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이진,이기영 한중사회과학학회 2013 한중사회과학연구 Vol.11 No.4
隨着經濟的迅速發展,中國的城市化進展、房地産市場擴張的速度也근着加快了。其過程中發生了衆多問題,比如能源和資源量費、環境汚染,忽視人們居住環境的住房品質等。這些問題會影響而進而阻碍中國城市化的可持續發展。中國能源耗費和環境汚染總量中開發建筑物過程中産生的比重爲約30%,具有相當大的比重。最近各國對世界保護環境和節約能源的呼喚越來越高,中國也不例外。因此中國政府也非常重視中國城市化過程中會産生的這些問題的解決方法。中國政府在2006年制定而實施了綠色建筑評价標准。該標准由六大領域項目二構成,每個項目再細分化爲幾個小指標。本文進行了關于中國綠色建筑評价標注的試探性的硏究。首先比較了主要發達國家和中國的綠色建筑的槪念,再考察了評价標准的決定主體、決定的整個流程,具體的各個標准指標。然后分析了中國綠色建筑評价標准的成果和該彌補的地方。目前爲止,中國綠色建筑標准實施的時間較短,沒有有統計數据,因此只分析了潛在性的成果,實際上成果評价還需待一段時間。本筆者認爲該指標還需要關于交通、環境的更加具體的詳細規定,還需要考慮可以引發房産企業積極性的經濟上的優惠,最后得提高房産企業的關聯技朮水平的提高。本文的不足之處是分析關于綠色指標的成果方面,因爲中國資料上限制,只進行了分析間接的、潛在性的成果。隨着時間的推移,關聯數据和紀錄的積累,還需要進行更加深一步的分析。
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개방형 하드웨어 플랫폼 기반의 확장 용이한 스마트 홈 IoT 시스템
이진해,박광일,신종하,유성은,Lee, Jin-hae,Park, Gwang-il,Shin, Jong-ha,Yoo, Seong-eun 대한임베디드공학회 2016 대한임베디드공학회논문지 Vol.11 No.6
Recently, many changes have been made to people's life patterns as the technological advances in the ICT industry. The fusion of smart phones and various IT technologies has brought people convenience and welfare. A typical example of such fusion is the smart home. However, the existing smart home systems are difficult to be changed or extended. So we design a new smart home system with extensibility that can easily adopt legacy appliances and be scaled up. Among a variety of smart home features, this paper deals with IoT Devices that are responsible for controlling power or transmitting and receiving sensing values, IoT Gateway that connects users and consumer electronics via Internet, and Smart Home Manager that monitors and controls these components in the proposed smart home system.
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이진순(李鎭淳) 한국부동산연구원 1994 부동산연구 Vol.4 No.1
우리나라 국가경쟁력의 약화요인으로 고금리, 고임금, 고지가, 그리고 사회간접자본의 부족으로 인한 높은 유통비용 등 (여러가지가 거론 된다. 이들 요인들은 상호 유기적으로 관련되어 있으며 근본적으로는 주가적 부동산 투기붐에 기인한 바 있으며 크다. 따라서 높은 국제경쟁력을 갖춘 선진경제를 건설하기 위해서는 토지문제의 해결이 우선과제이다. 여기서는 토지문제의 발생원인은 1960년대 이후 정부주도형 경제개발 과정에서 형성된 중앙관리경제질서와 그 제도하에서의 지대추구가 누적적으로 결합된 산물로 보고, 중앙관리경제형태적 요소가 형성되고 강화되는, 역사와 그 과정에서 지대추구가 어떻게 이루어져 왔는가를고찰하였다 본고에서는 이러한 토지문제의 해결을 위한 근본대책으로서 첫째, 전면적인 경제질서의 개편, 즉 자유경쟁과 자기책임원칙에 의한 경쟁적 가격기구의 확립을 위하여 경쟁질서 정책의 필요성을 제기하였다. 둘째, 토지시장을 왜곡시키고 있는 각종 규제를 철폐하고, 시장기능을 향상시키기 위하여 토지관련제도를 정비할 것을 제기하였다.
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안톤 체호프 장막극의 무대 해석에 대한 연구(1) -홍해성, 이해랑, 이진순의 연출 작업을 중심으로
이진아 ( Chin A Lee ) 한국연극학회 2015 한국연극학 Vol.1 No.56
This study examined the history of stage interpretation of Anton Chekhov’s full-length plays in the Korean theatre stage. Studies on the impact of Chekhov on modern Korean theatre usually focused on introductions, but assessments on the achievements of individual performances and the aesthetic accomplishments have been dealt with relatively less. The performance history of Chekhov is closely related to the following three areas, which are also key issues of Korean theatre history. This is also related to the issue of the realism interpretation of Chekhov’s drama that became the canon for interpretation of Chekhov’s stages after the premiere of <Seagulls>, which was directed by K. Stanislavsky at the Moscow Arts Theatre. The second is the issue with the era-based reinterpretation of classics. In the modern historic context of Korea, it could be said to be an issue of the status of the writer named Chekhov, change of interpretation, and an era-based issue of Chekhov``s dramas. Chekhov is one of the most frequently interpreted writers in Korean theatre. The history of interpreting Chekhov can be divided into the time when modern theatre first began to become established in Joseon during the Japanese Occupation, the era when realism and psychologism theatre began being established through Chekhov after gaining independent, and the era when Russian students began to appear en masse in the Korean theatre world in the mid to late 90s after the collapse of the Soviet Union. This study deals with Chekhov stage interpretation up to the collapse of the Soviet Union. The most celebrated directors at this time were Hong Haesung, Lee Haerang, and Lee Jinsun. The interpretation of Hong Haesung’s <Cherry Orchard> is shown through the words of the director and translator Ham Daehun. They interpreted this as a piece depicting the fall of the old intellectuals and the appearance of new forces in a bittersweet tone. It shows strong influence of Stanislavsky that passed through Japan, and ‘theatre of mood’ is set as the key to the interpretation of Chekhov. Lee Haerang and Lee Jinsun are similar in that they are called the establishers of realism stage production, but their disposition are very different. While Lee Haerang pursued realism of moderation and the inner side, Lee Jinsun pursued the dramatic and the visualization of inner psychology of characters through mise-en-scene and dramatic expression. They agreed that theatre is an art of actors and because of this, they reproduced Chekhov throughout their entire career, but their organic differences made stages with different Chekhovs.
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