M.H. 에브럼즈의 비평적 패러다임에 있어서 표현론과 객체론

이윤섭 안양대학교 인문과학연구소 1999 人文科學硏究 Vol.7 No.1

Abstract(The Mirror and the Lamp) is considered a major work on English Romanticism and is theory, and the critical orientation given in the book which discriminates four categories of mimetic, pragmatic, expressive, and objective theory has become an authoritative frame of reference in the field of the history of literary criticism. Believing that the varieties of Romanticism can be defined and interpreted in the perspective of the expressive theory, Abrams criticizes the attempts to assimilate Romanticism and Modernism. Some critics insist on the continuity between Romanticism and Modernism, and the legacy of Coleridge's Imagination in the New Critical doctrine of irony as a principle of the verbal structure. Attacking these critics, Abrams points out that though some assumptions were shared by Romantic writers and innovative critics of Modernism and its precursor, Symbolism, there was some fundamental differences between them. It is apparent to him that the conflict between Romantic and anti-Romantic theories of art was on the concept of "nature" as against "art." To Wordsworth and Coleridge nature has the privileged status, but to Baudelaire and his modern followers the entire nature is fallen and the ideal art must be found in the Paradis artificial. And what Abrams gives as another cause for differentiating modern and romantic poetics is modern claims about the autonomous work of art owing their phrases and persuasive force to poem is entirely remote form the views of the most influential Romantic philosophers and poets.

방전등 생산시스템의 온도제어기 설계

이윤섭 公州大學校工科大學生産技術硏究所 1997 論文集 Vol.5 No.-

This paper presents a design of heat controller of a discharge lamp production system using microprocessor. For the finished product in the discharge lamp production system, there are come processes to be carried out such as heating, compressing of electric tube. In these process, the heating process is the one of most important processes for the good production. In the heating process, the electric tube is heated by the combustion of mixture of LPG and oxigen gas and the conservation of heat characteristics is very important. But the heat characteristics is depend on the gas pressure and gas flow into the burner. And these pressure and flow are varied by the environment condition. So, the control method for the conservation of heat characteristics is required against the variation of environment. In this paper, the heat control system is proposed using the MFC and the microprocessor. the heat controller is designed and manufactured. The various experiments using MFC is carried out for the best function of the MFC in the heat control system. Finally, the performance of proposed control system is tested and as a result, it is confirmed that mass flow into the burner is conserved against the variation of environment.

엘리엇의 시론과 정신적 창조력

이윤섭 안양대학교 人文科學硏究所 1995 人文科學硏究 Vol.3 No.1

ABSTRACTIt is true that Eliot showed aesthetic concern with poetic language and conceived the status of poetry as having its own independent existence. However, some critics who apparently accept this notion would be suspicious of his somewhat empirical explanations of the psychological process involved in artistic creation and his claims to "the mind of Europe," "unified sensibility," "impersonal theory," and others. The spiritual and mental aspects in his poetics tend to be underestimated by the critics such as John Crowe Ransom and Murray Krieger.Most of Eliot's doctrines were given in terms of the poet's mentality and they were not so fundamentally different as those of his predecessors. Recommending to correct the Wordworthian formula, "emotion recollected in tranquility," he insisted that poetry should be created in a state of passive concentration, along with a continual self-surrender of the personality. These concepts are deeply related to a certain mental state that Coleridge elucidated. And, also, Eliot euologized Gourmont as "a perfect critic," just because Gourmont had the critical sensitivity for "a system of impressions," which means almost the same as the organic theory adopted by the romantic thinkers. In his Knowledge and Experience called a "covert ars poetica," Eliot discussed a few idealistic notions, "immediate experience," "feeling," "finite center." His "impersonal poetics" was a corollary of this philosophy, and his holistic views dele based on the ontological absence of self, and the demand for the gradual unification of all the disparate "points of view" toward "the still point." Not only his poetics but also his philosophy were the results of examining and meditating upon a kind of spiritual awakening which does not fail to be manifested in verbal expression.There have been conflicts between the theory of linguistic medium and that of of creative spirituality. Romanticism places emphasis on the form-making intuition, and Classicism and Modernism prefer the craft of poet as technician. Eliot may have taken a golden mean between the two extremes, and so was considered not to be consistent. He said; "there is an expression of significant emotion, emotion which has its life in the poem and not in the history of the poet. The emotion of art is impersonal. And the poet cannot achieve impersonality without surrendering himself wholly to the work to be done." It may be said that the art emotion refers to the creative spiriuality of the artist, and the impersonal artist must show his respect to the work itself.

New Criticism의 세계 인식과 T. E. Hulme의 "Romanticism and Classicism"

이윤섭 대한신학교 1989 논문집 Vol.9 No.-

The "New Criticism" sounds no more new to the ears of the contemporary critics and university scholars familiar with the terminology of Hermeneutics, Structuralism and deconstruction that prevail the academic field of american and English Literature. One of the crucial attacks against New Critics comes from the sociological critics complaining that the formalists in their conception and their treatment of the literary work not only divorce literature from the subjectivity of the reader and the poet, but estrange it from the whole ideological environment and from the objective social world. The New Critics, believing in the autonomous, self-sufficient world of the literary work, consider the aesthetic experience of a poem to be an end in itself, and other ulterior extrinsic elements such as furtherance of good causes, instruction, culture, religion to lower the poetic effect, while they recognize the indirect connection of the literary work with the world which is called "the simulracrum of reality" by Cleanth Brooks. The relation of "analogues" between life and poetry, however, do not imply the Marxist's attitude that the view of the world, the ideology or Weltanschauung underlying a literary work that is the realized and embodied intention of the writer counts in appreciation and evaluation the work. Differenciating poetry from the prose discourse, New Critics insist that the denser and more refractory original world is recovered and perceived by poetry, its reduced emasculated and docile versions are treated in the prose discourse, and the language of irony and paradox has the supreme capacity of revealing the complexities and contradictions spreading in our immediate and concrete world which is said to be more real than the world of abstraction. The above-mentioned referentiality in the poetics of New Criticism which might or might not be an answer to the sociological critics can be explicated in terms of T. E. Hulme's organicism. Hulme, I suppose, thinks that literature should be concerned with the vital or organic world, the perception of which is given to us in the form of linguistic medium at the moment of intuition If literature attempts to deal with the existence of beauty that is, he believes, in small dry things with the infinite being dragged in, this seriousness is the fallacy of Romanticism. Furthermore, Weltanshauung and metaphysics in which the objective reality of the social historical political world can be grasped are not the appropriate subjects of literature. The reason is that they are not vital and organic, and the language of literature is intrinsically organic. So we can provisionally conclude that Hulme's and New Criticism's view of the functional, cognitive, or referential role of language which is no more than the monism of content and form limits the referentiality of literature, that means literature should concerned with the immediate and concrete world.

여행업 종사원의 데이터베이스 마케팅 인식에 관한 연구

이윤섭,박지홍 문화관광연구학회 2001 문화관광연구 Vol.3 No.3

The purpose of this study is to present some desirables to build relationship with customer of Travel agency. In the future, the success and failure of travel agencies have to achieve effectively the corporate goals, positively coping with the corporate environmental changes in the transformation of the professional management system with the strong international responsiveness. In this respect, They have to concentrate on the customers focused on the environments and give the priority of customer's satisfaction in the process of carrying out the management. In travel agency management the importance of travel agency must be evaluated to form, develope and maintain building relationship with customer. It is possible for customer database marketing to attain the aim of marketing thru every activity by the stage of building relationship with customer, keeping relationship with customer, and interest maximization of both travel agency and customer.

現代詩의 原型批評的 考察 : 尹東柱·柳致換·朴斗鎭의 詩를 中心으로 With the poems of Yun Dong-ju, Yu Chi-hoan and Park Du-jin

李玧燮,李海雄 釜山敎育大學 1985 부산교육대학 논문집 Vol.21 No.1

By means of the archetypal criticism theory as one of the main theories of the modern criticisms, Korean modern poems are analyzed. The result is as follows; Firstly; Yun Dong-ju's poems reveal to reach the world of reconciliation by the strong belief and will against the restoration of identity-through the scapegoat consciousness-through the self-examination and the deep shame of the loss of identity(the unattainable of the one-flesh sense of the ego and the-world) under the fetters history of japanese colonial rule. Secondly; The case of Yu Chi-hoan, also, under the situation of such the times as Yun Dong-ju's, reveals to reach the paradise return through the restoration to the mother's womb by means of the unconscious activity of water, which resulted from the psychological kind of regression after the loss of identity. Thirdly; Park Du-jin's poems, in the beginning, reveal to advanec to the paradise return through nature, and then to be on the way to the restoration of the loss of identity through the direct confrontation with an angle of view to the absurd realities of life.

빙축열시스템의 냉방부하예측 기법

이윤섭 公州大學校工科大學生産技術硏究所 1998 論文集 Vol.6 No.-

In summer days, the electrical peak demands by the cool loads in many buildings causes the serious problems in electrical power companies. The ice storage systems is being applied in order to reduce the peak demands in many buildings. The forecasted cool load in a buildings is necessary for optimal operation of ice storage systems. This paper presents the algorithm of cool load forecast for ice storage systems. For the cool load forecast, the algorithm of forecast for the weather informations such as temperature, humidity is suggested and the algorithm for cool load forecast is suggested. The results of simulation for the performance of each algorithms are also presented.

플라톤주의의 극복과 Wallace Stevens의 시론

이윤섭 대한신학교 1988 논문집 Vol.8 No.-

육종 분류 분야 ( 농학관 ) : RT-PCR 을 이용한 Putative CaCoAOMT ( caffeoyl-CoA 3-O-methyltransferase ) 유전자 분리

이윤섭,노은운,김수인 한국산림과학회 1998 한국임학회 학술발표논문집 Vol.1998 No.-

생태론적 예지로서의 인텔렉트

이윤섭 안양대학교 인문과학연구소 2001 人文科學硏究 Vol.9 No.-

It is said that Cartesian dichotomy and its corollary, rationalism triggered the binary opposition of man and nature, which eventually brought about the ecological crisis facing us. When spirit and soul are defined as an ability to think rationally, all the natural creatures except mankind are apt to regarded as things dead and inanimate. In this sense, the exploitation of nature by mankind originated from the arrogant and false idea that all the natural creatures are nothing but the objects without spirit and soul, just because they do not think as rationally as man. Our deep experiences with them refute it. I believe that this androcentrism should be overcome by intellect, which is to be distinguished from rationalistic reason. As in St. Augustine's intellectus dei, intellect is capable of unite thought and feeling, the parts and the whole, man and nature, and eventually attempts to reveal and grasp the ecological reality. You may regard it as artistic intuition, unified sensibility, or organic imagination. With these mental abilities you will be able to overcome the voraious and greedy rationalistic and scientific reason that only sees what it desires to see through measurement and calculation. I suggest that this kind of intellect have to be reinscribed as ecological wisdom and vision. Another binary opposition between wilderness and civilization betrays the false consciousness of mankind of the relation between nature and man. American Indians, who had the wisdom of living with nature's benediction and inclemency, never regarded wilderness as the space empty of men's traces. Wilderness without any human influences and traces is a fiction that white people and western civilization fabricated. The original harmony and mutual interdependence of man and wilderness may be recognized and recovered by and through ecological intelect. Some texts containing this ecological wisdom show how man and nature can be harmonized and united to reach an ecologically ideal status, where the parts and the whole constitute an network or web of mutual interdependence and interanimation.