Dubliners 小考 : 상징성을 중심으로

조영운 대한신학교 1982 논문집 Vol.2 No.-

낭만주의(浪漫主義)

조영운 대신대학 1991 논문집 Vol.11 No.-

본 논문은 영문학사에서 가장 획기적인 문학적 업적을 남긴 낭만주의 시대의 문학사조와 대표적인 작가와 그들의 잘 알려진 작품들의 해설이다. Wordsworth와 Colerige의 Lyrical Ballads 및 이 곳에 실린 Wordsworth의 'Preface'가 효시가 된 낭만주의 시는 전 시대인 신고전주의 시와는 여러가지 면에서 대조를 이룬다. 이 논문에서는 이러한 낭만주의 시의 특성과 이 특성들을 밑받침 해주는 간단한 시론을 논 하였고 나아가서 낭만주의 시대의 중요한 작가에 대한 간단한 해설과 그들의 잘 알려져 있고 대학 학부에서 가장 잘 읽혀지고 꼭 읽어야 하는 작품을 집중적으로 해설 하였다. 낭만주의 시인중 Byron은 여러가지 이유로 본 논문에서 제외 시켰다.

Go Down, Moses 小考

조영운 대한신학교 1983 논문집 Vol.3 No.-

Faulkner가 20세기 소설문학에 기여한 가장 커다란 업적중의 하나는 The Sound and the Fury에서 그가 처음으로 성공적으로 사용한 기교상의 혁신이 아닌가 생각한다. 이 소설에서는 같은 사건을 경험한 네 narrator를 사용하고 있다. 사건은 등장인물들의 의식을 통해서 전개되며 인물들의 의식을 통해서 나타난다. 비슷한 이론이 Go Down, Moses에 적용되는 것으로 여겨지는데, 작가 Faulkner는 이 소설이 단순한 단편집이 아니고 하나의 소설임을 강조하고 있다. Go Down, Moses는 형식적으로는 7편의 단편들로 구성되어 있다. 첫 세 작품은 남부 'plantation'에서 일어난 사건을 다루었고 다음 세편은 'wilderness' 의 사건을 다루었다. 그리고 마지막 이야기이며 이 소설의 제목이 된 "Go Down, Moses"는 전체 소설의 결론으로서 기여하고 있다. 이 작품에서 Faulkner는 The Sound and the Fury에서의 여러 narrator 대신에 두개의 다른 배경 즉 'plantation'과 'wilderness'를 병행시키고 있다. 같은 사건이 다른 narrator에 의해서 다르게 제시되는 것과 마찬가지로 Go Down, Moses에서는 사건이 배경에 따라서 각기 다르게 나타난다. 즉 피부 재산 사회신분등이 진리나 미덕이 더욱더 중요시 되는 황야에서 보다는 'plantation'에서는 인간의 성품을 결정짓는데 더욱 더 결정적인 역할을 한다. 시간이 흐름에 따라 황야에서와 마찬가지로 장원에서도 모든 것이 원래의 순수한 빛을 잃고 점차로 타락해 버리고 만다. 인간인 이상 이 필연적인 운명은 피할 수 없으며 이러한 운명을 그는 직시하고 받아 들여야만 한다. 이 소설은 등장인물들이 이러한 운명을 대하는 여러 가지 다른 방법에 관한 이야기들 이라고 말할 수 있다. 따라서 Faulkner가 Go Down, Moses에서 사용하는 방법은 그가 초기에 사용했던 기교와 비슷한 것이며 또한 어떤 면에서는 독특한 수법이기도 하다.

The Prelude에 나오는 물, 바람, 섬, 동굴의 이미지 연구

조영운 안양대학교 1997 논문집 Vol.17 No.-

Prelude is a long poem like an epic and autobiographical. In the 20th century time began to play an important role in novels of James Joyce and Proust. Prelude began to attract the attentions of literary men. Wordsworth's recollection is a kind of stream of consciousness. Nature is very important in his poems, especially in Prelude. To understand this epic-like long poem, we must know the relationship between the poet and nature. Wordsworth loves nature itself literally and he obtains the power to live in the noisy world from nature. And he thinks also that nature is a kind of revelation of life's deep meaning and God's intention. He uses many natural things to understand what is hidden in life and the depth of it. They are wind and water, islands, cavern and mountains. They are used as setting to provoke the mood in which he is prepared to thke part. The images of wind and water are used to manifest power and vitality in the universe. Often when the situation is not fit for wind and water to apper as part of the surrounding scene, their symbolic value is made use of on the figurative level. The image of island is isolation as it is really surrounded by water geographically. It the poet wants to concentrate on deeper meaning or thought, he cut himself off from the outer world using the image of island. This traditional use of insolation by using the image of island goes back to Rousseau. And Rousseau borrows this method from Robinson Crusoe by defoe. There is another image. Though it is less articulated, the poet records intimations of the inner world by means of it. When we encounter such words as Under-thirst, Under-presence, Under-soul, the kind of image appear. We might call it the image of cavern. This image has two functions. One is inevitable and fearful isolation from any external medium without which the mind cannot kept healthy. The other has the opposite function. It is suggestive of fertility and creation. Like all of Wordsworth's central images, the cavern can stand potentially for several things, even apparent opposites.

Fabrication of Nanoporous Polyimide Particles

조영운,허필호 한국고분자학회 2015 한국고분자학회 학술대회 연구논문 초록집 Vol.2015 No.10

Nanoporous polyimide film using one-step heat treatment of poly(ethylene glycol-co -imide)

조영운,허필호 한국고분자학회 2015 한국고분자학회 학술대회 연구논문 초록집 Vol.2015 No.4

Adonais 小考

조영운 안양대학교 인문과학연구소 2002 人文科學硏究 Vol.10 No.-

Shelley and Keats, brought together by Leigh Hunt, failed to become friends. Keats did not take to Shelley as kindly as Shelley did to him. They saw enough of one another in the spring of 1817. But their relationship was not that of Milton and King or that of Tennyson and Hallam. Shelley left England for last time 1818 and the poet did not meet again. Keats died in 1821. The poet and the man are two different matters. Though they exist together, they may be unconscious of each other and incapable of deciding on each other's powers and efforts by any reflex act. We may apply this to the subject of "Adonais." It is a the formalized lament of Shelley the poet for Keats the poet. It has rather less to do with the very real but remote grief that Shelley felt for Keats as a man. The poet's concern is with the fate of poets in a world that resists their prophecies and a nature that seems indifferent to their destruction. Shelley's from is the pastoral elegy modeled on Bion's "Lament for Adonis", "Moschus", "Lament for Bion", and Hellenic poems of the second century B.C. Spenser's lament for Sir Philip Sidney, Astrophel and Milton's for Edward Kind influenced Shelley in composing "Adonais."

19C 낭만주의 소고

조영운 안양대학교 人文科學硏究所 1998 人文科學硏究 Vol.5 No.2

Romanticism started and wonderfully bloomed in 19th century in literature, painting and music. It has common characteristics in that they dealt with nature and was reaction from classicism or neo-classicism. Romanticism was made free from strict forms and rational constraints. It had free expressions of feelings of happiness, anger, sorrow and grief. "Spontaneous overflow of powerful feelings" is good poetry according to Wordswrorth. Lyrical Ballads is manifesto of romanticism in literature "Tintern Abbey" and other simple poems in the book are good examples which expressed his love of nature and his romantic attitude. Love of nature is rooted in Rousseau's words. "Return to Nature" Love of nature in romanticism led many painters to the landscape of country from the shadowy studio. They wandered to find out wonderful landscapes, objects which they wanted to paint. Economically they could be independent because new-born middle class paid their attention to the pictures of landscape. Turner, well-known Eng1ish landscape-painter and contemporary of Wordsworth, left many wonderful works. He had much influence on the painters in eluding French Impressionists, though they did not want to accept the fact. In French art, Gericault and Delacroix exhibited their romantic Pictures in the saloon. Their works were mucho different those of David who was the leader of nee-classicism in French art. Their themes, materials and the way of expression are different from those of neo-classicist. To see is to believe. Beethoven was the bridge which connected romanticism and classicism. His "Sympony No. 3”. “Eroica” was the start of romanticism in music. He expressed his love of nature in “No. 6 Symphony”. Its title "Pastoral" shows his attitude to nature. In his last symphony. "Choral Symphony". Beethoven arrived at the completion of romanticism in music not only in structure but also by using Schilier's "Ode an Freude" in chorous. Romanticism. I believe, most beautifully bloomed in music and it always revives again as long as we live and have heart to feel and have dream and experiment of and adventurous mind.

The Waste Land 연구

조영운 대신대학교 人文科學硏究所 1994 人文科學硏究 Vol.2 No.1

AbstractA poem is a flower cultivated in the spiritual or intellectual garden of a poet. It is necessary to know a poet's life if we understand his poetry fully. His poems have been influenced not only by his own literary experience but also the intellectual background of his time. The first part of 20th century was the age of new beginning in every field, especially in literature. The result of this new movement is the birth of Modernism in literature.One of the reasons why Eliot's poems are difficult is his new style of writing poetry and his awful knowledge of classics. He often expresses his ideas and feelings indirectly but objectively in The Waste Land by the passages of other literary men.The themes of The Waste Land are spiritual dryness, the kind of human existence in which no generating belief gives significance and value to men's daily activities, sex brings no fruitfulness, and death heralds no resurrection. As Eliot himself explains in his notes, the title, the composition and a great deal of syInbol isnl of the poem were suggested by Jessie Weston's From Ritual to Romance. Eliot, following Miss Weston, uses a great variety of mythological and religous material, both occidental and orientaly in order to paint a symbolic picture of the modern Waste Land and the need for regeneration. Ancient vegetation myths and fertility ceremonies of Adonos Attis, Osiris of Sir James. Frazer's Golden Bough were also used in the poem.THe origin manuscript shows us that the poem as published awe a great deal to the severe prunning of Ezra Pound. And Pound not only recognized Eliot's literary genius and recommended him in Ellglish literary society but. also gave literary advices and helped him spiritually and economically. We can say that Pound built the foundation of modernism in literature after T. E. Hulme and Eliota has developed and made it flourish.The structure of The Waste Land is a puzzle to readers who are familiar with poems wi th continuous narrative. The poem is composed of the disconnected images and passages. It is a completely new kind of poem. If w'e approach the poem with a weapon of montage, the puzzle is easily solved. The method cal led montage was developed in the modern film. Literatur and film were influenced each other at the beginning of 20th century. The idea was hinted frrm chinese letters, ideogram. The point is that the combination of two hieroglyphics of the simplest series is to be regarded not as their sum, but as their product, that is, as a value of another dimension. Each separately corresponds to a concept. The undepictable idea or concept is depicted by the combination.THe varieties of montage take basic and somtimes over-lapping forms. They are the oxymoron, dynamic unresolution, parallel plotting, rapid shifts in time and space and multiple narration. Though I could Eliot used not find out wether Eliot used montage technique consciously or not when he wrote the poem. I think Pound has the method in mind when he cut off much of the poem and recomposed it.

비만관리프로그램 적용에 따른 청소년들의 신체구성과 기초체력 변화

조영운,정구인,김응준 한국스포츠학회 2012 한국스포츠학회지 Vol.10 No.2