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진도아리랑의 보존과 진흥 일본의 민요 전승 상황을 통해서 본 진도아리랑의 과제
이토아비토 ( Ito Abito ),나경수(나경수) 남도민속학회 2013 남도민속연구 Vol.26 No.-
Minyo-fork song- of every region is being created by local musical traditions based on various social context of respective region. But, those indigenous songs related to ordinary living tend to be treated lightly due to the tendency to be paid attention only for those songs popular nationwide. Therefore an empirical clarification is necessary through which route the Jindo folk songs including Jindo Arirang have transformed into current shape. Upon examining the situation of Korea until today, thenational brand making f culture indicated a trend to have been processed from the perspective of central gov``t. National brand making is an act vesting a national legitimacy to a private cultural tradition and it is a clear fact that the unity of nation has been rewarded from it. However, it appears to be wise to put emphasis on the local / regional activation reflecting more subjectivity and perspective of region / local people in addition to the unity of nation. The people(民) as being the practical subject of minyo cannot be regarded only from the dimension of nationalism. The fundamental nature of minyo cannot but left to the hands of local people notwithstanding within Honam(湖南), Namdo(南道), Jindo areas. In other word, the future task is to create musical traditions on the basis of complex situation of local, regional society . The recent discussion of localism as well as experiences of local people over minyo in Japan can be an implication as for Jindo.
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