하종오 시에 나타난 다문화 현상의 양상 - 인식의 태도(態度)와 성찰의 시각(視角)을 중심으로

이명희 ( Yi Myoung-hee ) 한국문학치료학회 2015 문학치료연구 Vol.36 No.-

본고는 아시아 여성의 이주와 결혼으로 이어지는 아시아 여성의 디아스포라(Diaspora) 문제를 한국 현대 시인으로서 사실적으로 형상화하고 있는 하종오의 시세계를 통해 살펴보고 앞서 제시한 문제점을 어떻게 극복하고 있는지 살펴보았다. 이는 1990년부터 본격적으로 시작된 한국 내 아시아 여성이주인구의 증가로 인해 한국사회는 `다문화 가정`과 `다문화사회`라는 새로운 국면으로 접어들게 되면서 아시아 이주여성이 하위주체(Subaltern)가 아닌 온전한 여성으로 어떻게 정체성을 확립하는지를 문학적 형상화를 통해 살펴본다는 데 의의가 있다. 한국의 경제발전이 아시아 이주여성의 결혼과 무관하지 않으며, 그 과정에서 하위주체로 자리매김 되었던 그들의 정체성 회복과 건강한 모성 획득을 통해 다문화 가정과 사회의 문제점의 해결의 실마리를 제공하고 있다. 한국 내 노동시장에 유입된 결혼한 이주여성에 대한 차별적 시선은 다름 아닌 결벽증적인 순혈주의를 고집하는 역사적 체험에서 기인하고 있다. 따라서 다양한 문화의 인정과 공존을 위해서는 먼저 한국인의 정체성 인식에 대한 그간의 태도의 반성이 필요하며, 다문화 공존 경험의 부재에서 기인하였음을 이해할 필요가 있다. 또한 그들의 존재론적 다름을 다양성으로 인지하고 이를 위해, 사회, 문화, 행정적으로 존엄성을 갖고 그들이 우리와 함께 존립할 수 있도록 이주자와 한국인, 그리고 행정자의 노력이 삼위일체 해야한다. 외국인정책본부의 정체성에 관한 인식은 한국적인 것을 중심부에 두고 타자의 문화를 수용하고자 하는 방침으로 보인다. 하종오는 다문화현상과 이에 관한 문제를 객관적으로 태도를 유지함으로써 성찰과 대안을 모색하고 있다. 그의 시를 통해 아시아 이주여성과 이주 노동자 및 제 2세의 다문화 가정의 현실을 직시하는 것은 그간 아시아 여성이주자나 다문화 가정을 온정주의로 바라보는 미온적 대안에서 벗어나 온전한 공존을 모색하려는 관점이다. 그의 시에 나타난 아시아 이주여성의 정체성과 현실을 크게 불편한 주체의 불온한 응시와 하위주체(Subaltern)의 침묵과 하위주체의 주체적 시선으로 나누어 살펴보았다. “We should be human beings first, after then should be citizens, I think.”(Civil Disobedience, Henry David Thoreau) The quotation from Henry David Thoreau presents the following problem in the multi-culture coexistence era. In order to be a mature citizen, individuals should be mature first. It leads to develop the country and citizens together. Multi-culture is not referred that people from different countries solve food, clothing and shelter in a territory. When there is understanding and respect of other countries` characteristics and identities, multi-culture coexist. Coexistence without respect and consideration conceives exclusion and discrimination. Since Korea experienced colonial period, the division of Korea after the Korean War and industrialization, Korea has stuck to pure blood tradition for unification. For the unification, economic development and national unity have been given priority to any other problems. Therefore, they have not had enough opportunities to experience harmony life with various races and cultures in the territory. The economic gap between South and North is too big, so North Korean defectors are included in Asian immigrant workers. In the process of solving multi-cultural problems, it is possible to discover a clue to restore the homogeneity. The Korean government and people should be the unification. Acknowledged this problem, this study has looked into `multi-cultural` phenomena and symptoms in Korean modernpoetry. Particularly, it shows literary figuration of marriage immigrant women`s life in Korean multi-cultural society From Ha Jong-O`s poetry, identity of Korea due to its traditional pure blood custom was examined to recognize discrimination to difference. Ha Jong-O is a poet who focuses on Kosian issues. In his collection of poems, `Asian-Koreans`, human rights of Asian women and sadness of diaspora are main subjects. In particular, this study has looked into relevance between the increase of Asian women population since 1990 in Korea and multi-cultural families, multi-cultural society. In this process, it is symbolized that how the identity of Asian immigrant women is established as a woman not as a subaltern. In this paper, we examined with literature genre. The study could benefit to find a specific solution and to understand the relevance between Asian economic development and marriages of Asian immigrant women. Besides, the identities of marriage immigrant woman in Korea and Korean pure blood tradition are caused by historic experience not ideology for discrimination. Therefore, the object of this study is to point out that immigrants and Koreans make an effort together in order to coexist. They should recognize difference as diversity to have social, cultural and administrative dignity. After all, there should be equal relationship as a supranational and global citizen. Literature has the answer. We can find a solution for problems, which could not be solved by history or politic, in literature. Because it has wisdom of ancestors. That is the virtue of literature.

현대시 읽기를 통한 문학적 상상력이 ‘자기 효능감’에 미치는 영향

이명희(Yi, Myoung-Hee) 건국대학교 인문학연구원 2019 통일인문학 Vol.80 No.-

이 연구는 적극적 시 읽기의 과정에서 시 창작자와 독자 사이에 공감대가 형성된 경우, 문학적 상상력을 통해 자기 효능감에 도달하게 되며, 시적 상상력은 시 내용에 적극적으로 개입되어 자기비전에 영향을 주고 있음을 대학생의 시 읽기를 통해 분석하였다. 문학은 독자의 문학적 상상력과 개별적 경험이 넘나들며 공감의 과정을 넘어 새로운 깨달음의 순간을 이끌어내는 장르이다. 학생들은 원전의 시를 재독하며 미래와 연관 지어 현재의 문제를 객관적으로 분석하고 인지하게 된다. 이때 문학적 상상력이 자신의 문제에서 세계의 문제로 확장될 때, 자신의 문제와 관련된 글쓰기로 나타날 수밖에 없다. 본고에서는 자기 효능감(self-efficacy)이 잘 드러난 시와 글을 성찰과 발견, 비전적 공감의 ‘자기 효능감’으로 나누어 시적 상상력을 분석하였다. 이 과정에서 독자의 정서적 주체의 상상력이 높을수록 자기 효능감이 높은것으로 드러났다. 시 읽기는 독자가 망각하고 있던 자신을 일깨워 거울앞에 세워 자신의 내면을 읽는 정서적 추체험의 과정이다. 시 읽기가 불편하거나 익숙하지 않은 대학생들에게 자신과 문학을 개연적으로 생각하기 위해서는 무엇보다도 자신의 문제를 대입하는 문학적 상상력이 필요하고 또 문학을 이해하는 데 용이한 방법이다. 정서적 공감이 쉬운 시들일수록 독자에게 틈입하여 공감은 극대화되기 때문이다. 결과적으로 독자는 시어와 시 전체의 의미, 혹은 시가 지향하는 메타포적 의미를 추론하여 성찰과 발견, 나아가 비전적 공감을 통한 ‘자기 효능감’을 경험할 수 있다. 더불어 인생과 세계의 문제를 다루는 문학의 장에 한층 다가서는 긍정적 시의 본질에 다가서게 된다. This paper reviews about the impact of literary imagination on “self-efficacy.” via poem reading. It posits, using actual student essays, that readers reach “self-efficacy” via literary imagination when the poet helps readers form empathy through the process of poem-reading. Self-vision may be influenced when readers are proactively involved the context of a poem. Literature, including the poetry genre, is a field which can anchor readers’ enlightenment. Even those who are beyond empathy may find links between literary imagination and their own experience. To achieve enlightenment, readers must synthesize their thoughts through a process of deep immersion in empathy, consolation, and reflection. This progression is necessary to form a reader’s identity. Students must repeat the process when rereading the original poem. This allows recognition and objective analysis of current issues, and their connections to the future. Eventually, the gap between literature and reality vanishes. In this way, reading a poem allows for understanding of more than the poem itself. Rather, a circle of imagination can be drawn which includes more than an individual reader. It encompasses relationships with others, as well as the community. Such readings transform texts to active, subjective mirrors of one"s life (moving beyond reading a text merely to get answers for a test). Therefore, when literary imagination expands from one"s personal issues to universal issues, the writing itself reflects “self-efficacy.” Chapter 3 analyzes seven essays by students which clearly reflect “self-efficacy.” All seven essays agree with the context of the poem selected by the students. Each clearly demonstrates the process of empathy → reinterpretation of context → establishment of self-vision. The analysis discusses two separate poetic imaginations. One is a “self-efficacy” focused on individual enlightenment and discovery. The other focuses on visionary empathy. The process indicates that “self-efficacy” marks are higher when subjective imagination is high.

시 창작 원리로서의 윤리의식

이명희(Yi Myoung Hee) 건국대학교 인문학연구원 2010 통일인문학 Vol.50 No.-

2010년 제 63회 칸 국제 영화제에서 각본상을 수상한 이창동 감독의 〈시〉는 인간의 죄와 고통, 용서의 문제를 〈밀양〉에 이어 치밀하게 조명하고 있다. 영화 〈시〉는 시의 본질과 효용이 무엇인지를 주인공 미자의 시 창자과정을 통해 시론을 보여준다. 그간 시의 효용론은 목적시냐 순수시냐의 이분법적으로 양분화 되어 시의 본질에 대한 물음으로 귀결되었다. 이는 문학과 예술의 본질과도 무관하지 않다. 시의 효용론은 궁극적으로 시가 인간에게 왜 필요한지를 묻는 것으로, 독자에게 심리적, 정서적 효과와 영향, 나아가서 시와 사회적 기능과 역할을 고민하는 태도이다. 이런 입장에서 영화〈시〉는 시를 쓰는 주인공 미자를 자기윤리의식과 사회적 문제의 갈등지점에 배치하고, 시를 쓰는 과정을 통해 이를 해결 하는 모습을 보여준다. 본고에서 지칭하는 ‘윤리의식’은 다수의 행복을 지지하는 공동체주의적 배려의식을 의미한다. 영화 〈시〉는 공동체주의에 공헌하려는 개인윤리와 사회윤리 사이의 갈등을 통해, 개인의 선(善)과 공동의 선(善)이 합일되어가는 과정이 문학의 창작과 긴밀히 연관되어 있음을 드러내고 있다. 「아네스의 노래」는 최선을 다해 살았던 두 여자의 희망의 전언이다. 최선을 다해 이기심을 밀어내고, 희진을 만나고 싶었던 미자의 시 창작 과정은 진실의 여정이다. 즉 타자와 진정한 자신의 고통을 마주함으로써, 미자는 시인의 눈을 갖게 되었고, 시적현실과 삶이 분리되지 않았음을 깨닫게 된다. 따라서 시 창작의 원리로서의 윤리의식은 개인의 윤리의식과 사회적 윤리의식의 거리를 좁히면서 탄생하게 된다. The 〈Poetry〉 directed by Lee chang-dong, which won Best Original Screenplay in the 63th Cannes Inter-national Film Festival, is carefully focusing on the matter of the people’s sin, suffering and forgiveness following the film, 〈the Secret Sunshine〉. The film 〈Poetry〉 presents what the nature and effectiveness of poetry is by poetics through the creative process of poetry of MiJa who is the heroine. Meanwhile, the utility theory of poetry was divided into what is the purpose poetry or the pure poetry as a dichotomy and was concluded to the question about the nature of poetry. This is related with the nature of literature and art. As the utility theory of poetry is that asks us why human being needs poetry, as well as it gives the psychological and emotional effect and influence to the reader, furthermore, it is the attitude that considers poetry and the social function and role. In this position, the film 〈Poetry〉 places the heroine, Mija who is writing a poem, to the conflict point between her owns ethics and social issues, and then it presents the scene that is solving the problem by the process of writing a poem. The ‘ethics’ pointed out by this study means a communitarianistic consideration which supports happiness of the number. The film 〈Poetry〉 represents that the process of unifying personal virtue with common virtue is closely related with the creation of literature through the conflict between the personal ethics and the social ethics which tries to contribute towards communitarianistic. [A song of Agnes] is the last hope for the two women who had done their best to live. The process of creating poetry is the path of truth for meeting Huijin by pushing out egoistic mind as best she can. Namely, as the pain of her true self faced others, finally, Mija had the poems-eye, realizing that life is not divided from the poetic reality. Therefore, as the creative principle of poetry, the ethics was born by making narrow the distance between the personal ethics and the social ethics.

생태인문학을 활용한 자기서사 치유 및 평생교육의 가능성 -실버 인문학 강독모임을 중심으로-

이명희 ( Yi Myoung-hee ) 한국문학치료학회 2017 문학치료연구 Vol.42 No.-

본고는 자연과학과 인문학의 융합적 비전을 통해 실천인문학을 모색하기 위해 8개월 140시간(총22주) 동안 진행된 프로그램을 바탕으로 평생교육의 가능성을 타진하기 위해 시작되었다. 생태인문학의 진행을 위해 남산과 같이 생태공간의 탐방이 용이하여 접근성을 고려한 강독공간인 카페를 만들고 실험적으로 생태인문학에 관심 있는 수강생을 모집 후 다양한 강독과 강연을 병행한 후 내용과 관련된 지역을 탐방하여 설명과 야외수업을 융합하여 실시한 내용을 바탕으로 한다. 이는 지역사회와 연관된 커뮤니티나 지역기관을 교육의 장으로 이용할 경우 교육자의 접근성의 편이성으로 수업효과를 배가시킬 수 있을 것으로 예상된다. 또한 심약한 실버세대들에게는 심신활동을 병행하기에 우울증을 비롯한 정서의 함양에 도움이 될 것으로 기대된다. 이러한 생태인문학을 통해 궁극적으로는 자아성찰을 비롯하여 현실적 문제의 해결의지를 고취시키며 당면한 현실문제에서 나타나는 불통의 문제를 해결하는 열쇠를 제공하여 자녀와의 관계성 회복에 도움이 된다. 더불어 자연과학과 인문학의 균형 잡힌 수업과 함께 스스로가 학습 참여의지를 북돋을 수 있도록 강독함으로써 평생교육의 중요성을 스스로가 인지하게 된다는 점에서 잠재력을 타진할 수 있다. 향후 다양한 활동과 접목시킨 융합교육 프로그램의 개발을 통해 평생교육으로써의 발전가능성을 기대할 수 있다. This article seeks possibilities for lifelong education based on a program that continued every other weeks for 8 months and 140 hours (22 weeks) exploring practical approaches to humanities through the converging view points of natural science and humanities. For better flow of ecological humanities education courses, we used a cafe considering the place`s accessibility, and visits to ecological spaces such as Mt. Namsan. After recruiting students who were interested in ecological humanities, we also educated them with various lectures and texts and visited related places, which was a base for the research. The senior generation, after living much of their lives, often tries to communicate with contemporary people by learning new information and taking time for introspection. Often brave members of the elderly generation came to register for classes for these reasons. This being so, humanities for the senior generation has high potential for developing into "practical humanities" that resembles reality and real life problems. Ecological humanities classes for the elderly include mental and physical activities, that can be effective for building up emotions and preventing mental illnesses such as depression. Moreover, students who took ecological humanities class demonstrated an enthusiastic attitude and the will to solve real-life problems that they faced everyday, which ultimately led to self-examination. Realizing that humans and nature have the same problems also showed a positive effect on relationship recovery. With this, we examined self-epic and acknowledged the importance of humanities. Apart from humanities, ecological humanities points to a positive future for the practice of humanities, as students by themselves can recognize the importance of lifelong education by experiencing the logic of natural science. For the next few years, we can expect high potential for the development of natural science and humanities` converged lifelong education.

‘코로나’시대의 『페스트』 읽기를 통한 생태 문해력의 확장과 인문학의 의무

이명희(Yi, Myoung Hee) 건국대학교 인문학연구원 2021 통일인문학 Vol.85 No.-

본고는 뉴노멀(New Normal) 시대를 맞이하여 새로운 패러다임이 도래했음을 인지하고 이에 따른 생태 문해력과 인문학의 필요성을 살펴보았다. 앞으로의 인문학은 기존의 자본주의 시스템에서 벗어나 사회적 관여(Engagement)와 윤리 감수성(Ethics)이 대두되는 시기로 접어들었다. 이에 1장에서는 ‘코로나19’ 시대를 맞이하여 인문학의 현황을 살펴보았다. 2장에서는 불안과 공포의 코로나 시대에야말로 실천적 성찰과 통찰이 절실하기에 인문학의 시작은 현실을 직시하는 데서부터 출발할 수 있음을 피력하였다. 이때 다원적 시각이 내재된 인문학은 사람들에게 성찰과 공감을 이끌었다. 3장에서는 ‘코로나19’ 시대에 다원적 인문학으로서의 ‘생태인문학’의 중요성을 논의하였다. 이를 위해 건국대학교 ‘창조적사고와표현’ 수업에서 다양한 전공의 학생들이 〈페스트〉 작품을 읽고 이를 코로나와 그들의 전공을 바탕으로 뉴노멀의 실천 방안을 모색하게 하였다. 결과적으로 학생들은 작품을 통해 개인의 삶과 공동체의 삶이 분리될 수 없음을 인지하였다. 질병의 시대에도 ‘연대’만이 살 길이라는 것을 작품을 통해 미래를 시뮬레이션 할 수 있었기 때문이다. 학생들은 언택트 세상에서 마주하는 개인과 공동체간의 연대에 관한 심층적 고민이야말로 인문학이 지녀야 할 다원적 시선임을 공감하였다. 4장과 5장에서는 생태적 감수성과 생태문해력의 필요성을 통해 인문학의 확장과 의무를 살펴보았다. 코로나 이후의 인문학은 인류가 공유할 수 있는 통합할 진리와 기준이 무엇인지를 제시하여야 한다. 또, 오늘날 인문학은 철학, 문학, 예술을 포괄하는 표현인문학에서 과학까지 모두 포함하는 통합인문학이어야 하기에 이제부터 인문학은 학문의 벽을 허무는 일을 과제로 남겨두고 있다. This study acknowledges the advent of a new paradigm in the wake of the new normal era and explores the need for ecological literacy in humanities. Current humanities have moved away from the existing capitalist system and have entered a period in which social engagement and ethical sensitivity are emerging. Chapter 1 of the paper explores the current state of humanities in the era of COVID-19. Chapter 2 states that the beginning of humanities starts from confronting reality, as practical reflections and insights are desperately required in the anxious and fearful COVID-19 era. The pluralistic view inherent in the humanities attracts introspection and empathy from people. Chapter 3 discusses the importance of "ecological humanities" as pluralistic humanities in the COVID-19 era. To this end, students from various majors read the book The Plague in a Konkuk University class called "Creative Thinking and Expressing." They then sought implementation measures in the new normal of the COVID-19 era and from the perspective of their majors. Thus, through the book, students recognized that they could not separate their individual and community lives. They were able to simulate the future conditions and ascertain that "solidarity" is the only way to survive in the pandemic era. Students agreed that in-depth attention to the solidarity between individuals and communities in the intact environment is the pluralistic view that humanities should hold. Chapters 4 and 5 examine the expansion and duty of humanities through the need for ecological sensitivity and literacy. Post-COVID-19 humanities should present truths and standards of integration that mankind can share. In addition, today"s humanities must aim to integrate expressive humanities, such as philosophy, literature, art, and science, and undertake the task of breaking down the barriers of the study of fields.

백석의 시 쓰기에 나타난 음식서사와 치유의 관련양상

이명희(YI Myoung-hee) 한국외국어대학교 외국문학연구소 2012 외국문학연구 Vol.- No.47

Writing poetry for Baekseok is a window of communication to reconstruct the Korean people and himself in the adverse colonial system. Most of poetry in the 《Saseum (a deer)》were the keen words which the self as a young poet can communicate with the world. As his poetry is ‘the discourse of the food or one’s dietary life, this study defined his poetry as ‘the food narrative’ In addition, this article aimed at finding the food narrative and the process of healing, which was revealed in the course of ‘writing poetry’. His poetry was the reconstitution of the words which changed to the poetic image through eating, writing and remembering. In this time, it can remember the taste of childhood that was happy in the course of changing. Etymologically, to eat and to write is in the same structure; on the other hand, there is a need for positively intervention of self-reliance in the course of eating and writing. This generates the open narrative of confession and communication. It is possible to enough heal sincerely as one remembers, writes and reads the taste when eating the good foods. This study defined ‘the food narrative’ of Baekseok’s poetry that best described the emotion of Korean and the taste, and suggested that this is necessary for more various studies.

상호텍스트성에 따른 ‘구술시학’ 연구 - 노래와 시를 중심으로

이명희(Yi, Myounghee) 한국외국어대학교 외국문학연구소 2013 외국문학연구 Vol.- No.51

This article is space that finds the modern meaning of oral poetry in intertextuality between the parties, as it is emphasized on an oral characteristic rather than character literature when poetry can be sung as a song focused on a text of poetry and a song. If poetry can be switched to a song, the sociocultural background of a composer and reinterpretation may be added to emotion of a poet and the background of writing a poem that was presented by letters. In that moment, the characteristics of the song oral poetry from intertextuality are as follows: First, a song based on a sound can directly and immediately deliver emotion comparing with character poetry. A listener can communicate directly with the composer and the singer who interprets a tune by a song. Second, while the oral literature has the feature that recalls the community, a song rather can show a desire to deliver delicately personal emotion. When Kim so-wol’s the azaleas was transferred to Ma ya’s the azaleas., Third, it can be said in that a desire that wants to deliver various stories in modern society is strengthened. It can be involved a private experience and funny story. Fourth, unlike a text in letters, a song can directly recall a sense of immediately. In that time, a sense of immediately may interpret two meaning. One is that it can recall one’s memories of the past arisen by a song. Another is that one can be offered memories directly by performance.

고전(古典)과 현대(現代) 도망시(悼亡詩)에 나타난 슬픔의 치유방식

이명희 ( Myoung Hee Yi ) 한서대학교 동양고전연구소 2012 동방학 Vol.24 No.-

Domangsi is a genre that was written by the widowers who could not freely express their emotion in the society where was focused on reason that is a virtue of Confucianism, which it was only way to express their sorrow for losing their wives. It can be found on the classic works of poetry in China and Korea. This article compares the works of Kim jeonghee, Park gwanghun, Lee yonghyu, Lee dal and Chaepaengyun that were the representative Chinese poetry which has been pointed out in common by Park namsu, Lee eunyeong and the researchers for Domangsi with the works of Do jonghwan, Park namsu, Shin gyeong rim, Kim yeong rang, Kim gwansik and tries to find that their processing method of sorrow and the elegiac distiches are related with the healing of emotion. As the experience of bereavement is an extremely sense of loss that mankind experiences, the feeling what the family experiences immediately after bereavement has to go extremes. Immediately after bereavement, they may experience from the step of denying the death to the step of mourning such as the sense of guilty, longing, grief and the desire of unifying with the dead. The thesis that We have to consider is in that the healthy life may be restarted depending on how the living can break up with the dead. Therefore, it can be examined by dividing as follows depending on the degree of which a husband shows the sense of guilty and regrets and the longing atmosphere. First, it is a dynamic mourning with crying, which he cries aloud his great sorrow, second, the silence mourning with self-control- the longing atmosphere, third, the unified sorrow with the dead -as a thanatos urge, this is the developmental sorrow for recovering a main agent following the great sorrow, with this, a husband may return to the positive life, not a surplus life. This article has the final aim to find the idea of life and death in the Korean poets who had the experience to lose their wife or friends. In the Joseon dynasty period, the writing of men was under the suppressed atmosphere, but in Domangsi, as it was the exception, it was freely expressed the emotion. When it is examined by dividing into three items depending on the degree of expression, this can draw the rest of healthy life as they can ultimately share an unfulfilled love and longing with the dead. Therefore, Domangsi is a genre of healing literary. We can understand that the poetic literature that has the lyricism as its proper function may involve an aesthetics of sorrow that has a possibility to heal the emotion in good condition through the developmental mourning.

유비쿼터스 서비스 경영 환경에서 조직 구조 및 컴퓨터 보안 시스템에 관한 연구

이명희(Myoung Hee Yi),유재언(Jae Eon Yu),정창덕(Chang Duk Jung) 한국조리학회 2007 한국조리학회지 Vol.13 No.4

김혜순 시에 나타난 신화적 상상력 -“순환론적 시간의식”을 중심으로-

이명희 ( Myoung Hee Yi ) 겨레어문학회 2010 겨레어문학 Vol.44 No.-

Up to now, the research for Kim hye-soon has been focusing on analyzing the reality of those days spirit via the body since 1980`s, progressing with a discourse on the body among the feminist feature as the center. Therefore, this article was noted that time conscious in poetry of Kim hye soon was appeared by cyclical time conscious, at the same time it was related with mythical imagination. The mythical imagination here is the united concepts together with a myth and imagination, first, it is a consciousness that the regression consciousness of human is collected to timelessness, second, it means that the human subconscious attempt to communicate with the universe via the material of myth (water, sea, star, tree, an astronomical etc.), third, it is communal imagination with regarding to a reconciliation and acceptance between ego and nonego(the world, the object).In addition, the mythical imagination is the question of how men have to Live, Kim hye soon was struggling with such kind problems constantly and trying to find a reconciliation and acceptance. Then, this study was defined the world of poetry of Kim hey soon by the cyclical time conscious and examined to divide it into time of Origo, time of Cronus and time of Kairos. The time of Origo isontological time for self-reflection, the time of Cronus is implementedby the will of the poet in which tries to return to the primitive time via the regression awareness.Finally, as the time of Kairos is subjective time, it was gathered to both time for yearning and union and for supplication and abundance for the poet. In the poem of Kim hey soon, the poetic ego was presented the communication with the world via the personal experience. The poet had been experienced the time of Cronus and Kairos at that time when ensuring the aesthetic distance from the present in such the process. Such this experience was simultaneous focused on the present, was remembered repeatedly and reproduced, also Leaded to mythical imagination. This was the important process to find the unknown fundamental world and also the path for ontological reflecting of one woman. The further study is needed to consider how their consciousness of poetry can communicate with the present for having the study of time conscious of women poets as the continuous subject, such as Kim seung hee and Ko jeong hee Latter.