, thus enabling itself to be preserved and inherited correctly. It surely falls under the category of Korea`s cultural assets of a great historic and artistic value. An analysis was made on the composition systems of technical term and its arrangement found in「Botaepyunggimoo」in『Siyongmoobo』which consists of today`s irregular and regular long and short rhythms, in order to search for the ways to harmonize each performance of Jongmyojeryeak and Jongmyoilmoo, that is, to match the theories and the practices. The results of the study are as follows: 1. There should be `Haphyung(centering upon chest)` at Gochooksamsung following the first beat of beginning music. And `Hasu(let down)` with the right hand should be made in one note or two notes at the first dancing passage of the second beat. 2. `Jeomyoo` and `Hasu` with the left hand should both be made in two notes at the first dancing passage of development step. 3. `Yangsugeogyon(put both hands on shoulder)` must be made in four or three notes from the left side with both hands at the first dancing passage of conversion step. 4. `Bokpa(grasp belly)` to the front side with both hands should be made in two notes at the first dancing passage of conclusion step. 5. Every last technical term of each passage including `Hasu` of introduction step, `Hasu` of development step, `Yangsuhasu(let both hands down)` of conversion step, and `Haphyung` of conclusion step should be made in one note or two notes whether it`s an independent dancing passage or complex one. 6. Every technical term at the other middle dancing passage should have two core notes from which one + or - note will be made. 7. The most important and last step to harmonize dance and music as one is to decide the bar of three notes among the bars of three or four notes which can be an independent or a complex dancing passage in any piece.

특용차(소방차ㆍ구급차) 운전자들의 자동차고사와 속신문화

황경숙(Hwang Kyung-Sook),이헌홍(Lee Heon-Hong) 부산대학교 한국민족문화연구소 2007 한국민족문화 Vol.30 No.-

The culture of the car exorcism and the superstitious belief in modern society which are formed and handed down in the base of religious beliefs for supernatural being or power is the culture indicator which can classify the maintenance of tradition and the aspect of transfiguration in the modern urban folk culture as the newly interpreted and reorganized folk culture connected with material and human circumstances with the change of the times rather than it is the newly formed folk customs in the modem society. In this study, we are considering various aspects of the car exorcism and the superstitious belief which are formed and handed down between drivers of fire engines and ambulances. Based on that we are also clarifying the characteristic of the urban folk culture in this folk culture of cars. The purpose of the car exorcism in modern society is not that guarantee the car sanctity or present the guardian divinity. It is focused on the prayer for security of members and organs through preventing the car accident and driving with ease. The car exorcism seems to follow the religious ceremony in appearance but it is not only that the concept of the target spirit(spirit of car) is weak but also that the glory ceremony which is the essence of the religious ceremony, the ceremony of the calling spirit and the ceremony of the sending spirit are not fixed cleary. The procedure of the religious ceremony is reduced to just have the formal pattern and the point of the ceremony is on the incantational ceremony to contrive fortune using a sacrifice regarding evil god as the cause of accidents. This sacrificial aspect of the car exorcism is considered as a original limitation of urban folks related to modern products. According to the research omens which are handed down between drivers of fire engines and ambulances classified cases of estimations of a day's fortune based on specific experience which is experienced when they are driving and before driving and cases of estimations of persons transported a day and a day's fortune based on the type of the person who is transported first. Contrary to the case of the former, the case of the latter is presented to ambulance drivers restrictedly. Omens are constructed by experiences and association generally. Experiences and association which are clues of omens are controled by the traditional thought and the manner of living of the group. In this paper the formative background and the symbolic meaning of the urban folk customs which are newly formed in modern society are studied that it is focused on the omen culture shared by a fire company.