역량 기반 전공 교과목의 성취도 평가 방안에 관한 연구: K대학 사례를 중심으로

조용연,김주리,강승찬,Cho, Yong-Yeon,Kim, Ju-Ri,Kang, Seung-Chan 한국실천공학교육학회 2022 실천공학교육논문지 Vol.14 No.2

There is an increasing number of competency-based major courses organized and operated to develop various competencies. Here, competencies include key competencies/major competencies in the evaluation of basic competency diagnosis in universities, Program Outcomes of engineering education certification, and NCS competency units. The Ministry of Education's evaluation of basic university competency requires all major courses to be organized and operated to improve the major competency of the department, and major courses in the department that operates engineering education certification should be linked to Program Outcomes. Various types of competency-based major courses should be educated to improve related competencies, and educational performance should be measured by selecting a competency evaluation method that allows students to check the level of achievement in consideration of both the process and results of performance. Therefore, this paper examines the types of competency evaluation used to measure educational performance in major subjects related to competency, proposes an evaluation method that synthesizes and measures various types of competencies at the subject level, and presents examples of applying them to major subjects.

刑事裁判節次의 問題點과 改善方向

趙勇衍(Cho Yong Yeon) 한국형사법무정책연구원 1992 형사정책연구 Vol.12 No.-

찬송가 미터와 창작가사의 음절그룹

조용연 ( Yong Yeon Cho ) 민족음악학회 2013 음악과 민족 Vol.46 No.-

In the early period evangelization in this country, Korean believers sung translated versions of American and British hymns. Words of the translations were gradually substituted by creative musical lyrics that Koreans made. In this nation, hymn collections have been issued in accordance with period, editor and sect. Some of the above creative musical lyrics are found in those collections. In hymns, each movement has the title of song, the names of writer and composer and meter marked together. Especially, the meters are classified into regular ones like ``8.8.8.8``or ``9.9.9.9``, collectively called ``consistent meter``, regularly but differently syllabled ones like ``8.6.8.6`` or ``7.6.7.6``, collectively as ``mixed meter``, and ones with varying numbers of syllables like ``8.6.8.6.6.6``, that is, ``irregular meter``. Creative musical lyrics that have been locally made as the words of hymns are all in tune with the meters of corresponding foreign hymns. This is also true in case of 23 pieces of creative musical lyrics that were examined in this study. Among the 23 works, more specifically, 8 are ``consistent`` in meter, 13, ``mixed`` and 2, ``irregular``. However, the meter of each of the pieces keeps the pattern of 8.8.8.8 or 8.6.8.6. Thus, the hymns that were later translated and created in Korean are not different in the number of syllables. But in some cases, their words are not same to each other in meaning group. Meter can be divided depending on meaning group. For example, in the meter of 8.8.8.8, ``8`` may be divided into ``4?4``or ``5?3`` and in that of 8.6.8.6, ``6`` into ``3?3`` or ``2?4``. This study examines relations between such divided meters and musical rhythms of the creative musical lyrics, thereby finding out a basic framework hidden in those lyrics and their divided meters. Based on that framework, then, this study tries to identify what are the originals(original hymns) of the creative works having lyrics only(without musical scores). Investigating lyrics added to frequently sung melodies and determining how those lyrics are basically framed in syllable group can contribute to identifying the originals of many creative musical lyrics. For example, 「Sipgyega」 has words only, but no musical score. Seemingly devoid of chapter and passage, those lyrics are structurally and precisely identical to the basic framework that the meter of hymn, Harvest has. Nevertheless, however, some creative musical lyrics added to the melodies of existing hymns seem to be a little awkward.. This is because in those lyrics, meaning groups are broken down by divided meters. For example, 「Hanaleun Yesunimeui Yeonggwangeul」 has been divided into "Hanaleun Yesunim/eui Yeonggwangeul"(6?4) due to meter division, even though "Hanaleun Yesunimeui/Yeonggwangeul"(7?3) is logically right. This problem is because melodies added to the above lyrics were not given after those creative words were made, but already existed before the making. More fundamentally, there were few professional composers in the early period of evangelization in this country who could work with creative lyrics for hymns.

‘아키텍처 포 휴머니티’의 공공재생건축에 나타난 지속가능 디자인 특성에 관한 연구

조용연(Cho, Yong-Yeun),김종진(Kim, Jong-Jin) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.5

This is a study about public-regeneration-architecture design of the 3rd world damaged by the development of capital society of the 20th century and from the perspective of economically poor. anti-capitalist development from non-profit design organization. Active among such non-profit design organizations. the sustainable design characteristics of public-regeneration-architecture of the Architecture for Humanity will be discussed. I help it so as a continuous possibility design to have been given to public-regeneration-architecture of the Architecture for Humanity is small. and I establish a construction space at a few costs to people in a situation to be environmentally interior economic. to be cultural. and I am large. and to be able to generate profitable construction by environment at activation of a local community and worldwide dimensions. I look through a sustainable design way of this study classifies it to cultural sustainability that ecology-cultural approach in the environmental sustainability result ecology - central approach. and how I was applied to materials of construction, color. a pattern. a construction method. space configuration etc. There is the meaning to try to analyze a characteristic of a sustainable design to have appeared to public-regeneration-architecture of the Architecture for Humanity which I make a symbiosis. and you can live on it how in the present cities that city poor floor will add to.

근대 찬송가 창작가사의 음악찾기

조용연 ( Yong Yeon Cho ) 한국음악학학회 2014 음악학 Vol.22 No.2

선교 초기 한국교회 창작가사는 창작음악 작곡가가 없었던 까닭에 대부분이 영, 미 찬송가 미터(운율)에 붙여졌다. 이들 창작가사는 교회에서 즐겨 불려지는 이른바 ``유명한 찬송가``들이었다. 그리고 더 많은 창작가사들은 찬송가책 바깥의 신문이나 잡지에 실리고 잊혀졌다. 그러므로 창작가사들이 어떤 찬송가에 붙여졌는지 알 수 없는 경우도 적지 않다. 음악을 모르는 이 창작가사들은 특정 찬송가에 맞추어 불려졌을 것으로 추정된다. 왜냐하면 이들 창작가사는 노래를 목적으로 만들어졌기 때문이다. 또한 비록 소수에 불과하지만, 당시 널리 불렸던 유행가나 전통민요의 선율에 붙여져 불리기도 했다. 이 역시 가사만 전해 오기 때문에, 많은 경우 어떤 음악에 붙여졌는지도 알기 어렵게 한다. 그것은 창작가사가 어떤 음악에 붙여 졌는가 하는 물음을 갖게 한다. 이를 연구하기 위해서는 먼저 응용이 가능한 ``틀``(도구)을 찾아내야 했다. 즉 모태가사와 창작가사의 표현적, 언어적 관련성을 파악한 다음, 미터와 음절 구조의 유사성을 밝히고, 그것을 통해 해당 음악을 찾아내는 것이다. 음악을 알 수 없는 가사의 음악찾기는 창작가사가 모태가사와 공통된 표현이나 내용을 갖는 경우가 흔하기 때문에 가능한 일이다. 무엇보다 유사한 단어와 내용이 음악찾기의 중요한 단서가 될 수 있다. 따라서 이 연구는 앞서 제시한 틀을 근거로 창작가사의 음악찾기를 시도했다. 한편 이 작업은 향후 더 많은 창작가사들의 본래 음악을 찾는데 중요한 기초가 될 수 있을 것이며, 나아가 악보 없는 창작가사의 음악찾기 작업은 초기 한국 교회음악역사의 재구성을 위해서도 절실히 필요하다고 본다. So far, this researcher has examined creative words that were used as the lyrics of mission songs in the early period of evangelization by the Korea church. Some of those words were tuned to British or American hymns. Others were sung by using the melodies of popular or traditional songs that were in fashion at that time. Nevertheless, many creative words are still uncertain when it comes to music pieces to which those words were adapted to be sung. This is because the words are remained without any musical information. Therefore, this study aimed to identify songs to which the creative words were adapted to be sung. In the previous study, this researcher focused on correlations in terms of vocabulary, content and expression between creative and original words and similarities in meter and syllable structure between the two groups of words. Accordingly, the researcher identified hymns that have something to do with some creative words while informing other creative words whose related hymns were not found. This study discussed in the following how to more effectively identify songs based on which creative words were sung, which were not identified in the previous research. First, this study examined cases that original and creative words match with each other in terms of content and form. In terms of content, those original and creative words are same or similar to each other in implications and the composition, vocabulary and expression of the refrain. In terms of form, the two groups of words are exactly equal to each other in meter, syllable structure, the number of syllables and rhythm. In some of the cases, creative words have more syllables than original ones do. This is attributed to rhythmic division for communicating the meaning of Korean lyrics. It``s not a big problem musically. Second, this study examined cases that creative words are different in content or form from original words. More specifically, those cases include creative words that are similar in content to original words or have some traces of the originals, but different in the number of syllables and creative words that are same in meter, but different in lyrics from original words. In these cases, it``s possible to identify songs only if creative and original words are same in any of content and form. Third, this study dealt with cases that it``s difficult to determine a music piece to which creative words were adapted. Those cases include creative words which are presumed to have been adapted to a music piece when their meter, number of syllables and lyric structure and expression are considered, but that piece is uncertain, creative words that seem to have something to do with traditional music, but which piece of that music is related is uncertain(a long-text music piece like pansori) and creative words whose refrain is different from that of original words. In this study, the researcher could identify songs that were sung with creative words by determining the originals of those words. This provides basic information for helping identify songs based on which many other creative words for which music scores can``t be found were sung. The identification is necessary for clarifying this country``s history of earlier church music.

중·대형함정 소형·고속 표적 대응능력 향상을 위한 5인치 지향성파편탄 적용 연구

조용연(Yong Yeon Cho),최경억(Gyung Uk Choi),오지헌(Chi Hon Oh),양성훈(Sung Hoon Yang),김창기(Chang Ki Kim) 한국해군과학기술학회 2023 Journal of the KNST Vol.6 No.1

Intelligent SSD에서 이질 스케줄링 알고리즘 적용을 통한 프로그램 성능 향상 방안

조성우(Sungwoo Cho),조용연(YongYeon Jo),배덕호(Duck-Ho Bae),김상욱(Sang-Wook Kim),오현옥(Hyunok Oh) 한국정보과학회 2013 한국정보과학회 학술발표논문집 Vol.2013 No.11

Stat2 stability regulation: an intersection between immunity and carcinogenesis

이철중,안현정,Cho Eun Suh,강한창,이주영,이혜숙,조용연 생화학분자생물학회 2020 Experimental and molecular medicine Vol.52 No.-

Signal transducer and activator of transcription (STAT2) is a member of the STAT family that plays an essential role in immune responses to extracellular and intracellular stimuli, including inflammatory reactions, invasion of foreign materials, and cancer initiation. Although the majority of STAT2 studies in the last few decades have focused on interferon (IFN)-α/β (IFNα/β) signaling pathway-mediated host defense against viral infections, recent studies have revealed that STAT2 also plays an important role in human cancer development. Notably, strategic research on STAT2 function has provided evidence that transient regulatory activity by homo- or heterodimerization induces its nuclear localization where it to forms a ternary IFN-stimulated gene factor 3 (ISGF3) complex, which is composed of STAT1 and/or STAT2 and IFN regulatory factor 9 (IEF9). The molecular mechanisms of ISGF3-mediated ISG gene expression provide the basic foundation for the regulation of STAT2 protein activity but not protein quality control. Recently, previously unknown molecular mechanisms of STAT2-mediated cell proliferation via STAT2 protein quality control were elucidated. In this review, we briefly summarize the role of STAT2 in immune responses and carcinogenesis with respect to the molecular mechanisms of STAT2 stability regulation via the proteasomal degradation pathway.

F-box Protein βTrCP1 Is a Substrate of Extracellular Signal-regulated Kinase 2

이철중,이가은,안현정,Eun Suh Cho,Weidong Chen,이주영,강한창,이혜숙,조용연 대한암예방학회 2021 Journal of cancer prevention Vol.26 No.3

F-box proteins, consisting of 69 members which are organized into the three subclasses FBXW, FBXL, and FBXO, are the substrate specific recognition subunits of the SKP1-Cullin 1-F-box protein E3 ligase complex. Although βTrCP 1 and 2, members of the FBXW subfamily, are known to regulate some protein stability, molecular mechanisms by which these proteins can recognize proper substrates are unknown. In this study, it was found that βTrCP1 showed strong interaction with members of mitogen-activated protein kinases. Although extracellular signal-regulated kinase (ERK) 3, p38β, and p38δ showed weak interactions, ERK2 specifically interacted with βTrCP1 as assessed by immunoprecipitation. In interaction domain determination experiments, we found that ERK2 interacted with two independent ERK docking sites located in the F-box domain and linker domain, but not the WD40 domain, of βTrCP1. Notably, mutations of βTrCP1 at the ERK docking sites abolished the interaction with ERK2. βTrCP1 underwent phosphorylation by EGF stimulation, while the presence of the mitogen-activated protein kinase kinases inhibitor U0126, genetic silencing by sh-ERK2, and mutation of the ERK docking site of βTrCP1 inhibited phosphorylation. This inhibition of βTrCP1 phosphorylation resulted in a shortened half-life and low protein levels. These results suggest that ERK2-mediated βTrCP1 phosphorylation may induce the destabilization of βTrCP1

스케줄링 알고리즘에 따른 협업 시스템의 성능 분석

진동규 ( Dong-kyu Jin ),조성우 ( Sung-woo Cho ),조용연 ( Yong-yeon Jo ),김상욱 ( Sang-wook Kim ),오현옥 한국정보처리학회 2014 한국정보처리학회 학술대회논문집 Vol.21 No.2

대량의 정보를 효과적으로 처리하기 위한 기술로 CPU 뿐만 아니라 iSSD 와 GPGPU 를 개별적으로 이용하는 연구가 진행되고 있다. 본 논문에서는 더 나아가 CPU, iSSD 와 GPU 를 협업시켜 프로그램 수행 성능을 향상시키는 방법을 연구한다. 이러한 이질 시스템의 협업을 위해 이질 스케줄링 알고리즘을 적용하고, 스케줄링 알고리즘에 따른 협업 시스템의 성능을 분석한다.