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십이지장 정맥류출혈에서 Intra-operative Endoscopy 사용의 임상경험
이종서,정인식,양진모,최명규,선희식,윤상섭,김응국,주상용,송영택 대한소화기내시경학회 1990 Clinical Endoscopy Vol.11 No.1
The bleeding duodenal varices ia uncommon and frequeintly present a difficult diagnostic problem While the bleeding duodenal varices is a complication of portal hypertension, the possibility of bleeding duodenal varices in the absence of eaophageal varix bleeding should be kept mind. For the surgeon, the mikin technical problem is that even when identified by frequently impalpable, and invisible to the naked eye unless they are actively bleeding at the time of surgery. We described simple intra-operative endoscopic technique successfully to identify and bleeding varices in the duodenal third portion prior to the partial duodenal resection. This report summarized our experience and review of literature.
이종서 서울대학교 규장각한국학연구원 2015 한국문화 Vol.72 No.-
During the so-called ‘Yuan Intervention period,’ two contradictory orders were coexisting throughout the entire Goryeo society. One was an aspiration to preserve Goryeo traditions, based upon the legendary agreement that had reportedly been reached between Goryeo king Weonjong and Yuan Emperor Qubilai. The other was a determination to negate the indigenous nature of Goryeo culture, including the social stratification platform, in favor of an entirely new system. This kind of situation was brought on by Yuan empire’s apparent dominative position and Goryeo’s subsequent embracement of Yuan culture and philosophy, which would have undoubtedly inspired some Goryeo people to change or modify the culture and order they had previously enjoyed. As a result, even after the Yuan empire was gone, the Goryeo people came to consider all the institutions and practices left by Yuan as part of many options that they could base their operations on, and also found themselves torn between different choices to approach a single situation. Goryeo was facing a task of creating a balance and forming a compromise, but was not able to see to it to the very end, so the task was handed over to the newly born Joseon dynasty.
포인트 클라우드 보간을 이용한 카메라-라이다의 센서 퓨전 기반 객체 검출
이종서,류춘우,김학일 제어·로봇·시스템학회 2020 제어·로봇·시스템학회 논문지 Vol.26 No.6
This paper aims to detect objects from BEV(Bird-Eye View) images by utilizing multi-source data from three-dimensional light detection and ranging (3D LiDAR) and a camera. Object detection via the camera is implemented by using a single-stage detector, YOLO-v3, and the distance of the detected objects is estimated by performing camera calibration with the 3D LiDAR. BEV images for sensor fusion are generated using LiDAR data. Sensor fusion estimates the distance of objects detected by the camera and enhances the features in BEV images using point interpolation based on point cloud data obtained by the 3D LiDAR. Object detection is performed by applying the proposed deep neural network on enhanced BEV images. Evaluation is performed using the KITTI validation dataset and a privately collected dataset, which includes images obtained on actual roads. .
빅 데이터 환경에서의 효과적인 생활용어 기반 법률검색시스템 개발
이종서,이명진,김우주,홍준석 한국지능정보시스템학회 2012 한국지능정보시스템학회 학술대회논문집 Vol.2012 No.5
정보검색에 있어서 법률 정보는 넘치는 데이터로 인하여 원하는 정보에 접근하기 가장 어려운 영역이라 할 수 있다. 하루에도 많은 법조항들이 신설되고 변경되며 그러한 법률 조항 하나에도 수많은 정보들이 포함되어있고 일반인이 사용하는 생활용어가 아닌 전문적인 법률용어로 구성되어 있어 적합한 정보검색을 하기 매우 까다롭다. 본 논문에서는 이러한 빅데이터 환경에서 일반인의 입장에서 효과적인 법률정보검색이 가능한 시스템을 구축하는 방안을 제시하고자 한다.
이종서 한국메이크업디자인학회 2005 한국메이크업디자인학회지 Vol.1 No.2
Most of human beings rely on visual means for the information. Therefore, the desire of human beings for visual things cannot but affect the development of media. Media can be said to have developed to meet the visual desire among other senses. In response to that, the image system brought about the shift from white and black monotone to various colorful tones or the transformation into analogue, SD and HD. The environment of image technology is changing along with the rapidly changing image technology, and the most distinctive feature of HDVS(High Definition Video System), which was developed by recent technological advancement, is the technological change compared with current SDVS(Standard Definition Video System), and this kind of technological change was driven to meet the system related to human visual experience. However, the important feature of HDVS is that such a distinctive feature does not lie simply in the technical advancement, but it is characterized by the aesthetic change that means that the scope of expression is expanding for the production of image. HDVS is using a wider range of means, such as movie, broadcasting, ads and music video, etc, to meet the desire of people to see and feel the image and sound which is more real as the mass media, that becomes more diverse, is developing. In addition to that, more image product are being produced on the basis of HDVS, and the conversion from analogue broadcasting to digital one will be expanded to each si(city)and gun(county) and will be completed by 2010. Though those conditions are changing, we can still feel that there have not been enough studies on the make-up of image fine art which relies on the visual system. In this study, we determined the make-up for the person, whose age is similar to the character in Silk Shoes, a HD movie directed by Yeo Gyun Dong of Ori Motion Picture produced in the early 2005, as a basic make-up setting, and considered the difference between SD and HD in case that the real age of player and the age of character has great difference, things to be noted for HD make-up, the foundation treatment technique, depending on the skin tone of actors and actresses, and technique for the make-up of the character older than the age of real player in a way that suits the character of play, which is to present an alternative solution that can improve the visual effect mainly on the basis of basic make-up and make-up of the character older than the age of real player.
고려 국왕과 관리의 복식(服飾)이 반영하는 국가 위상과 자의식의 변동
이종서 서울대학교 규장각한국학연구원 2012 한국문화 Vol.60 No.-
The Chinese dynasties, such as the Khitan Liao(遼) or the Mandarin Sung(宋), all bestowed clothes and uniforms to the Goryeo kings. This particular act was intended to highlight the fact that the Goryeo king was a “local lord” who was to serve the Chinese emperor. But in the early half period of the Goryeo dynasty, the Goryeo kings actually wore a ‘different’ uniform which was designed as a dress for the ‘emperor’ when they were working with the officials or holding domestic events. They only wore the 'lord' uniform bestowed from China when they had to greet Chinese emissaries or attended installation ceremonies arranged by the Chinese emperor. The Goryeo kings accepted their position as a lord serving China, but at the same time maintained an internal and independent set of institutions which was not that much different from the Chinese system. Yet the dresses and uniforms of the early half of the Goryeo dynasty period did not continue into the latter half of the same dynasty. With the oppression and intervention from the Mongol Yuan empire, the kings had to abandon the traditional yellow attire, and instead chose to wear the ‘purple’ attire. By doing so they positioned themselves as lords (serving the emperor), and such status continued into the Joseon dynasty. The late Goryeo and early Joseon people accepted the world order with China at the center, and modified the Korean peninsula’s status according to that. Such action signals a fairly weakened state of the people’s independent nature and independent thinking. Then again, unlike the other descendant kings who followed in subsequent periods, the portrait of the Joseon Founder King Taejo (Yi Seong-gye) shows the king wearing a 'Blue' uniform. Such description indicates the existence of a strong self-consciousness in the minds of the Joseon people, who must have wanted to maintain independence and autonomous thinking as residents of a country placed in the East side of China. The Chinese dynasties, such as the Khitan Liao(遼) or the Mandarin Sung(宋), all bestowed clothes and uniforms to the Goryeo kings. This particular act was intended to highlight the fact that the Goryeo king was a “local lord” who was to serve the Chinese emperor. But in the early half period of the Goryeo dynasty, the Goryeo kings actually wore a ‘different’ uniform which was designed as a dress for the ‘emperor’ when they were working with the officials or holding domestic events. They only wore the 'lord' uniform bestowed from China when they had to greet Chinese emissaries or attended installation ceremonies arranged by the Chinese emperor. The Goryeo kings accepted their position as a lord serving China, but at the same time maintained an internal and independent set of institutions which was not that much different from the Chinese system. Yet the dresses and uniforms of the early half of the Goryeo dynasty period did not continue into the latter half of the same dynasty. With the oppression and intervention from the Mongol Yuan empire, the kings had to abandon the traditional yellow attire, and instead chose to wear the ‘purple’ attire. By doing so they positioned themselves as lords (serving the emperor), and such status continued into the Joseon dynasty. The late Goryeo and early Joseon people accepted the world order with China at the center, and modified the Korean peninsula’s status according to that. Such action signals a fairly weakened state of the people’s independent nature and independent thinking. Then again, unlike the other descendant kings who followed in subsequent periods, the portrait of the Joseon Founder King Taejo (Yi Seong-gye) shows the king wearing a 'Blue' uniform. Such description indicates the existence of a strong self-consciousness in the minds of the Joseon people, who must have wanted to maintain independence and autonomous thinking as residents of a country placed in the East side of China.