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      • KCI등재

        「洛神賦」와 「玉臺新詠」에 묘사된 위진남북조 시기 견직물

        허정희(Huh Jung-Hee),전혜숙(Chun Hea-Sook) 한복문화학회 2008 韓服文化 Vol.11 No.3

        Images of women in various classes of Weijinnanbeichao period is described in〈Luoshenfu〉and〈Yutaixinyong〉. Contents related to textile as spinning and weaving, silk-collecting, silkworm-raising and clothing including 錦(Jin)·羅(Luo)·綺(Qi)·紈(Wan)·素(Su)·?(Hu)·?(Xiao)·縞(Gao)·紗(Sha)·?(Jian)·綾(Ling) are described diversely. Most of them are expressions related to silk fabrics. Therefore, they are offering a lot of information to studies on silk fabrics. The purpose of the study is to examine kinds of silk fabrics used for the most part and in dresses of women in Weijinnanbeichao period and to examine characteristics of the silk fabrics by considering verses related to silk fabrics expressed to describe women’s beauty through〈Luoshenfu〉and〈Yutaixinyong〉, anthologies of Weijinnanbeichao period with a lot of expressions related to textile. The study considered/analyzed the abstracted verses expressing silk fabrics out of poetries focused on〈Luoshenfu〉and〈Yutaixinyong〉.

      • KCI등재
      • KCI등재

        실록에 나타난 세종 대 정책과 목면 고찰

        허정희(Huh Jung-Hee),이애련(Lee Ae-Ryun),전혜숙(Chun Hea-Sook) 한복문화학회 2013 韓服文化 Vol.16 No.3

        The purpose of this study is to investigate the descriptions of cotton in 『The Annals of King Sejong』. For this purpose, this researcher examined those descriptions in the following two ways. First, the researcher looked into policies related to cotton that were taken and implemented from the reigns of King Taejo to King Sejong. In this case, the researcher focused on main policies, especially in relation to agriculture, applied during the reign of King Sejong and examined how those policies had somethings to do with the cotton cultivation policy of that time. In association, the researcher reviewed the Section of Geography contained in 『The Annals of King Sejong』 in order to knew where and how much cotton was cultivated and produced at that time. Second, this researcher classified the descriptions of cotton in the 『The Annals of King Sejong』 in accordance with content, and determined the application range of that fabric. In the reign of King Sejong, policies for the encouragement of agriculture were positively taken and implemented to stabilize the livelihood of the people. In a similar vein, King Sejong’s own will to realize an idealistic state based on the Confucianist principle of ruling, democracy and the idea of love of the people brought the expansion of cotton cultivation and production. And applications of cotton showed a quantitative increase widely and explosively at that time. Thus, the cultivation and production of cotton during the reign of King Sejong was requested by the times and established as a key industry of the state.

      • 安岳3號墳 主人公 服飾에 관한 硏究-中國과의 관계를 중심으로-

        전혜숙(Chun hea-sook),허정희(Huh Jung-hee) 한복문화학회 2002 韓服文化 Vol.5 No.3

        On this study. through then comparing costume and hair style of Wei . Jin-South and North of the China Dynasty(魏晉南北朝). the study would make how these foreign relations and situation of the times reflect to the costumes and how AN-ac NO.3 tomb's hero costumes appearing An-ac area which is the base of Nakrang culture for a long time concern with Wei . Jin-South and North of the China Dynasty costumes at that time.<br/> First of all. study about local features and general characters of An-ac area, Hwanghae-Do(黃海道) in which An-ac<br/> NO.3 tomb is located and study about inside and outside situations with KOkuryo in the 4th century presumed building age.<br/> The details that features and characters of Wei . Jin-South and North of the China Dynasty costumes compare and analyse with An-ac NO.3 tombs costumes through photo data. documents in the inside and outside of the country of paintings and mural painting are below.<br/> Through comparing the form about costumes and hair styles, then. costume style is supposed to be data reflecting international relationship at that time directly and indirectly. Especially hair style was different with other murals and was similar with Hiljagae, Sunbin. Hero's costumes accepted Simeui(深衣) and Mugwan(武冠) style of Han<br/> costumes. When refer to the circumstances, as the result how it represents the influence of inside and outside of the country, An-ac NO.3 tomb is recognized the typical case as makes through human interchanging between Korea and China. Because many Chinese moved to Yo-Dong and KOkuryo and become native Chinese local leaders group power in Nakrang, it is potential that Chinese style spread to the Korean Peninsula. The existence of An-ac No.3 tomb can be the evidence what Chinese-line(漢人系) group was whole An-ac Gun, Hwanghae-Do area. After expeling Nakrang out of there, many Chinese-line people remained in this area or wandering people came here and made some group power. so it suggests earlY governing form of Kokuryo was collective and indirect in this area. Therefore, An-ac NO.3 tomb shows the culture of Wei . Jin-South and North of the China Dynasty reflecting costume style like that and hero's costumes also present similar styles with costume of Wei . Jin-South and North of the China Dynasty.<br/>

      • SCOPUSKCI등재

        단순 심실중격결손증 수술 후 합병증 및 잔존 결손

        전태국,황경환,이호석,허정희,박계현,박표원,채헌,Jun, Tae-Gook,Hwang, Kyung-Hwan,Lee, Ho-Seok,Huh, Jung-Hee,Park, Kay-Hyun,Park, Pyo-Won,Chae, Hurn 대한흉부심장혈관외과학회 2000 Journal of Chest Surgery (J Chest Surg) Vol.33 No.2

        Background: The purpose of this study is to review the clinical course after the correction of noncomplicated ventricular septal defect and to analyze the morbidity and risk factors of postoperative complications and evaluate residual defect during the follow-up period. Material and Method: From September 1994 to June 1998 24 patients(median age 10 months) underwent surgery under the diagnosis of ventricular septal defect. We made a retrospective review of the clinical records including the operation notes critical care unit records echocardiography results and the follow-up records. Result: There was no early mortality nd late mortality. There was no postoperative complete conduction block. Respiratory complication was the most common complication. The body weight age type of ventricular septal defect associated anomalies and operative procedure were not related to the incidence of complications. residual ventricular septal defects aortic valve regurgitation and tricuspid valve regurgitation were insignificant in postoperative hemodynamics, Conclusions: Correction of the noncomplicated ventricular septal defect was done without mortality and complete heart block. Aggressive preoperative medical treatment and early surgical treatment may decrease postoperative complications. Postoperative residual shunt and tricuspid regurgitation were not problematic during the follow-up

      • 魏晉南北朝時期의 婦女 빈발에 관한 硏究

        전혜숙,허정희 東亞大學校 附設 生活科學硏究所 2003 생활과학연구 논문집 Vol.11 No.-

        This stydy is about women's Binbal(빈발) in the Weijin-Nanbeichao(魏晉南北朝) period. First, We can see the social confusion and political corruption through the women's life of Weijin-Nanbeichao period at that time, Aw women were weak and unfaithful being subordinated to men under the confucian concept at frequent war. Women were treated as slave at home, Because of feminine viewpoint recognized as the tool of longevity pursuing in Taoism in fashion at that time. Second, Although there were very various style of Binbal, It is seen that Each name is not different at all, And similar style was called by various name. Third, It is seen that the name and style of Binbal had many intention to represent cloud and wing form generally. It is learned that essence is the reflection to human body to express incantational flying power that had wing originated in ethereal concept. As we have seen above, Hair style is not a more to be formative fashion, judging from the charateristic of hair style strongly reflected its style at that time, We can recognize that the aspect of women's history in the society of Weijin-Nanbeichao through the women's Binbal at that time.

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