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- 저자 : 조경아 ( Cho Kyong-a ) (검색결과 3 건)
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순조대 효명세자 예제(睿製) 정재(呈才) - `예제`의 범주 및 정재 창작시기와의 관련성을 중심으로 -
조경아 ( Cho Kyong-a ) 무용역사기록학회 2003 한국무용사학 Vol.1 No.-
The aim of this study is to investigate the category that King Sunjo`s son prince Hyomyong 孝明世子(1809-1830) made Yeje Chongjae 睿製呈才 and relevance to create date. This study is based upon such source materials a government office document called Muza chinjak uigwe 『戊子進爵儀軌』(1828) and Kich`uk chinch`an uigwe 『己丑進饌儀軌』(1829). Generally it mean that yeje was the King`s son created verse. But created category of yeje was to adapt court dance known as chongjae 呈才, only apply to the words of a song known as ch`angsa 唱詞,not dance. The truth of this matter was convinced of Yeje 『睿製』(1829). A kind of King Sunjo`s son Hyomyong create yeje chongjae were twenty. An item were Mugo 舞鼓,Muae 無導,Abak 牙拍,Kainjonmoktan 佳人剪牧丹,Ch`oehwamu 催花舞,Posangmu 寶相舞,Kyo ngp`ungdo 慶豊圖, Mansumu 萬壽舞,Mangsonmun 望仙門,Musanhyang 舞山香,Pakchop 撲蝶, Sasonmu 四仙舞,Yonbaekpokchirnu 演百福之舞,Yongji 影池,Changsaeng poyonjimu 長生寶宴之舞,Chesuchu`cang 帝壽昌,Ch`opsung 疊勝,Ch`undae okch`ok 春臺玉燭,Ch`unaengjon 春鶯?,Honch`onhwa 獻天花. For the most part of these chongjae 呈才 are agreement that created date of chongjae and the words of a song known as ch`angsa 唱詞 But Mugo 舞鼓,Muae 無導, Abak 牙拍,Kainjonmoktan 佳人剪牧丹,Ch`oehwamu 催花舞,Posangmu are not agreement. So we are acknowledge the capability of disagreement between create date of yeje chongjae and create date of chongjae.
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조경아 ( Cho Kyong-a ) 한국예술종합학교 세계민족무용연구소 2004 민족무용 Vol.5 No.-
The aim of this study is to investigate an aspect of chongjae 呈才, during the time when prince Hyomyong 孝明世子(1809-1830) was the right power of representation attorney in the reign of King Sunjo. History of chongjae 呈才 in the reign of King Sunjo, it is very important time. Type and contents is various appears in this time. 17 repertory were succeeded in this time, and 23 repertory were created. So it is a point when the succession and change coexist. The scope of this research is between 1827 and 1830, when Prince Hyomyong 孝明世子(1809-1830) is the right power of representation attorney. This study is based upon such source materials a government official document called Muja chinjak ŭigwe 『戊子進爵儀軌』 (1828) and Kich'uk chinch'an ŭigwe 『己丑進饌儀軌』(1829). Chongjae 呈才 is synthetic performing art, so it composed of a center element dance, the words of a song known as ch'angsa 唱詞, and incidental music it will together research. Chongjae was not only the court performence but also the local governmental performence. But this research is restricted a scope, only in the court performence. It is composed three section, it examined from the viewpoint of succession and change of chongjae integral part. In the first section was examined ch'angsa 唱詞. Succession position of chongjae ch'angsa, the political contents was accomplishing the center is the thing. Renovation position of chongjae ch'angsa, the political contents becomes internalized and the lyrical contents was introduced is the thing. Ch'angsa of mugo 舞鼓, abak 牙拍, Kainjon moktan 佳人剪牧丹, and Posangmu 寶相舞 are the evidences. In the second section examined was dance composition of chongjae. Succession position of dance composition, the frame of existing dance was maintained almost like that. There is temporary fluctuation where the chukkanja 竹竿子 disappears from Suyonjang 壽延長 and Pogurak 抛毬樂, but features of origin it returned again. From renovation position of dance composition, most will pay attention the fact that was appearance of solo dance, for example Ch'unaengjon 春鶯囀 and Musanhyang 舞山香. In the third section was examined incidental music of chongjae. There was an accompaniment name which is various in chongjae one. Until now from the viewpoint of succession and change, it tried to observe the aspect which chongjae is various. The feature of at this time variety chongjae is able to summarize, as coexistence.
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