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어머니의 일 – 가정 양립 이점이 아동의 의사소통 능력에 미치는 영향: 어머니의 허용적 양육 행동과 아동의 미디어 기기 의존의 이중 매개효과
이희원,강민주 한국아동학회 2023 아동학회지 Vol.44 No.3
Objectives: Recently, there has been a noticeable increase in mothers who juggle their jobs and raising children. This study examined the effect of mothers’ work-family gains on school-aged children’s communication skills. Specifically, we investigated how this influence is dual-mediated by mothers’ permissive parenting practices and children’s media dependency. Methods: This study utilized data from 10th version of the Panel Study of Korean Children (PSKC). Data were collected from 707 children (364 boys, 343 girls) and their working mothers. The average age of children was 9.4 (SD = 1.40). The study conducted descriptive, correlation, regression analyses, including bootstrapping, employing SPSS 27.0, and the PROCESS macro version 4.2 to examine the hypothesized dual mediation model. Results: First, mothers’ work-family gains negatively affected children’s communication skills. Second, mother’s work-family gains had decreased mother’s permissive parenting practices and children’s media dependency, but increased children’s communication skills. Therefore, variables showed partial mediation effect on their relationship. Third, the dual mediation effect of mothers’ permissive parenting practices and children’s media dependency had verified significant indirect effects with a 95% confidence interval. Conclusion: These findings indicate the critical role of the effects of mothers’ work-family gains on children’s communication skills, dual mediated by mother’s permissive parenting practices and children’s media dependency. These findings highlight the importance of focusing on mothers’ work-family gains rather than work-family conflicts. Moreover, this study provides an academic basis for examining the importance of mothers’ work-family gains on school-aged children, including working mothers of infants or young children.
이희원,송빛나,박슬기,이성현,박찬순,박신영 동아시아식생활학회 2023 동아시아식생활학회지 Vol.33 No.1
This study evaluated the quality of black rice porridge by comparing changes in the proximate components and free amino acid contents. Three varieties of black rice were included in the study, and the factors were examined according to the variety and germination period. On the 3rd day of germination, the protein content of Cheongpung Heukchal (CBR-3) black rice was 10.37 g/100 g, whereas the highest crude fat content at 3.44∼3.46 g/100 g was obtained on the 2nd and 3rd days of germination. The highest total free amino acid increase rate was 68.38∼588.24% obtained for Cheongpung Heukchal (CBR), followed by 39.87∼507.38% for Jindo No. 1 (JB1) and 33.03-542.84% for Jindo 2 (JB2), Thin rice gruel, half rice porridge, and whole rice porridge were prepared to determine the morphological characteristics of the porridege. The viscosity of germinated black rice porridge was 427∼977 cP, which was lower than the non-germinated porridge (620∼1313 cP). Evaluation of the antioxidant activity, revealed that the ABTS radical scavenging ability of non-germinated whole rice porridge was 76.34%, and germinated porridge was 81.38%. These values differed depending on the germinated form.
『에드먼튼의 마녀』에 나타난 17세기 초 영국 마을 하층 여성들의 연극적 경계 넘기
이희원 한국중세근세영문학회 2017 고전·르네상스 영문학 Vol.26 No.1
This article analyzes how Winnifried and Mother Sawyer, the two female characters at the extreme edges of the 17th century Edmonton village in The Witch of Edmonton, react to its socio-economic forces and patriarchal ideology. I argue that both Winnifried, a pregnant maid to Sir Arthur Clarington who becomes the first wife of Frank Thorny, and Mother Sawyer, a poor old outcast who is called a witch, adopt transgressive theatrical strategies to be placed or displaced in the patriarchal and capitalistic Emonton village after the Enclosure Movement, but in a different way. Winnifried successively performs several roles such as submissive wife, page, and repentant Christian wife to secure her position as wife in Thorny’s patriarchal family. Her strategies are subversive in that she refuses to be a social victim by utilizing, in her self-fashioning theatrical performance, the very ideal virtues the 17th century Edmonton society prescribes for a wife or a servant. But she plays a role or disguises herself only to escape the shameful name of whore assigned to a pregnant single woman like her and to seek a secure position as a wife or a widow in village society. Paradoxically, her transgressive behaviors do not disrupt but validate the existing ideology of the patriarchal Edmonton village based on the wife/whore dichotomy. On the other hand, Mother Sawyer, another impoverished lower-class single woman, chooses to play a role of a witch in her own way to get revenge on her neighbors who revile her as a witch, rather than to die as a criminal witch. For her revenge, she first employs the devil dog as an actor, but fails because the actor dog can fulfill her revenge only in the realm of fantasy. Being led to the gallows by the authorities, she switches her role from a magical witch to a rebellious witch with her unruly bad tongue to defy the unjust legal system of her village and to criticize the corrupted authorities. In this way she dies as an actor playing at being a witch, not as a witch, heightening her status as a rebellious figure that threatens social order.
러시아 인문과학의 융복합적 사유 (II) - 기호-공백의 ‘화이트홀’과 테크노-휴머니즘
이희원 중앙대학교 외국학연구소 2020 외국학연구 Vol.- No.51
This study analyzed the core concepts of “Comprehensive Humanities” and “Converged Humanities” by Mikhail Epstein, who began before the full-blown perception of the changing humanities in the technological age, such as ‘Post Human’ and ‘Fourth Industrial Revolution’. Epstein, who has constantly inquired into the humanistic availability of the Internet, the product of technological age, and the future of humanities in post-human age, argues that finding the legitimate meaning of ‘techne’ is now requisite for the humanities. He also prescribes that the role and challenges of the humanities will be to fill in the sign-blank, the white hole, that is unproven in astrophysics, but certainly exists in the humanities. In his recent books, such as The Transformative Humanities ― A Manifesto(2012), From Knowledge to Creativity: How the Humanities Can Change the World (2016), and The Future of Humanities(2019). Epstein argues that humanities in the post-human age should be stereoethical with the identity of techno-humanism, which harmonizes technology and ethics.