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I maintain that gasas (Seowangga, seungwonga, Sudoga, Simwooga, Nahkdoga etc.) are named not by Naong's own writing but by Naong's fame. First, the literatures recording Naong's gasas have little authenticity and they are only literary works handed down orally. Second, the latter period of Chosun dynasty (18th century) needed more those literary works than the final period of Koryo in terms of age. Third, the levels of those literary works referred are below those of Naong's original works. Fourth, as Naong was so famous, unidentified one named those literary works(presumedly written by Naong) after Naong. However, In kwon-whan criticizes these opinions First, he argues that the literatures have the name of Naong. Second, the levels of literatures were adjusted to the readers. Third, Koryo period needed those literatures. Finally, there is no reason to pick the name of writer as Naong among other monks. But there are obvious reasons that those literatures were not written by Naong. First, there are lots of literary works that have no relations between authors and the contents in Korean literatures. Second, Seowangga handed down orally was written down. Third, the way of spiritual discipline in Seowangga is different from that of Nawang. Fourth, there is difference between Sunjong and Jeongtojong. Fifth, the paragraph written by Hamheoran(1376-1433) who was born later than Nawong reads in Seowangga. In phases of times, Chamsun was popular at the end of Koryo but prayer was popular in the 18th century. And the 18th century needed Seowangga. Compared with the levels of other works, Nawang's chinese poetry has high level than Seowangga and this is the other reason that Seowangga was not written by Nawong. The reason to pick the name of Nawong among those of other monks was that he was famous and the masses liked him. That's why these gasas were not written by Nawong.
〈Chungsanbyolgok〉 presumed to be formed in the end of Koryo dynasty is said to be one of the best of Koryo poetry and has already been studied in many ways. However the establishment of accepted theory supported by the academic world has not been made even though there are many arguments about the themes and structures.<br/> Above all, there could be four different parts of the themes that have been argued.<br/> First, 〈Chungsanbyolgok〉 is connected with the society considered to form the poetry. It means the 〈Chungsanbyolgok〉 is a song reflected the painful lives of serfs who had suffered from the disturbance of musins(military officials) and the invasion of Mongo.<br/> Second, 〈Chungsanbyolgok〉 is the expression of personal emotion. It shows perception of the theme in poetry as the pain of the broken heart.<br/> Third, 〈Chungsanbyolgok〉 is considered to connect with its structure. It means the grasp of the theme by examining the first stanza of 〈Chungsanbyolgok〉 consisted of eight stanzas which shows the expression of seeking Chungsan the Utopia and living there and the last stanza(the 8th stanza) about drunkenness.<br/> Fourth, It is the search of the theme in 〈Chungsanbyolgok〉 by using new methods. there has been changing viewpoints from bibliography and literature to the science of religion, mythology, shamanism, and drama in search of the theme of 〈Chungsanbyolgok〉.<br/> The reasons such themes seem to come out from are free interpretation due to the absence of historical records pertaining to 〈Chungsanbyolgok〉, different understanding of abstract words, no reveal about its formation in the content of 〈Chungsanbyolgok〉, personal viewpoints and methodolgy and the different way of recognizing the structure of 〈Chungsanbyolgok〉.<br/> However, The bases of these themes are not from the historical records but from the guessworks of researchers. In addition, there are very few including the themes of eight stanzas.<br/> Next, It is examined the present situation of the study on the structure of 〈Chungsanbyolgok〉. Many arguments about the structure have been mainly consisted of the systematic relations of 8 stanzas in 〈Chungsanbyolgok〉 or the collections of independent themes in each stanza.<br/> After concretely being examined the theme of each stanza in 〈Chungsanbyolgok〉 it is clear that each stanza has its own independent theme showing the bitters of life such as worry, solitude, misfortune, yearning for Utopia with the mind of living in Chungsan or by the sea, special experiences such as listening to the performance of Haegeum (musical instrument) or being drunk and something related to occupation.<br/> It has been studied hard the connection the time 〈Chungsanbyolgok〉 was made with Chungsanbyolgok to understand the work. However the result of efforts has raised doubts because of no historical basis but inference about the connection. It is desirable to argue the historical research on the basis of reliable data.<br/> Finally, It is argued that 〈Chungsanbyolgok〉 has to be studied actively in the more positive point of view considering the interest of 〈Chungsanbyolgok〉 not only by the people living Koryo but by current people.
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03년~‘08년 동안 국내 IT 서비스 시장의 연평균 성장률은 약 49%로 한국의 IT 제조업이 세계적인 경쟁력을 갖추고 빠르게 발전하고 있는 데 반해 IT 서비스 산업은 상대적으로 느린 속도로 발전하고 있다. 이에 따라 국내의 IT 서비스 기업들은 기존 사업의 혁신, 신규 사업 및 해외 사업진출 등을 통하여 신성장 동력 발굴에 매진하고 있다. 이와는 대조적으로 글로벌 IT Service 기업, 인도 IT Service 기업과 더불어 최근에는 중국 IT Service 기업들도 ODC(Offshore Delivery Center) 혹은 GDC(Global Delivery Center)의 설립/운영을 통하여 연평균 30% 이상의 高 성장을 이루어내고 있다. 본 논문에서는 Offshore Delivery Center(이하 ODC) 추진 전략에 대한 연구를 통하여 한국 IT 서비스 기업의 바람직한 ODC 추진 전략을 제시하고자 한다.
This study was conducted to investigate the utilization, the prospect and the need of improvement of Lycoris radiata, for the purpose of making it better a flowering plant and giving a right reorientation in the breeding. Lycoris radiata was rated high as material for flower arrangement, flower basket and fancy, and it was rated highest as material for flower bed. In case of flower arrangement and flower basket, flower designers could make good use of seasonal image, the number of flowerets, flower color. However, flowering time, the size of flower, vase -life and convenience of purchase were considered to be in need of improvement. Flowering time, the size of flower, flower color, the number of flowerlets, the strenth of stem and seasonal image were rated high as materials for flower bed and fancy but flower color, vase life, leaf length, leaf width and discrepancy in emergence of flower and leaf were considered to be in need of improvement.