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최주리 한국일어일문학회 2019 日語日文學硏究 Vol.109 No.-
This paper examines the shortened words by studying the words appearing in Shin meikai kokugo jiten (New lucid dictionary of the Japanese language) and the usage of youth language in Basic Knowledge of Modern Terminology included in the editions from 2000 through 2012, while focusing, particularly, on the usages whose original form of the words has gone through ellipsis. While the shortened words found in Shin meikai kokugo jiten have much more popular usage that do not follow temporary trends, Basic Knowledge of Modern Terminology is a journal that includes newly coined words or fad words, which show the atmosphere of the time. As the two materials under examination have contrasting characteristics, it can be expected that they will show distinct differences. Hence, in Chapter Four, the words under examination are categorized into two categories based on their original forms prior to ellipsis: the ones whose original form are a word and the ones whose original form are more than a word. As it becomes too complicated to simply classify the word type or elliptical expression of the words, whose original form before the abbreviation is phrase or sentence, the scope of my examination is limited to the ones whose original form is either a word or not. Word type and elliptical expression are categorized based on its original form prior to the ellipsis. The former is classified into native Japaneseword, Chineseword, loanword,andhybridword,and the latter is divided into single ellipsis and multiple ellipsis. As for single ellipsis, it is categorized into initial, medial, and final ellipsis. In doing so, this paper aims to understand the modality of shortened words by comparing and contrasting the shortened words in Shin meikai kokugo jiten and in youth language through classification and analysis of the linguistic usages. .
Beyond “Milton’s Bogey”: Eve as Gardener in Hannah More’s Coelebs in Search of a Wife
최주리 한국18세기영문학회 2019 18세기영문학 Vol.16 No.1
This paper seeks to explain how and why Hannah More chose to model her perfect heroine, Lucilla Stanley, on Milton’s Eve in her only published novel, Coelebs in Search of a Wife (1808). The novel was a runaway bestseller in its time despite having no real plot or interesting incidents. Conceived as a work of Evangelical propaganda in the best sense of the word, More sets out to portray a prelapsarian domestic scene dominated by a modern Eve whose primary characteristic is her love of gardening. The extensive allusion to Paradise Lost (1667) throughout the novel invites us to consider why a female author would choose to model her heroine on the figure of Milton’s Eve. More seeks to recuperate an older idea of equality based on wholeness and in-dividuality prior to the newer construction of the separate and equal individual of modern liberal thought. The idea of gardening elevates Eve’s and Lucilla’s status as active agents of God in an unfallen world where there is no distinction between male and female spheres, world and home. The paper suggests that “Milton’s bogey” was really no bogey for either Lucilla or her creator, because they are both strong readers capable of reading with and beyond male authors who frame the English canon.
근대적 개인의 형성 : 『 이블리나 』 에 나타나는 국가 , 계급 , 성(性) Empire , Class and Nation in Evelina
최주리 한국영미문학페미니즘학회 2001 영미문학페미니즘 Vol.8 No.2
본 논문은 프란시스 버니의 소설 『이블리나』에 나타난 국가, 계급, 성(性)이라는, 경계를 확정 짓기는 어려우나 엄연히 존재하는 세 가지 범주를 고찰한다. 이를 통해, 국가주의(nationalism)와 제국주의가 부상하고 사회 계급과 여성인권에 대한 문제의식이 대두되기 시작하던 시대적 상황 속에서, 단순하게 정의될 수 없는 사회 질서를 구성하는 복잡한 동맹과 배척의 관계들을 소설을 통해 조망하는 것이 본 논문의 목적이다. 『이블리나』를 통해 살펴볼 수 있는 정치적 세계관은 토리 당과 휘그 당같은 정당의 차이나, 민중 계급과 지배 계급간의 이항 대립 같은 단순한 정치성으로 쉽게 규정될 수 없다. 논지는 세 개의 상호 연계된 장으로 세분된다. 첫 번째 장에서는 18세기 중반 영국이 참여한 전쟁이나 식민지 경쟁과 연관되어 나타나는 대외적 갈등을 다룬다. 이어지는 두 번째 장에서는 소설 속에 두드러지게 등장하는 소비문화와 "마카로니"족의 모습에 주 초점을 맞추어 영국의 대내적인 계급 갈등을 고찰한다. 마지막 장에서는 소설의 핵심적인 축이 되는 국가주의의 문제를 살펴본다. 이때 이 모든 논의는 성(性)의 문제와 불가분의 관계를 지닌다. 비록 작가인 버니가 확고한 정치적 입장을 취하고 있다고 할 수는 없겠지만, 『이블리나』는 젊은 여주인공의 무대가 되는 복잡하고 급변하는 "세상"이 계급, 성, 국가라는 새롭게 떠오르는 경계들에 의해 재편되고 있음을 보여준다. 그리고 교양 있는 여주인공의 판단과 결정을 통해 이 소설은 급격히 변화하는 세계 속에서 근대적 개인을 정의해 나가는 과정에 참여하고 있다.
Performing the Female Will in Elizabeth Inchbald’s A Simple Story
최주리,양소정 한국18세기영문학회 2012 18세기영문학 Vol.9 No.2
The story of Miss Milner in Elizabeth Inchbald’s A Simple Story (1791) can be read as an elaborate testing of exactly what the valences of consent might imply for a female subject, formerly a minor and guard, to become an equal partner of a marriage contract. Miss Milner’s impetuous obsession with subduing her lover to her will is more than a personal psychological flaw. She will only enter into marriage once she has established that they are equals as they enter into a contract that enforces inequality. Submission is a willed decision, based on a faculty that retains the prerogative of choice, hence always resting on the potentiality of disruption and revolution. Meanwhile, the story of her daughter Lady Matilda can be read as an elaborate testing of exactly what the valences of consent might mean for a female subject, a minor and a daughter, who is unfairly subjected to paternal persecution despite her complete compliance with his Gothic and unfatherly rule. Matilda’s will-ful adherence to her father’s injunctions rightfully earns his belated protection, and she is given sole power to determine the matter of paternal inheritance through her will. Re-examined in this manner, both mother and daughter in A Simple Story can be read as “willing” women who take serious and consequential positions within the same story.
Locke and the Limits of Liberal Toleration: Public and Private as a Temporal Distinction
최주리 한국18세기영문학회 2015 18세기영문학 Vol.12 No.1
Locke’s A Letter Concerning Toleration (1689) marks an important milestone in the political argument for division of church and state. In this essay, I focus on how Locke’s argument relegates religious belief onto the realm of the future of afterlife, making it more or less irrelevant to affairs of the commonwealth. His temporal division of commonwealth and kingdom of God is a political strategy as it is a religious position. By choosing to focus on the goods of this life, which include “life, liberty, physical integrity, and freedom from pain, as well as external possessions, such as land, money, the necessities of everyday life, and so on,” Locke demonstrates a stronger commitment to the realm of the visible world, the present world, than the world which cannot be seen, but constitutes the heart of true belief. The goods of this world together constitute a realm of exclusive private property, whereas the goods of the spiritual life, the harmless routines of everyday life, and the future life all escape into an extra-civil realm of “toleration” not subject to law. This other realm could be categorized as the “private” as opposed to the “public” realm ruled by civil jurisdiction of the commonwealth, but all these extra-civic goods constitute an arena that stands in deep contra-distinction to the world of “private” property. The traditional modern division of public and private is so deeply, conceptually unsatisfying, because it privileges the world of civic, private goods as the realm of the public while relegating the world of common, final goods to the “privacy” of the domestic sphere. The feminization of religion, the feminization of culture, the feminization of good works, the feminization of literature, can all be explained by what I call the limits of liberal toleration. In an ironic inversion, the commonwealth becomes the kingdom of private property while all that exceeds the boundary of private property comes to be the truly public sphere of common wealth. By establishing a critical distance from Locke’s attempt to impose a chronological division between present and future and complicating the picture through an alternative figuration of the dimension of time, we can better understand how women and other outsiders fail to be excluded by the spatial or even temporal figuring of public and private.
Metropolitan Realism and the Rixe of the Novel: A Simmelian Approach
최주리 한국영어영문학회 2006 영어 영문학 Vol.52 No.5
This paper argues that the rise of the realist novel in England in the eighteenth century can be viewed as a function of the rise and consolidation of a metropolitan economy based on money relations. The insights of the early German sociologist Georg Simmel show us how the category of the real in the early modern period relies on the greater objectivity of the calculating intellect but also on the depth and particularity of the unique and isolated subjectivity of the modern individual. The realistic method and the real subject become so within the context of a metropolitan modernity based on an advanced money economy. Simmel's work provides a rich explanatory context which allows us to understand both the preponderance of objective modes of representation and the formation of new kinds of private subjective experience in the novel.
영혼의 구두점 찍기 : Persuasion 을 중심으로 The dash of sympathy in Persuasion
최주리 한국영미문학페미니즘학회 1997 영미문학페미니즘 Vol.5 No.1
Dash는 글을 잘 못쓰는 작가들 즉, 바르고 문법적인 글을 쓰지 못하는 작가들에 의해서 쓰여지는 구두점으로서 길면서도 그늘에 가리워진 역사를 가진다. 종종 비일관적인 성격을 나타내는 것으로 특징지어지는 이 구두점은 여성의 우유부단함을 나타낸다고 여겨지는 불명예를 가지기도 한다. 본고는 이러한 dash에 대한 관점을 문제삼는다. 필자는 Persuasion 사본의 여러 장에 나타나는 Jane Austen의 dash의 사용을 검토하고, 우리가 "글을 못 쓰는 작가"로서 분류하는 적이 거의 없는 여성- 오히려 여성들에게서 전통적으로 나타나는 지나친 기교적 글쓰기를 극복한 이로 보는 작가가 쓴 소설에 나타나는 수많은 dash들의 의미가 무엇인지 알아본다. 필자는 dash가 Austen이 가지는 이상적인 주체성에 핵심에 있는 투과력있고 공감하는 영혼의 구성의 주요한 기표라고 결론짓는다.