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적대적 공생 : 1950~1960년대 대만 현대미술의 ‘전통’ 재구축
차이상정(蔡?政),문정희(번역자) 한국미술연구소 2018 美術史論壇 Vol.- No.46
This article will examine the relationship between the creator`s discursive practice and the historical context in which he is situated according to the concept of antagonistic symbiosis. Therefore it will review the discourses and practices of Taiwan Modern Art in the 1950s and 1960s base on the contextual analysis of the political atmosphere and cultural trends, and also use the text analysis as method to reviewhow the creators discourse their works and ideas. By following the research approach mentioned above, it is expected to illustrate the development and transition of art in this period, it is not “modernism” fully focusing on the pursuit of progress and the experiments of innovation, nor is it just a revival of “neoclassicism” under the traditional cultural consciousness. Artistic creators seem to be in a complex relationship between tradition and modernity, the East and the West, and the revival and innovation, which are both confrontational and mutually inspiring and leveraging in order to have breakthrough and development. The historical situation has significant influences on the development of modern art in Taiwan. Under the dual ideology framework of the martial law system and the Cold War structure, on the one hand, there are ongoing cultural movements such as the “Cultural Reform”, “Cultural Cleansing”, “Battle Art” and the “Chinese Culture Revival Movement” promoted by the Chinese Nationalist Party (KMT), On the other hand, it has also formed a US aid literary system established by the United State Information Service (USIS) and the China Institute in America. The atmosphere of this period makes “art belongs to art, politics belongs to politics” becomes an art declaration for getting rid of difficult situation. Although the tension between art and politics is hidden under the representation of art, through the discussion and analysis of this article, we can find there is also a kind of “antagonistic symbiosis” relationship between art and politics, the hidden and obscure tension effects are emerged from related texts and images.
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