트랜스 벡터 제어에 의한 삼상교류 전동기 가변속 구동장치의 국산화 대체 방안에 관

홍순일 釜山工業大學校 産業科學技術硏究所 1986 産業科學技術硏究論文集 Vol.2 No.-

Unax cooler 부 wet kiln에서 secondary air의 효용성에 대한 현장실험

홍순일 한국시멘트협회 1976 시멘트 심포지움 Vol.3 No.-

증도의 민요

홍순일,엄수경,김헌주,한은선,이혜숙 목포대학교 도서문화연구소 2006 島嶼文化 Vol.28 No.-

초음파 측정을 이용한 구조용 정각재의 수직 할렬 탐지 방법

홍순일,김건호,송요진 한국목재공학회 2012 한국목재공학회 학술발표논문집 Vol.2012 No.-

판소리의 층위적 접근에 대하여

홍순일 충남대학교 문리과대학 어문연구회 2000 語文硏究 Vol.34 No.-

In this study, I attempted the hierarchial approach to Pansori in order to investigate its essentiality. First of all, I presuppoed that Pansori, which has a form of play, is an integrated performing art. Then, I set the hierarchial model of Culture Hierarchy → Art Hierarchy → Play Hierarchy → Drama Hierarchy. These elements exist simultaneously and can be represented through the Pansori performance. In order to discuss Art Hierarchy, Pansori would be recognized as a complex of various arts such as play, etc. As for Play Hierarchy, Pansori would be recognized as an integrated play of various arts. Also, as for Drama Play, the Pansori script that can be an element of a play, would be the form of a play which integrates all dramatic elements. Especially, I presented the desirable direction for the discussion on Pansori Script that exists on the Play Hierarchy, I proposed two things in this study. The first thing is that the Pansori script should be investigated from the view of Oriental play. The other is that it should be reviewed how the dramatic elements represented in Pansori script realize their dramatic properties through the Pansori performance.

「스토리텔링 저작도구와 설화연구의 미래」에 대한 토론문

홍순일 어문연구학회 2016 어문연구학회 학술대회 논문집 Vol.2016 No.-

리기다소나무의 허용응력 산출

홍순일,김건호,송요진 한국목재공학회 2011 한국목재공학회 학술발표논문집 Vol.2011 No.-

電力使用 合理化에 관한 考察 : 학교전력 사용을 중심으로

홍순일 釜山工業大學校 1978 論文集 Vol.19 No.-

현대사회에 에너지원으로 주축을 이루고 있는 電力은 오늘날 없어서는 안될 귀중한 자원중의 하나이다. 생산공장인 경우에는 심야전력을 이용하여 전압강화와 전력손실을 막고 부하율의 조정 등으로 생산능률을 극대화 할 수 있을 뿐만 아니라 전력비의 생산비에 미치는 원가를 최소한으로 줄일 수 있다. 그러나 學校와 같은 특별한 경우(주로 주간의 일과계획에 의해 전력을 사용하는 경우)에는 중화학 공업의 인력양성으로 인하여 차츰 많은 전력을 사용하고 그 전력수용설비가 증가함에 따라서 전력사용의 합리화가 크게 대두되고 있는 것으로 사료된다. 본 연구는 전력설비가 차츰 倍加되어 가고 있는 工業學校 電力의 合理的 使用에 관한 것으로써 일과계획(주로 실험실습)의 수립의 원활화, 실험실습용 기계의 무부하 운전시간단축, 실험실습장위치 선정과 배전설비 설계의 보완 등으로 약 32.3% 정도의 전력비 경감을 얻을 수 있었다.

현수형 가선케이블의 일정 장력유지 제어에 관한 연구

홍순일,윤정환,Hong S. I,Yoon J. H 한국융합신호처리학회 2000 융합신호처리학회 논문지 (JISPS) Vol.1 No.2

The cable installed will have catenary's type that is nonlinear and variable time system. Because it has a close relation to the catenary's type to determine command value of tension for the tension control of this cable, we need to study it. The purpose of this study is automated the installation equipment (or a catenary's cable. This study shows control system that the tension of a catenary's cable is keep constant. 'rho control method is adopted the fuzzy control that is robust because the model of a control object is nonlinear and variable time system and feed-forward control to suppress overshoot as a shift begins to move. On the basis of the dynamic modeling of a catenary's cable we compose the control system with adopting fuzzy and feed-forward control has recognized the effectiveness in simulation results.

도서연안지역 민요공동체의 성격과 민요의 연행양상

홍순일 한국민요학회 2008 한국민요학 Vol.22 No.-

This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory. The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities. The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission. The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight. This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory. The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities. The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission. The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.