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鄭德俊 우석대학교 국어국문학연구회 1985 又石語文 Vol.2 No.-
0.1. 개화기 사회는, 잘 알려진 것처럼, 안팎으로부터의 새로운 도전에 대한 응전의 지평이 확립되지 않은 채 전통 사회에서 근대적 사회로 발전해 나가는 변동사회라고 볼 수 있다. 다시 말해서, 봉건 사회체제에서 「열린사회」, 개방된 사회체제로 전환해가는 체제위기의 사회라 할 수가 있다. 조선조 시대의 사회적 가치요 규범적 질서의 중핵을 이루어 온 유교주의, 이른바 주자하적 세계관은 이 시기에 이르러 해체의 위기에 부딪친다. 안팎에서 거대한 사회적 압력이 체제 내에 분절되어 들어감에 따라 전통 사회체제는 붕괴 직전의 심각한 위기에 직면, 민족사상 가장 어려운 도전을 맞게 되는 것이다. 개방 체제로의 전환을 요구하는 선진 자본주의 열강의 침입, 그리고 안에서 자생적으로 발생한 민중 특히 농민의 체제 개혁요구가 그것이다.
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재중 조선족 문학비평 연구 : 1949년~1990년대 후반
정덕준,이상갑 한국현대문예비평학회 2003 한국문예비평연구 Vol.- No.13
After liberation the literary criticism of a Chinese-Korean people was begun with the basic enlightenment in a blank condition. The literary enlightenment had an extreme left-trend as a political instrument of propaganda. But in the first half of the 1957's the literary criticism of a Chinese-Korean people worked for the essential phase of literature. And yet the attempt died on its' feet by the struggle against the right faction. After the struggle the instrument of propaganda in literature was strengthened, and in the middle term of 1960's the tendency of a class struggle in literature was more deepened. Moreover after the great revolution of culture the three projection-principle required the class consciousness of literature more thoroughly. But after the middle term of 1980's the revaluation of realism and the controversy on the idea-renewal was attempted to overcome its' difficulty. Herewith the literary world was diversified. The open realism, that's it. Hereby the literary world of a Chinese-Korean people arrived at puberty.
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정덕준,이상갑 한국문학이론과비평학회 2004 한국문학이론과 비평 Vol.25 No.-
This thesis specifies the Aspect of Development of Chinese-Korean Literary Criticism under Japanese Colonial Period in 1910's~1949. Before liberation the materials of the literary of Chinese-Korean people is very poor. This does not mean that literary action itself is poor as the words of writers at that time. By the conveyed materials to the present , the literary action seems to be active. But by the various historical causes, the related materials is mostly extinct. Therefore this thesis focuses on the extant materials. Before liberation the literary criticism of the Chinese-Korean is not full-scale, but piles up the fair achievements in both the theoretical search and the field criticism. Especially the discussion on paper, namely 'the new proposal of the Chinese-Korean literature in Manchuria for construction' is very valuable. Because it shows the will and effort that construct independently the chinese-korean literature in Manchuria. Before and behind this discussion the writers in Manchuria are willing to construct the chinese-korean literature more consciously. And the result from the discussion offers the famous beginning that explains the character of Chinese-Korean literary criticism at that time and today too. Conclusively, this thesis specifies the character of Chinese-Korean literary criticism and furthermore must have view on the orientation of our national literature.
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