제 2 발표장 : 단일방향으로 적층된 탄소섬유 / 에폭시 복합재의 정수압 환경에 따른 압축 파괴인성 변화

이경엽,양준호 한국복합재료학회 1999 한국복합재료학회 학술발표대회 논문집 Vol.- No.1

[조례] 대전 대덕구의회_국가유공자 우선 주차구역 설치

이경엽 (주)지방자치연구소 2024 지방정부 Vol.44 No.-

[의회 벤치마킹] 경기 동두천시의회_직장 내 괴롭힘·갑질 근절 서약식 개최

이경엽 (주)지방자치연구소 2024 지방정부 Vol.44 No.-

판소리 명창 김연수론

이경엽 판소리학회 2004 판소리연구 Vol.17 No.-

Kim Yeon-Su is one of the most noted singers in modern history of dramatic songs. He is from a family, which practiced classical Korean music for generations, he studied Chinese literature and modern sciences in order to free himself from the social class distinction. But that rather became an opportunity to form a his trait of dramatic songs. Though he learned dramatic songs shortly, he strengthened his position as a great singer. The fact that he learned theory of dramatic song from the drummer Oh Sung-Sam was an important background. We can find out about the characteristic of dramatic songs by seeing how Soogunga of Yoo Sung-Jun school was changed and renewed. Kim Yeon-Su pursued the rationality of chattering and literary completion, and he put a great stress on the dramatic quality of dramatic songs. His works of dramatic songs had been intimately influenced by the change of transmission conditions. 'Dongcho school,' which he established, is meaningful because it made the transmission resources of dramatic songs bountiful. In this aspect, we can evaluate Kim Yeon-Su as a creative singer who positively coped with the changing times.

세습예인에 대한 사회적 시선과 그들의 대응 양상

이경엽 남도민속학회 2024 남도민속연구 Vol.48 No.-

세습예인이란 대를 이어서 굿을 비롯한 판소리, 산조, 줄타기, 농악, 무용 등의 예능을전승하는 사람들이다. 세습예인들은 대부분 무계에서 배출되었다. 전통적으로 그 신분과직능 모두 평범하지 않은 존재들이다. 이런 까닭에 기존에는 무당 또는 무계 예인들의 특화된 활동상을 주목하는 데 초점을 두었다. 사회적인 차별 문제에 대해서도 평면적인 구도로대상화하거나 타자화하는 정도에 그쳤다. 그와 다른 접근이 필요하다. 무계 예인들이 차별에 대응하는 방식은 매우 다양하다. 역사적으로 그들은 관아의 공적역할과 관련된 조직 활동에 적극 참여해서 공인을 받고자 했으며, 다른 측면에서 후손들은그 흔적을 지우려고 했다. 또한 일반적으로 차별에 대한 분노와 회피가 두드러지지만 어떤경우 사회문화적 상황에 편입하고자 했다. 그리고 어떤 예인들은 자신의 역할에 대한 긍정과 자부심을 표방하며 무계를 자신의 정체성으로 삼기도 한다. 이처럼 차별받는 당사자들의대응과 서사는 다양하게 나타난다. 세습예인들이 사회적 차별 문제에 어떻게 대응하는지, 그들 주도의 서사를 살핌으로써그것에 대응하는 주체적 면모를 살필 수 있을 것이다. 또한 세습예인들의 대응 방식은, 다른한편으로 대중이 그들을 대하는 환대와 배제의 또 다른 모습이라고 할 수 있다. 긴 기간 세습예인을 향한 차별적인 시선은 그들에게 모멸감으로 작동했다. 그 모멸감을 둘러싼 사회적시선의 이중성과 그 행방을 새롭게 되짚을 필요가 있다. Hereditary artists are people who pass down performing arts such as gut, pansori, sanjo, tightrope walking, nongak, and dance from generation to generation. Hereditary artists were born into shamanic families for generations. Traditionally, they are unusual beings in both their status and function. For this reason, the focus was previously on focusing on the specialized activities of shamans or shaman artists. The issue of social discrimination was limited to objectification or otherization in a two-dimensional structure. A different approach than before is needed. The ways in which hereditary artists respond to discrimination are very diverse. Historically, they sought to gain public recognition by actively participating in organizational activities related to the public role of government offices, and in other respects, their descendants attempted to erase their traces. In addition, anger and avoidance of discrimination are generally prominent, but in some cases, attempts have been made to integrate into social systems. And some artists express positivity and pride in their role and make martial arts their identity. In this way, the responses and narratives of the discriminated parties appear in various ways. By looking at how hereditary artists respond to the problem of social discrimination and the narratives led by them, we will be able to examine the subjective aspects of responding to it. Also, on the other hand, the way hereditary artists respond can be said to be another aspect of the hospitality and exclusion that the public treats them with. For a long time, discriminatory views toward hereditary artists gave them a sense of humiliation. There is a need to reinterpret the duality of social perspectives surrounding that humiliation and its whereabouts.

최덕원의 다도해 민속 연구의 의의

이경엽 국립목포대학교 도서문화연구원 2011 島嶼文化 Vol.0 No.38

In order to ascertain the current status of research on the islets folklore and look for new directions, there is a undeniable need to evaluate and analyze the flow of the existing research. This article focused on the cases of Choi, Dukwon, who has conducted research on islands for over 30 years since 1960 and examined the content and achievement of the research, scholastic significance, and remaining tasks of research on islets folklore. His work demands considerable reckoning that he led the research on islets even before the term islets․marine culture was generalized. His study on islets folklore has been continuous and focused and it has remarkable scholastic significant. Looking at the research themes, there are a lot about folk beliefs. Especially, “Dangje of the Archipelago" which comprehensively deals with Dangje in Sinan region stands out in comparison even with later achievements. Besides, he drew out independent topics such as fishing belief, barbel stone belief, Usil belief, salt belief, and charms and expanded the discussion. In addition,his achievement on excavating new folklore materials and categorizing them is of high significance. His report which researched and categorized the folk art of the Archipelago and orally-transmitted literature is deemed as highly valuable. Of course, there are remaining tasks. The perspective that views the folk culture of islets region as inheriting the old culture treats the current folklore as an inherited tradition and separates the contemporary people who transmit the culture from the culture, viewing it as a surviving culture. Also the perspective which looks at the folklore culture as a fixed text, rather than looking at it in a context, needs to be changed. It was a general tendency of 20th century folklore to argue for the urgency of folklore research; to focus on collecting and compiling materials; and approaching on external texts. Therefore, the remaining task is to develop an awareness that is needed at the current level and inherit the achievements of the existing research in a creative manner.

다도해의 문화적 다양성과 사회문화적 네트워크

이경엽 국립목포대학교 도서문화연구원 2012 島嶼文化 Vol.0 No.39

Examining the researches on the insularity of the Archipelago, there are accounts that mention isolation and severance due to the history of exile and those that deal with openness because of the cases of marine heroes and international trade. In addition, there are those who focus on indigenousness by considering the region as an area where tradition remains in an obscure manner. In any case, there have been few studies which focus on the life of the residents. This study focuses on the network of everyday life, fishery activities, and trade activities led by the Archipelago residents. Network in everyday life can be observed in boats. Boats have been the means of transportation for the islanders to go to the mainland. In the Archipelago where numerous islands are scattered around, the boat zones have been organized according to waters. Especially, the costal islands are organically connected to the neighboring islands and mainland ports. Boat zones show that the islands in the Archipelago are not isolated but closely connected. There are various networks established in the Archipelago with the fishery activities at the core. External network has operated continuously and systematically through expedition fishery. Those activities can be tracked in the <Wondangjungsugi> of Uido Daeri which recorded the participation in the construction of temples by the commercial ships from outside which came to Uido for shipboard markets and the fishermen. As shown in the donation from figures from different regions for the reconstruction of town temple, networks with the fishery activities as the vehicle have been very active. Trade activities in the Archipelago have a close relationship with production activity. There was a trade network with fishery and the salt industry as the vehicle,and the islands and neighboring ports were well-connected. In the case of a large trade activity, nationwide network has operated. The actual situation of the trade network can be learned through documents which showed regular donation to the town Dangje by the external investors, commercial ships, and fishing boats.

선재도 배목수와 뱃사공 생애사

이경엽,한은선 국립목포대학교 도서문화연구원 2007 島嶼文化 Vol.0 No.30

충남 녹도의 조기잡이와 어로신앙

이경엽 국립목포대학교 도서문화연구원 2007 島嶼文化 Vol.0 No.30

Nokdo is a small-sized island, however, it is very significant from the perspective of fishery culture. The vicinities of Nokdo has been prevalent with yellow corvina fishery because it nears the its spawning ground. It is the center for bag nets which is also called ‘Jubuck’. Various aspects of yellow corvina fishery can be observed in Nokdo and that is the reason we focus on the correlation. For the residents of Nokdo, ‘Jubuck’ fishery is a very special occupation tradition. Therefore, ‘Jubuck’ fishery provides an important foundation for folk songs and transmission of rituals. The organization of fishery song and sacrifices in various forms are related to the characteristics of ‘Jubuck fishery’. In addition, yellow corvina fishery mainly 'Jubuck' has functioned as the material foundation of ‘Dangje’. The characteristics of cultural interaction of yellow corvina fishery in the west coast can be observed through Nokdo. In case of fishery songs, they show the selective acceptance and interchange process of yellow corvina fishery songs. In case of ‘Jubuck’ sacrifice, it shows a close relationship between the biological and sociological conditions and rituals. The existence of various forms of sacrifice allow us to assume the integrative interchange of culture. Nokdo ‘Dangje’ takes on the general aspects of the west coast, however, its performance displays locality. In case of Nokdo, the participation of shamans from inherited shaman family in ‘Dangje’ is one of its characteristics. Furthermore, it shows the local distribution of faith in which Nokdo along with several nearing islands worship a god named “Jeonwhoeng”. The case of Nokdo shows the multi-layers of cultural interchange in the yellow corvina fishery region.

무가의 서정적 표현과 기능

이경엽 한국구비문학회 1997 口碑文學硏究 Vol.4 No.-

무가에 대한 문학적 연구는 최근 들어 더욱 활성화되고 있으며, 그 성과도 적지 않게 집적되고 있다. 그렇지만 무가의 서정성을 주목한 연구는 지금까지 이루어진 적이 없다. 대부분의 연구 성과는 서사무가를 중심으로 이루어져 왔다. 그동안 서사무가가 특별히 중시되는 풍토 속에서 여타 양식의 무가들은 별 주목을 받지 못하였다. 지금까지 서사무가 이외의 무가를 ‘일반무가’로 취급하면서, 다른 양식의 무가 자료를 연구 대상에서 제외시키고 있었던 것이다. 이러한 현상은, 서사무가의 자료적 가치의 중요성에서 비롯된 것이고 연구사적인 타당성도 인정될 수 있는 것이지만, 자료 현실이나 균형적인 연구의 정착이라는 측면에서 볼 때는 편향적이라고 할 수 있다.