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임대근 한국외국어대학교 외국문학연구소 2014 외국문학연구 Vol.- No.53
문학의 탄생 이래, 그 존재 방식은 언제나 특정 유형의 미디어 media, 媒體와의 공모/공존을 전제로 해 왔다. 동시대 과학기술의 급진적 변화는 출판 미디어 자체의 획기적인 변화뿐만 아니라 고전적인 문학의 유통방식, 즉 '출판'의 의미를 새롭게 사고하지 않을 수 없게 하는 '뉴 미디어'들의 잇따른 등장을 초래했다. 2006년 미국에서 공식 서비스를 시작한 트위터는 가장 짧은 시간에 가장 많은 사용자를 확보한 뉴미디어로 정착하고 있다. 이른바 사회적 네트워크 서비스 SNS로서 트위터는 과연 새로운 문학 환경을 창출할 수 있을 것인가? 이것이 이 연구의 물음이다. 우리는 향후 트위터라는 새로운 미디어 혹은 네트워크 속에서 최소한 두 가지 문학적 변화의 가능성을 예견하게 된다. 첫째, 새로운 양식 출현의 가능성. 트위터는 지금까지와는 다른 방식으로 미디어의 존재를 규정하는데, 즉 '140글자'라는 발신 정보량의 제한이다. 그 가능성의 사례로 류시화와 이외수라는 두 기성 작가의 트위터 운용을 제시할 수 있다. 둘째, 트위터는 새로운 문학유통 방식의 가능성을 제시한다. 우리가 전통적으로 작품 혹은 텍스트라고 불러 왔으나 이제는 '멘션' mention 혹은 '트윗' tweet이라는 다른 이름을 얻게 된 작가의 글들은 생산과 동시에 독자들에게 도착한다. 그리고 독자들은 작가의 트윗을 다시 '리트윗' retweet하면서 자신들의 '독서' 행위를 클릭 한 번의 '비평' 행위로 진화시킨다. 문제는 '비평' 행위로 진화한 독자들의 즉각적 '독서' 행위가 무차별적인 '독자 연대'의 방식으로 작동할 수도 있다는 데 있는 것이다. 이러한 새로운 변화들은 분명 머지않아 기존의 문학적 조건들을 비웃으면서, 새로운 작가와 문학, 독자를 만들어낼 것임이 분명하다. Since the birth of literature, the way of its existence has always been under the premise of collusion or coexistence with a specific type of media. The dramatic development of contemporary science and technology has brought the arrivals of 'new media' one after another that not only changes publication media itself tremendously but also casts new light on the approach to the meaning of 'publication', classical circulation of literature. Tweeter, which began its service officially in the US in 2006 has taken root as a new media that secures the most users in the shortest period. As a so-called social networking service, is tweeter going to create a new literature environment? This is the question of this study. We can expect at least two possibilities of literary changes, which will be caused by a new media or network called tweeter. First, the possibility of emergence of a new style. Tweeter defines the being of media in a different manner with other systems so far, which limites the amount of sending information up to 140 characters. We can refer to the tweeter operations of two well-established writers, Ryu Si Hwa and Lee Oe Soo, as cases in point. Second, tweeter shows a possibility of a new literature distribution system. The writings of these two writers, which have been called works or texts traditionally, now arrive at readers at the same time with their production in the name of 'tweets' or 'mentions'. Readers, on the other hand, re-post the writers' tweets on their tweeters and only with a click, they can evolve their 'reading' activities into 'criticism'. The thing is that the immediate 'reading' activities of readers, which evolve into 'criticism', may be led to indiscriminate 'readers' solidarity'. It is clear that sooner rather than later, these new changes will create new writers, new literature and new readership, while laughing at the existing literary conditions.
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임대근 韓國外國語大學校 外國學綜合硏究센터 中國硏究所 2005 中國硏究 Vol.36 No.-
This paper is a study on a midium-length novel, Red Sorghum by Moyan and the film of same name was adapted by Zhang yimou. At first, before consideration of comparison difference between two texts, I try out some arrangements the relationship of novel and cinema. It is a work that according to a foundation of general understanding about that. Although there are very abundant study about that, it is within bounds to say that comparisons of specific texts have erred on side that a cinema which has origin work followed that work, novel or not. I think, it is better that a cinema which has origin work has to be understood as a independent work than considering whether the cinema followed origin novel or not. The second, the reason why two texts have necessity to meet, it has to be understood on external side, not immanence of elements in two texts. In this case, that external elements is concentrated on the conditions of China in 1980s. It made some consensus between two Red Sorghums: I think, the seeking for cultural roots was a most important element about that. At last, through that internal scenary of two texts, for example, point of view of novel and narrator of film, the time and space, characters, and segment of two texts, I try the film Red Sorghum has failed to establishing probability of its own narrative.
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林大根 韓國外國語大學校 外國學綜合硏究센터 中國硏究所 2003 中國硏究 Vol.31 No.-
Yu, Da-fu was the famous novelist at the modern Chinese literature start period. His novel applied special style and he was that time problem writer. We can find the desire, love, suffering, setback of that time young men in his novel. Through their accident method about the world which change rapidly, we can make our reference system. We divided into two fields and looked research about him in Korea into this text. One field is the translation of the work and the other field is the technical research. His novel which to now is translated from Korea 19 novels, the 26 remains yet. 12 was translated in the prose. We are waiting for the translation : near to the 130 proses, the literary medley over the 313, the literature theory over the 214, the poetry over the 430, the diary of the 33. We have the feature about him which research as follows in Korea. First, in the side of the research area, we have a partiality to novel and thought of literature field. But the research area in Korea progresses like a bolt line at now. From now on its area must be enlarged more. Second, in the side research method, traditional existing method is inverting recently in modern method. We had a partiality to the critique biographique at former time, but we are appearing to new methodology which the psychology, Freudianism, structuralist criticism, and the comparison research studies his literature recently. I wish from now on that more researchers should participate in this field, enlarge the area more and apply the new method.
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DOMINATIONS ON BIPARTITE STEINHAUS GRAPHS
임대근 영남수학회 2010 East Asian mathematical journal Vol.26 No.3
In this paper, we give an upper bound for dominations of Steinhaus graphs, and the domination numbers of the bipartite Steinhaus graphs. Also, we give an upper bound for Nordhaus-Gaddum type result for the bipartite Steinhaus graphs.
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임대근,김현정,Lim, Dae-Keun,Kim, Hyun-Jung 영남수학회 2012 East Asian mathematical journal Vol.28 No.4
In this paper, we apply mathematising activities to geometry contents of corrent in middle and high school in order to actualize learning and teaching through Freudenthal's, Piaget's, and Van Hieles's mathematising among many theories affecting teaching and learning methods. Learners find out mathematical idea through the activities of mathematising that interprete mathematical problemm. And we derive mathematic through the experience of vertical mathematising that expresses it. Based on it, Freudenthal's progressive mathematising process, etc are used in doing the activities of applicative mathematising.
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