http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
헝가리 건축가 임레 마코베츠(1935 - )의 건축에 나타나는 민족주의적, 유기적 양상
박진호,고은혜,주민정,Park, Jin-Ho,Ko, Eun-Hye,Joo, Min-Jung 한국건축역사학회 2011 건축역사연구 Vol.20 No.4
Imre Makovecz, a Hungarian architect, has chiefly known for his unique organic works. He has taken a lot of sharp criticism against mere functionalistic and stylistic approaches toward modern architecture. Instead, he has desired to pursue a true embodiment for organic beauty and hungarian cultural heritage in architecture. Although most of his works reside in Hungary, he has become an internationally recognised architect for his unique works. This article attempts to identify Hungarian culture and its influence to Makovecz's architecture. It also examines how Makovecz investigated Hungarian folk art traditions and primitive craft patterns, and then applied the lessons learned into his own architectural designs. Then, this article attempts to expose the principles of his organic architecture deeply influenced by the philosophy of Rudolf Steiner. Finally, it concludes with a discussion of the benefits and challenges of employing similar approaches for the development of a rich architectural tradition.
삼각형 분할과 사각형 분할을 이용한 아미앙 대성당의 비례 분석에 관한 연구
박진호(Park, Jin-Ho),주민정(Joo, Min-Jung),고은혜(Ko, Eun-Hye) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.1
This article deals with a proportional analysis of Amiens Cathedral with regard to the medieval tradition of ad triangulum and ad quadratum, whose design principles was commonly used among Medieval masons. It first outlines the notion of ad triangulum and ad quadratum, describes the historical evolution of the notion during the medieval period, and finally interprets the proportional design of the cathedral in analogy with ad triangulum and ad quadratum. It concludes that the proportional design of the cathedral was not quite arbitrary but carefully designed for the systematic as well as symbolic quality of the medieval aesthetic tradition.