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      • KCI등재

        Demystifying Democratic Autonomy in Charles Brockden Brown’s Wieland

        한광택 한국외국어대학교 영미연구소 2022 영미연구 Vol.54 No.-

        The purpose of this essay is to decode Charles Brockden Brown’s Wieland, or, The Transformation: An American Tale to shed new light on the author’s profound insights into the politico-ontological paradox of American democracy in the era of nation building. Political readings of Wieland have focused on how Brown criticizes either Federalists or Democratic-Republicans by opting one to criticize the other. This dichotomous interpretation overlooks Brown’s keen awareness of the absence of a key democratic principle: autonomous agency that is presumed to constitute both self-government and national unity. This essay proposes that Brown rejects the two competing political ideologies so as to disclose their common inherent dilemma—the inverted logic of causality, which demystifies the notion of democratic autonomy. For Brown, both the Democratic-Republican adherence to self-governing personhood and the Federalist pursuit of national unity are coupled with a fantastical logic which transforms an absent entity into a substantial one by means of believing a given belief in it. This logic, for Brown, serves to reinforce the interlocking notions of selfhood and nationhood in the building process of American Republic in a fantasmatical way.

      • KCI등재

        The Angst of the Homo Oeconomicus: Capitalism and Contrition in Daniel Defoe’s Roxana

        한광택 한국18세기영문학회 2014 18세기영문학 Vol.11 No.2

        By focusing on how Defoe represents and critiques Roxana’s thorough capitalistic rationality which fabricates a convincing self-defensive narrative in Roxana, I argue that the novel reveals the author’s deep angst of a new mode of self-fashioning of homo oeconomicus. The authenticity of Roxana’s confessional but specious autobiographical narrative remains a critical conundrum due to its salient incongruity with the typical Protestant introspective self-discipline predicated on Christian instruction. Roxana’s seemingly remorseful remarks and confessions, which appear with a suspicious frequency in the novel, contradict themselves, as her peculiar narrative structure and strategy are indicative of a surreptitious intention of weaving her past nefarious acts into a feigned repentance to the aim of camouflaging her unvarying immorality and unceasing sexual and material desire. In Roxana Defoe captures and delves into the increasing tension between Protestant and material values in the newly emergent modern capitalism of his age, as well as its effect on the way in which the modern individual concocts a plausible narrative for herself. Moralism and materialism are, for Defoe, to be concatenated into a fabricated self-defensive narrative in the age of new homo oeconomicus.

      • KCI등재

        국방전산통신망을 위한 국방인증체계(MPKI) 개선 방안에 관한 연구

        한광택,이수연,박창섭,Han, Kwang-Taek,Lee, Su-Youn,Park, Chang-Seop 한국융합보안학회 2014 융합보안 논문지 Vol.14 No.6

        Encryption and authentication system in National Defense is divided into three system; KMI, MPKI, and GPKI. In this paper, we report inherent problem and security threaten in MPKI and propose an attribute-based authentication scheme using attribute-based signature in order to improve user authentication. In our scheme, access structure is used by Monotone Span Program, and system server provides service after user authentication. 국방 관련 암호 및 인증체계는 전장관리정보체계를 위한 키관리체계(KMI), 자원관리정보체계를 위한 국방인증체계(MPKI) 그리고 행정기관 연계 정보시스템을 위한 행정전자서명 인증체계(GPKI)로 구분한다. 본 논문에서는 국방인증체계(MPKI)에서 사용되고 있는 공개키기반구조(PKI)의 사용자 인증 관련 문제점과 보안 위협사항을 분석하고, 이를 보완하기 위한 속성기반 서명기법을 사용한 개선된 속성기반의 인증기법을 제시하고자 한다. 제안하는 기법에서는 서명에 포함되는 접근 구조를 Monotone Span Program(MSP)을 사용하였으며, 체계서버가 사용자 인증을 통해 서비스를 제공하게 하였다.

      • KCI등재
      • KCI등재

        예외의 폭력, 공감의 기억, 구원의 윤리: 멜빌의 『빌리 버드』

        한광택 영미문학연구회 2015 안과 밖 Vol.0 No.38

        This paper examines how Herman Melville in Billy Budd delves into the interlocking questions of violence of exception, recollection of sympathy, and ethics of salvation. In the novella, Melville’s depiction of the titular character’s exceptional tragedy—impressed into service and doomed to be executed despite his innocence—reveals the violence of law that victimizes him and the violence of traumatization caused by such victimization. In addition, Melville attends to how Billy’s shipmates recall his execution so as to question the ethics of salvation which results from their sympathetic recollection of his death. Melville thus narrativizes Billy’s tragic story as a profound critical reflection on the general myths of literature, sympathy, and salvation.

      • KCI등재
      • KCI등재

        칸트와 멜빌의 코스모폴리타니즘 비교 연구

        한광택 한국동서비교문학학회 2023 동서 비교문학저널 Vol.- No.65

        The aim of this essay is to examine Herman Melville’s exploration of the Kantian concept of cosmopolitanism, deeply embedded within his seminal work Moby-Dick. In particular, it seeks to unravel the multifaceted ways in which Melville not only engages with but also disrupts and questions the Kantian philosophical notion of cosmopolitanism by immersing Ishmael in a series of situations that revolve around the intricate interplay of multiculturalism and cosmopolitanism. At the heart of this analysis lies the investigation into how Melville skillfully crafts Ishmael’s evolving understanding of diverse ethnic and cultural identities. These identities, in turn, exert a reciprocal influence, molding and being molded by Ishmael’s deeply ingrained racial and cultural ideologies. By peeling back the layers of Ishmael’s perceptual journey, Melville lays bare the latent intricacies that underpin the contemporary interpretation of cosmopolitanism, which finds its roots in the philosophical tenets of Kant. This essay delves into Melville’s deliberate thematic and narrative treatment of Ishmael’s transformations across the realms of epistemology, ontology, and ethics. Moreover, it endeavors to elucidate the inherent limitations that accompany these transformative processes, advancing the argument that Melville strategically employs Ishmael’s character as a narrative device to establish a critical distance, compelling readers to recognize the chasm that separates Ishmael’s cosmopolitanism from Melville’s cosmopolitan perspective. I argue that Melville’s cosmopolitanism deviates markedly from the Kantian paradigm, and this divergence challenges and contests the idealistic and theoretical foundations upon which Kantian formulation of cosmopolitanism is erected, rooted in the principles of the nineteenth-century humanism and liberalism. Melville’s critical insights, I claim, shed light on his profound engagement with the Kantian cosmopolitan ideal and the significant implications this engagement holds for the contemporary understanding of cosmopolitanism.

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