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함정란 ( Ham-jeong Ran ) 한국미용예술경영학회 2008 미용예술경영연구 Vol.2 No.1
The study on a hair design shall be performed by creativity. As an architect makes a blueprint about the structure to construct before building something, a hair designer has also to come up with the scientific and systematic design before hair-cut techniques. It can not be said that behaviors of the hair designer who deals with hair and moves his/her arms and legs without any purpose, system and thinking about what he/she makes a style are those of a true “verb-like” hair designer. Accordingly,a hair designer shall undertake the skill of a hair cut, keeping the scientific concepts of a form, which is the basis for hair cut, partitioning, head position, a section, distribution of a cut angle, finger position and a design line in minds. Also, a hair design shall be perceived as a more scientific and systematic research field which is studied by combination of the above factors. By using the sphere of a head shape, this paper explains whether hair is placed at the upper part or the lower part and that the outline of a silhouette can be different according to the panel of the shape.
함정란 ( Jeong-ran Ham ) 한국미용예술경영학회 2008 미용예술경영연구 Vol.2 No.2
A hair design is considered as a realm of art and hair, which is a part of one’s body, is the important material for expressing the inner side of the human who pursues the beauty. This study considers some hair styles; Pibal(it means an unbound hair style), Sogbal(it means a style of putting up or tying up one’s hair), Subal(it means hair trim) and Pyeonbal(it means a style of tressing one’s back long-hair and hanging it down, the so-called “queue”). This study, to sum up, lays emphasis on the development of design as per hair style, texture and color changed according to up-style.