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(Abstract) From about 1920, the creation of Korean modern-time literary to 1945 the style of Korean woman poetry and their poetic attitude can be divided by three groups. The first group shows their Poetic attitude from their entry of the literary world to their consciousness of the society and the era. The woman entry of the literary world, itself, was acknowledged as a fruitful result. On the other hand, from a literary ·Point of view, it has the limitation of journalism. Therefore, their style is characterized as a conventional approach. In other word, Chinese translating style and literary style in authoratative tone, religious style as preaching discourse in idealism are the most part of it. The second group shows the level of visible persona character behind the level of Participating significance. Both of Korean Poetess in the first group and Poetess in the decade of 1930 started to see the lack of Politics, society and era. therefore the style shows theirself awakening as a class of alienation, not as a position of woman. It's what the style shows an approach of metaphor. But it has not sufficient of the depth. Especially, it doesn't show the self-reflection on the issues therefore it reflects their sences of loss as a spectator So it shows mainly confessional style, monologue style, or oral style. The third group shows more developed structure in their works. By using correlative objective, it fives a tension on sympathy of readers. Especially, in their style they used cynical discourse, and objective de'pcription. In conclusion, their style became more Poetic, improved graduallyand and they reconized about feminity Therefore they shows the way of feminism of today.