고려사회와 전염병

이정숙 이화여자대학교 한국문화연구원 2006 한국문화연구 Vol.10 No.-

고등학교 일본어 교과서 속에 쓰이는 존경표현에 관한 연구 : 제6차 교과서와 제7차 교과서을 중심으로

이정숙,김현희 신라대학교 교육과학연구소 2005 교육과학연구 Vol.- No.10

고대사의 허물기와 다시 짓기 : 이성시 저, 『만들어진 고대-근대 국민국가의 동아시아 이야기』

이정숙 이화여자대학교 한국문화연구원 2002 한국문화연구 Vol.2 No.-

釜山市 商業地域의 階層構造 및 機能的 特性의 變化 : 1976-1986 : 부산시 상업지역의 계층구조 및 기능적 특성의 변화 : 1976-1986

이정숙 釜山大學校 사범대학 지리교육과 1993 釜山地理 Vol.2 No.1

就業主婦와 非就業主婦의 結婚滿足度에 關한 比較硏究 : 光州直轄市를 中心으로 centered on the Kwangju city

李貞淑 호남대학교 1988 호남대학교 학술논문집 Vol.9 No.-

We can conclude this as follows; 1. it is fact that the marital satisfaction is affected by the several background factors, but it is also affected largely by the subjective factors such as humans ndividual character and one's view of life, etc. And so we need to make the life education from the child in order to take the affirmative and optimistic living view and to make the happiness life. 2. The Working woman who got job for her self satisfaction and self development has the high marriage satisfaction in general. Accordingly we can guess that woman could make the higher marriage satisfaction with her job. I think and want to be encouraged that the growth of the working woman give us the upgrading life in quality. 3. Marital satisfaction depends upon the relation with the family of her husband. Marital stabilization and marital satisfaction in Korean modern family has the close relation with her self adjustment with her husband's family and so we have to consider this as an important factor. I hope that this material and thesis can be used to the study about the marital satisfaction and the marital adjustment.

국내 탄력성 연구 동향분석: 가정학 계열 학회지와심리학회 게재 논문을 중심으로(2000∼2013)

이정숙,박현숙 한국아동심리치료학회 2013 한국아동심리치료학회지 Vol.8 No.2

The purpose of this study was to suggest basic information of resilience to the future researches by analyzing a total of 65 in August 2013 from 2000 in the journal of home economics department and psychology. First, resilience studies began since 2001. In 2012, resilience researches was studied actively as an increasing trend. Second, subjects were studied as elementary school students, adults and parents, adulthood, teacher and speciality consultant and multi-cultural family in order, while relatively infants were few. Third, purpose of studies were individual protective factors and dangerous factors, factors related on parents and family and multi-cultural families in order. And subjects studied the most were elementary school students, adulthood and then multi-cultural families. Especially, the subject for transnational marriage and families were interested picks up in these days because of the growing trend in Korea. Forth, the study researches of the sampling personnel were mainly more than ‘200 or 300 people’. The reason of this result was that many researches used questionnaire method. Fifth, measurements of resilience were used Block and Kremen(1996) scale, Klohnen(1996) scale and Block & Block(1980) scale in domestic research. They were translated into Korean. But scales for adult and family were used by reconstituting the established scales for components of resilience. So it needed to make resilience measurements for each age group. Sixth, this study was for the trend of resilience researches in domestic focus on the journal of home economics department and psychology. Through this results of study, it needed to be studied in various subjects and research field from youth to adult equally. And also methods was researched by using qualitative research method more than quantitative research such as questionnaire method.

일본인 교환유학생의 한국어 학습과 문제점

이정숙 신라대학교 교육과학연구소 2004 교육과학연구 Vol.- No.9

‘개발주의서사’의 ‘성-섹슈얼리티’에 대한 ‘혐오-연민’ : 이문구의 『장한몽』과 윤흥길의 『묵시의 바다』를 중심으로

이정숙 한국여성문학학회 2015 여성문학연구 Vol.36 No.-

This piece of writing aims to discover an implication of “misogyny” in a way of viewing from a gender-sexuality perspective masculinity of an age, which was considered major population of government sustaining the two axes called security and economic development during a developmentalist era. In light of understanding that developmentalist masculinity was formed in the process of consolidating the patriarchal state regime, “misogyny” is related to frustration, humilation and resulting self-hatred of masculinity that attempted to break into a developmentalist public sphere. “Hatred-pity” was born from this dynamics. <Janghanmong> reveals that the public sphere made up of social members follows a developmentalism ideology frame, working as a space giving birth to its all harmful effects. In the space man(author)’s sexual expression remains genderwise a significantly restrictive level. And woman, as a role player of releasing fatigue caused by an effort that “citizen-man” (white-collar) tries to enter the public sphere, is completely othernized; “hatred-pity” for “gender-sexuality” simultaneously implies both limitation of and possibility of reflection on developmentalist masculinity. <Sea of Revelation> deals with “gender-sexuality” in a demoralization frame, showing that “hatred-pity” works as an emotion to expose moral weak points castrated by developmentalism. Demoralization is mixed with modernization logic, which leads to a new othernized being of not only woman, but also masculinity. <Sea of Revelation> seems like a step forward than <Janghanmong> in a sense that the process of eliminating “hatred” from “hatred-pity” sentiment for the othernized beings is seen as reflection and growth that enable men, who failed to enter the public sphere, to overcome defeatism and sentimentalism. However, it is revealed that gender-restrictive idea was rather habitualized using a little more tender words in a way that woman is othernized to the farthest from the society by naturalizing “(female) gender-sexuality” and reproduced by a myth so called “maternal love.” In the end, despite a time discrepancy between the early and the late of 1970s, the two works share a common point that the growth intended by the “developmentalist epics” is emphasized mainly directed for masculinity. 개발주의의 남성성이 가부장적 국가(the patriarchal state)의 질서를 공고히 하는 과정에서 구축되었다고 볼 때, ‘여성혐오’는 개발주의의 공적영역으로 진입하고자 하는 남성성의 좌절과 모멸, 그로 인한 자기혐오와 연관된다. 이 글은 개발주의시기에 안보와 경제 개발이라는 두 축을 지탱하는 통치의 주요 ‘인구’로 호명된 남성성을 ‘성-섹슈얼리티’에 대한 관점을 통해 살펴봄으로써 ‘여성혐오’의 함의를 밝힌다. 『장한몽』은 사회구성원들이 조성한 공적영역이 개발주의 이데올로기의 프레임을 답습하면서 동시에 그 폐해를 드러내는 공간으로 기능하고 있음을 보여준다. 이 공간에서 이루어지는 남성(작가)의 성적 표현은 젠더적으로 상당히 구속적인 수준에 머물러 있다. 여성은 ‘시민-남성’(화이트칼라)이 공적영역으로 진입하는 데서 오는 피로의 해방구 역할을 하는 존재로써 철저히 타자화되는데, '성-섹슈얼리티'에 대한 '혐오-연민'은 이러한 개발주의의 남성성의 한계와 성찰가능성을 동시에 함축한다. 『묵시의 바다』는 ‘성-섹슈얼리티’를 풍기문란의 프레임을 통해 다룸으로써 ‘혐오-연민’이 개발주의가 거세한 도덕적인 치부를 들추는 감정으로 기능하는 것을 보여준다. 풍기문란은 근대화 논리와 착종됨으로써 여성뿐만 아니라 남성성의 새로운 타자를 낳는다. 이 타자들에 대한 ‘혐오-연민’의 감정에서 ‘혐오’를 탈각시키는 과정이 공적영역으로의 진입에 실패한 남성들이 패배주의와 센티멘털리즘을 극복하게 하는 성찰과 성장임을 말한다는 점에서 『묵시의 바다』는 『장한몽』에 비해 진일보한 듯 보인다. 그러나 ‘(여)성-섹슈얼리티’를 ‘자연화’함으로써 여성을 사회로부터 가장 먼 거리로 타자화시키는가 하면 ‘모성애적 사랑’이라는 신화로 여성을 재현함으로써, 젠더구속적인 관념이 좀더 ‘부드러운’ 언어를 통해 오히려 관습화되었음을 드러낸다. 70년대 초반과 후반이라는 시간적 낙차에도 불구하고 결국 이 두 작품을 통해 ‘개발주의서사’가 꾀하는 ‘성장’이 주로 ‘남성성’을 향해 초점화되고 있음을 알 수 있다.

가족 상복 소설의 형상화 연구 : 남북한 소설과 조선족 소설의 경우

이정숙 한중인문학회 2008 한중인문학연구 Vol.25 No.-

남북 분단이 고착화된 이후 이산가족의 만남이라는 소재는 다양하게 형상화되는데 ‘아버지 찾기’로 대표되는, 자식이 아버지를 찾는 일련의 소설들은 우리 민족의 세계화에 따라 자연스럽게 전 세계가 ‘아버지 만나보기’의 공간으로 확대된다. 기존의 ‘아버지 찾기’ 소설에서 월북 한 아버지는 추상적인 존재로 남아 있는 경우가 많았고 대체로 남한 소설에서 중요하게 다루어진 소재였다. 본고에서 다루고자 하는 북한소설 <혈맥>과 남한 소설 <어머니 마음>은 월북했던 아들이 아버지를 만나러 남한에 오거나, 남한의 아들이 대련으로 간다는 점에서 ‘아버지 찾기’ 소설에 속한다. 이들은 실제로 아버지를 만났으며 부자 간에 감정적 정서적 교류를 통하여 아버지가 더 이상 추상적인 존재가 아니라 살아 있는 혈육임을 확인한다는 점에서 기존의 소설과 차별화된다. 허춘식의 <혈맥>은 1985년 남북 적십자회담에서 성사된 이산가족 고향방문단의 일원으로 남한을 찾아온 월북 아들의 고향방문기인데 다른 북한 소설과 달리 주체문예이론의 경직성을 드러내지 않고 비교적 유연한 시각으로 이산 가족의 문제에 접근하고 있다. 홍상화의 <어머니 마음>은 6.25 때 아내와 뱃속에 있는 자식을 버리고 월북한 아버지와 편지를 왕래하다가 대련(大連)으로 아버지를 만나러 간 아들의 시각에서 쓰여졌다. 성장과정에서 어머니에 대한 혐오와 불만이 큰 만큼 상대적으로 아버지를 그리워했던 주인공이 아버지를 만나면서 어머니에 대한 반감도 해소되는 과정을 보여주고 있다. 조선족 작가 이여천의 <비온 뒤 무지개>는 중국 연변에 사는 조카에게 한국과 북한에서 삼촌들이 찾아와 서로 만나게 되면서 일어나는 형제 상봉의 기쁨, 문화적 충돌, 정신적 갈등을 그린 단편소설이다. 연길은 남북한의 정치적 정서적 중간지대이며 중국의 조선족이 통일을 위한 매개의 중심이 될 수 있다는 시각이 강조되고 있다. 남북한이나 중국의 조선족 소설에서 나타나는 가족 상봉 소설이 지향하는 공통점은 가족간의 화해와 휴머니즘적 자세라고 할 수 있다. 세 작품 모두 부지불식간에, 혹은 의도적으로 체제나 이념을 넘어서 가족관계의 복원과 화해를 강조하는 결말로 나아가고 있다. 가족은 어떤 가치보다도 우위에 놓여 있는 인간관계인 만큼 바로 이 부분에서 우리 민족이 분단의 문제를 극복하면서 공동으로 지향해 나가야 할 덕목과 방향을 찾을 수 있을 것이다. After Korean War in 1950, Korea was separated as two countries. So many families were also separated almost 60 years. Stories about the dispersed families were written in many different ways. Reunion novel of the dispersed family members were written diversly too. ‘Looking for father’ story become one of main stream of that kind of stories. In ‘Looking for father’ stories, father went to north Korea during the War in the belief of ideology. Remained family members were suffered from living. Especially sons are really want to meet their father. But they are always ‘an abstract being’ to their sons, in past. In this thesis I focused on the <Blood relationship 혈맥> in north korea novel and <Mind of mother 어머니 마음> in south Korea, and also <Rainbow after the rain 비온뒤 무지개> in China. Two stories which published in south and north Korea belong to ‘Looking for father’ stories. On the contrary <Rainbow after the rain 비온뒤 무지개> is about the meeting between brothers who came from south and north Korea because their father already passed away to come to Yeongil in north side of China. In two ‘Looking for father’ stories, actually father and son met together and they can talk, feel and touch each other. Father is no longer ‘an abstract being’ but living family member. <Blood relationship 혈맥> is a story written by N.K. writer about formal reunion of the dispersed family members which was held in Seoul according to the Red Cross meeting in 1985. It is not strict about their ideology compare with other N.K. novels and flexible to the problem of the dispersed family. It is one of the characteristics in 1980’s N.K. novels. In <Mind of mother 어머니 마음>, son missed his father eagerly who went to N.K. because he had been unsatisfied with his mother of her disordered life. But in the process of meeting father, he realized his mother is really pity and strong woman. So he became humble and understand his mother and want to ask forgiveness to mother. In <Rainbow after the rain 비온뒤 무지개>, Yeongil is a place of neutral zone of emotion between two Korea. They believe Chosunjok(조선족)-who is korean live in China-can do a some role in preparation for reunification. The common point of these novels are focused on the reconciliation between families and love to each other. We can find some solution in family relationship to solve our problem after reunification. Because Family is the highest virtue in our life

디지털건축에 나타난 데포르마시옹 공간 특성

이정숙,윤재은 한국기초조형학회 2008 기초조형학연구 Vol.9 No.5

Combined with new technologies, construction materials, structural methods, the 21st century's digital paradigm is forming a new formative language of architecture, and is producing original forms in the nature itself such as fluidity, biological forms, dynamic forms, and non-geometrical forms and space different from those in the past. This study aims to examine in what kind of new forms déformation and distortion, the characteristics of the modern society, are realized in digital space, and to examine the potential of this phenomenon. Today, digital architecture displays infinite possibilities with the features of non-materialism, non-linearity, and mixture through incessant change and new trials in the modern society. These characteristics show up in the form of 'Déformation' in a space. This study first analyzed general concepts of digital architecture together with analysis of the concept of 'Déformation' and analysis of exaggeration, simplification, distortion, which appear as general traits. Then, the study examined the cases of 'Déformation' in art works of the Post Impressionism, Cubism, Expressionism, Surrealism, and Abstract Expressionism, and explained the art works with their characteristics. Thus, this study, through general consideration on 'Déformation' and digital architecture, defined three concepts of visual unfamiliarization, maximization of form, and reiteration of space, and derived the characteristics of them respectively, and analyzed the cases through expression elements manifesting these characteristics. There appeared three different categories of characteristics among the characteristics appearing in digital space, expressed in atypical space, liquid space, and folding space. They are expressed as self-similarity, dynamism, and irregularity in atypical space; fluidity, organicity, ambiguity in liquid space; and complexity, continuity, heterogeneity in folding space. As a result of this study, the spatial characteristics of 'Déformation' appearing in digital architecture were examined and understood. Thus, 'Déformation' space can be expressed in more diverse ways, perceived as design thinking, which has been always inherent in the past, the present, and the future, rather than as the direction in which future space should pursue.