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최양규,신현정,권오식 한국음성과학회 1997 음성과학 Vol.1 No.-
Acoustically a naturally-spoken vowel is composed of five formants. However, the acoustic quality of a vowel is known to be mostly determined by F_1 and F_2. The main purpose of this study was to examine how synthesized vowels with F_1 and F_2 are perceived by Korean native speakers. In addion, we are interested in finding whether the synthesized vowels are perceived differently by standard Korean speakers and Kyungnam regional dialect speakers. In the experiment 9 Seoul standard Korean speakers and 9 Kyungnam dialect speakers heard 536 vowels synthesized in vowel space with F_1 by F_2 and categorized them into one of 10 Korean vowels. The resultant vowel map showed that each Korean vowel occupies an unique area in the two-dimensional vowel space of F_1 by F_2, and confirmed that F_1 and F_2 play important roles in the perception of vowels. The results also showed that the Seoul speakers and the Kyungnam speakers perceive the synthesized vowels differently. For example, /e/ versus /ε/ contrast, /y/, and /Ø/ are perceived differently by the Seoul speakers, whereas they were perceptually confused by the Kyungnam speakers. These results might be due to the different vowel systems of the standard Korean and the Kyungnam regional dialect. While the latter uses a six-vowel system which has no /e/ vs /ε/ contrast, /??/ vs /??/ contrast, /y/, and /Ø/, the former recognizes these as different vowels. This result suggests that the vowel system of differing dialect restricts the perception of the Korean vowels. Unexpectedly /??/ does not occupy and area in the vowel apace. This result suggests that /??/ cannot be synthesized without F_3.
崔良圭 이화여자대학교 무용학회 1978 무용 Vol.- No.10
미국이 1950년대에 장래에 대한 약속은 결코 망상이 아니었다. 그 당시 George Amberg는 미국에는 반세기동안 여러 형태의 Ballet가 존재해 왔지만, 근본적인 예술의 형태로써의 B allet가 존재한 것은 겨우 16년밖에 안 됐다고 말했다. 그리고 3년후, 안무가인 Agnes de Mille는 미국의 Dance는 마침내 성년이 되었다고 말했다. 결국 이것은 미국에 대하여서는 고무적이고 토착적이며 중요한 사건이었고, 훌륭한 경력이되었다.