혈액중 Ascorbic acid 의 Gas - Liquid Chromatography 에 의한 미량정량(微量定量)

이중희 한국농화학회 1975 Applied Biological Chemistry (Appl Biol Chem) Vol.18 No.1

A microdetermination of Ascorbic acid (AsA) in blood by Gas-Liquid Chromatography (GLC) was studied. AsA was applied on GLC after the conversion into trimethylsilyl derivative (TMS) and the GLC was available for the only reduced form of AsA. A calibration curve is made by GLC of TMS-AsA as the internal standard of n-docosane. The minimum amount of AsA required for the determination was 0.5㎖ of 1 ㎎% pyridine solution. Prior to the conversion of AsA in serum into TMS derivative, serum was lyophilized and then it was allowed to stand at room temperature with TMS reagents for 48 hr. On injection of the supernates of TMS derivative to GLC the peak corresponding to AsA was not detected. Its reason why the concentration of AsA in serum is 0.5㎎∼0.8㎎% in general, and it is less than minimum concentration of GLC. In case cf L-AsA 1 ㎎ was added to 1㎖ of serum, which was followed by lyophilization, silylation and GLC. The recorvery of AsA added was 98 percentage.

모바일로 떠나는 중국남방여행 : 화동지역

이중희 대한중국학회 2018 대한중국학회 학술대회 발표집 Vol.2018 No.1

2차저당대출시장의 형성방안

이중희 주택산업연구원 1997 주택포럼 Vol.1997 No.3

現代繪畵의 否定性에 對한 硏究 : 唯物辨證法的 論理가 現代繒畵에 미친 影響

李重熙 圓光大學校大學院 1979 學位論叢 Vol.2 No.-

Modern Arts are considered to begin with 20 century and middle of 1940's are regarded as important years. Since the time of Ce`zzanne, many theories of pla`stic Arts have developed and the generalities heavily dominated artistic world. While the world were in turmoil of war during the world war I and II, this tendency become deepened and Arts seemed to be completely absorbed to therories. Abstract theories have developed finally and artistic circle began to say highly sophisticated confusing languages even not understandable to both artists and public. Some theories showed the world of indiscretion for esthetics and non-esthetics. These happenings are thought to have Hegel's dialectical philosopy as their back ground and division of world into Rigtism and Leftism further propelled the intracacies. Under the influence of dialectical materialism, leftist philsphers Philsphers a began to rise up and their theories increasingly took power in Artistic world. Some negativities in modern Arts are thought to be grown on these preparations. It's interesting to note the fact that, Clement Greenberg, Harold Rosenbarg, Leo Stinberg L, Aragon, Andre Breton, Who are said to be builders of modern Art theories were once communist activists or influenced by the doctrine. This treatise describes about selectively Avan-garde Artistic expressions after cubismn which praise theories more than beauties. Author views the essential couse of some decadance, nothingness, diffculties for understandability in modern Arts are contradictions in Artistic methological rationale. A few trends in modern Arts don't acknowledge men's manyfold character and interprete merely in terms of materialistic concepts. Author want to present ideal direction of modern Arts by explaining of universal orderliness in authors own understanding and examples of some great artists.

立體派에 있어서의 平面槪念에 對한 考察

李重熙 圓光大學校 1983 論文集 Vol.17 No.2

Cubism has been developed by introducing Cezanne plastic art to the paintings, and it requirs scientific thought and logical conception continuously. The analytic research on the essential qualities of the paintings change the direction from the psychological inquiry into the nature of art and receptive posture on the profound feeling to practical analysis as a material being. One of the fundamental logic advocated by cubism was the contradiction to the law of perspective and illsion, and the other was the difficulty of importation of time concept in art expression simultaneously. Thus, the speculative logic held a biased view on the fundamental role of fine arts. The prejudices can be assigned reasons for the following two cases; firstly, it is difficult of approach to the essence of fine arts by way of the analytical methods, and thus it makes a mistake occasionally. Secondly, science and human's way of thinking has taken rapid strides, while art does not make remarkable progress. The major causes are atributable to the facts that art is not an object of knowledge, but a subject of emotion or feeling, furthermore, we must remember that art is located in human's true character as a transcendental entity. Painting is a simple illusion, while cubist stakes out his claim for painting as a cubic expression. however the drawn picture is not a simple unidimensional because of its transcendental cubic image. And thus it is a vain effort to try to introduce time concept and cubic logical consciousness. Though the modern art has been effected through the influence of the cubic theory, it falls into speculative logic. The great cubist, Pablo Picasso and George Braque, have a good effect on the modern art by the way of approaching the essence of art indifferent aspect. The paintings of their art world affect us through the visual ecstasy of illusion and otional descriptive suggestion. In think that their results of transcendental authorty not spring from the cubic expression or the logic superioty. The real reason is at the artistic expression for art's sake is the process of discovering the propriety the inmaterial world through the expression of material world, paintings.

産業集中과 賃金所得分配

李重熙 단국대학교 대학원 1985 學術論叢 Vol.9 No.-

Most of previous studies on the relative factor shares in national income have been based on the assumption of perfect competition. This assumption, however, is extrmely unsatisfactory for the analysis of relative factor shares under monopolistic and/or oligopolistic market structures which are the predominant feature of modern capitalist economy. After reviewing the various theories of relative factor shares such as neoclassical marginal productivity theory, Kalecki's monopoly theory, and Keynesian theories, J. King and P. Regan(1976) concluded that "it will not be solved without major advances in the theory of oligopoly." Recently, H. Lydall(1979) also systematically criticized the basic assumptions, especially perfect knowledge assumption, of neo-classical income distribution theories and argued that any theories of relative factor shares should explicitly consider such phenomena as industrial concentration, economies of scale, and so on. Motivated by these authors' arguments, we have attempted to explore the effects of industrial concentration on the relative wage shares in national income. In chapter Ⅱ, we reviewed two important theories of factor shares which emphasized uncompetitive market structures: M. Kalecki's theory and H. Lydall's theory. Kalecki concluded that the degree of monopoly, the ratio of prices of raw materials to unit wage costs, and industrial composition are the determinants of the relative share of wages in the gross income of the private sector. The gists of Lydall's theory are as follows; The larger the size differentials, and/or the larger the productivity differentials, and/or the smaller the waged ifferentials between small firms and big firms, the lower the relative share of wages in national income. From these two theories, we obtained strong implications that the phenomenon of industrial concentration should explicitly be incorporated in the theoretical framework of relative factor shares. In chapter Ⅲ, for the purpose of providing the theoretical link between the higher degree of industrial concentration and the lower degree of relative wage shares, we examined the pricing behavior of monopolistic and/or oligopolistic firms and its effects on the price level from the viewpoint of the theories of industrial orgarnization. In chapter Ⅳ, we attempted to build a theoretical framework for the analysis of the relative wage shares under uncompetitive market structures. By combining the main results obtained from the analysis of the previous chapters, we drew a channel map showing the systematic relationships among the industrial concentration-pricing behavior-relative wage shares. Since we did not conduct empirical analysis, our theoretical results are inevitably tentative. At the same time, our model has some limitations because it is also constructed on the basis of very simplified assumptions. Nevertheless, it is expected that our main concluslon that industrial concentration is a major factor determining the relative wage shares will still be valid because there are many empirical studies supporting our theoretical predictions.

인플레이션과 個人所得稅의 인덱싱에 관한 硏究

李重熙 단국대학교 대학원 1983 學術論叢 Vol.7 No.-

Although it has long been recognized that inflation, when combined with progressive income tax system, increases total real tax burden and distorts its distribution among taxpayers, until recently this fact has been considered to provoke no serious problems. Rather it is sometimes considered desirable on economic and political grounds. However, in the countries that have experienced the high rate of inflation during the past decades, a number of economists have doubted the desirability of the function of progressive income tax system under inflation. They have argued that the interaction of inflation and progressive income tax system destabilizes the economy, deteriorates the equity, and reduced the efficiency. Thereafter, many countries have practised periodic tax-cut, but could not fully remove the inflation-induced distortions. Consequently, many of these countries have introduced the indexing into their tax system to correct and remove these inflation-induced distortions. Under these situations, I intended to apply the theory of indexing of the individual income tax and investigate whether it is worthwhile or not to introduce the indexing into the Korean income tax system. This thesis includes five chapters: Chapter 1 suggests the purpose of this study. Chapter 2 investigates the effects of inflation on individual income tax. Chapter 3 deals with the theory of indexing of individual income tax introduced as an alternative to discretionary adjustments. Chapter 4 estimates the inflation tax in Korean income tax revenue. Chapter 4 summarizes the results of this study and suggests the implications for policy. The followings are the implications for policy obtained form this study 1) It is distinct that inflation distorts the tax system. Thus, the question we should ask is: Should we adjust the tax system for inflation? How should we adjust the tax system for inflation? 2) Although there are some objections, it appears that indexing is superior to discretionary adjustments of the tax system in terms of stabilization, equity, and efficiency. 3) As long as the prospect of price stability appears uncertain, and taxpayers' interest in equity and awareness of inefficiency of public sector become higher, more countries are expected to introduce the indexing into their tax system. 4) Judging from the estimated results of inflation tax in Korean income tax revenue, it is required that policy makers consider the adoption of indexing into the income tax system to correct and remove the inflation-induced distortions.

Gas-Liquid Chromatography 에 의한 Ascorbic acid 의 定量

李中姬 聖心女子大學校 1975 論文集 Vol.6 No.-

The present investigation with the purpose to study the gas-liquid chromatographic determination on ascorbic acid was carried out. After the formation of the trimethylchlorosilane derivative in pyridine containing hexamethyl disilazane and trimethyl chlorosilane, the sample was subjected to gas-liquid chromatography with glass column. A n-paraffin (??) complied with the ascorbic acid were used as the internal standard, and ascorbic acid were determined in high accuracy for the only reduced form of ascorbic acid.

代理理論이 會計硏究에 미치는 영향에 대한 考察

李重熙 啓明大學校 産業經營硏究所 1985 經營經濟 Vol.18 No.1

Recent developments in finance, economics and accounting research have led to reconsideration of the formal modelling of the demand for demand for accounting information. This area of research, generally termed information economics, has considered two broad sources of demand for financial information: stewardship and decision making. Models that consider the stewardship demand for information have been called agency theory models. These models focus on agency relationship (or contracting relationship) in which the welfare of one individual (usually called principal) is entrusted to another individual (usually called agent). Broadly speaking, the demand for stewardship information relate th the desire: (1) to motivate agent behavior (incentive information) and to efficiently distribute risk (risk sharing information). Both principals and agents are all confronted by uncertainty. The uncertainty will create a demand for contracting information and nature of that demand will depend on the nature of the uncertainty. In the section Ⅲ, this paper introduces two types of uncertainty (i. e. ex ante uncertainty and ex post uncertainty) and discuss the inefficiencies and welfare losses that may results. Furthermore, the third section analyzes a single agent's evaluation of alternative reporting system and a public agency's evaluation of alternative reporting requirements. The section Ⅳ shows implications of agency theory for accounting research as followings: (1) the contracting uses of accounting information is the most important uses and financial reporting has arisen in response to market demand for information required by considerations of contractual market efficiency. (2) firm-level responses to accounting information and to investor activities are an integral element of the overall impact of accounting information on society. (3) it is impossible to analyze management controls and incentive compensation plans without some knowledge of the theory of agency relationships. (4) agency theory analysis does provide insights into the relative value of alternative reporting systems that serve as a basis for motivating managers and as a basis for risk sharing among managers and investors. In conclusion, market-based research aimed at contracting uses of accounting information will be useful in developing empirical research and in providing insights to refine the positive hypotheses.

마르크시즘과 現代繪畵, 그 극복과제

이중희 원광대학교 미술대학 1988 圓光美術 Vol.- No.3