Antonio Lopez의 패션일러스트레이션에 나타난 인체재현에 관한 연구

이경아(Kyung Ah Lee),금기숙(Key Sook Geum) 한국복식학회 2011 服飾 Vol.61 No.1

The purpose of this study is to pursue the way of human body expression for prospecting of future fashion illustration through research of the methods and meaning expressed in the works of 30 years by Antonio Lopez. The research was conducted by looking into the perception of the body between 1960s and 1980s, when Lopez worked actively, on the basis of the discourse, art and fashion for the femininity and studying the representation method and meaning of the body in his works. Lopez suggested an index of the ideal beauty of the times through the representation of the immature body like a child in the 60s, the glamorous body in the 70s and the exaggerated muscular body in the 80s by predicting the changes of the perception of femininity and ideal beauty. As the result of this research, it is found that Lopez employed the art form for the representation of the body in his works and presented the polysemous implications of the art form in the context of the body expression. In addition, he redefined sexuality by focusing on the code that confronted the conventional women`s morals by changing the representation method of the women`s pose, and depicted the other`s image such as the colored races, departing from the ideal human body based on the white women. Lastly, he deconstructed the human body in various ways, thereby enlarging the concept of the human body in the existing fashion illustration.

삼년산성

이경아(Lee, Kyung-Ah) 대한건축학회 2013 建築 Vol.57 No.7

다산(茶山) 우화시(寓話詩)의 확장(擴張)과 전이(轉移)-<오즉어행(烏鰂魚行)>과 <리노행(貍奴行)>을 중심(中心)으로-

이경아 ( Lee Kyung-ah ) 한국고전문학교육학회 2008 고전문학과 교육 Vol.15 No.-

Tasan Jeong Yak-yong is great scholar, who makes a synthesis of Sil-hak[實學, Practical Science of Korea], reformer of society, and a poet in the Joseon Dynasty. He expressed contradiction and conflict of those days by intellectual language, and reperceived basic ideology of the Joseon society. Also he theorized dissatisfaction of the people about those days and its system as form of religion. We can divide Tasan's life into two times. The first part is his ages 16~39 in the period of Jeong-jo(1777~1800). The second part is in the period of Sun-jo(1801~1834). In this period, he was exiled into Gang-jin for 17 years. After banishment, he lived a quiet life for the rest of his life in his hometown. His allegoric poetry were written in this second period. The special feature of allegoric poetry is strong satire. An allegory would be that is 'king's ear', which the barber has sight, or the barber's voice, which has divulged king's secret among the bamboos. Otherwise it would be that is the sound 'king's ear is donkey's ear' in the bamboos. This sound is divulging of the true donkey's ear. It doesn't travel to audiences, but travels trough wind in the bamboos. The narration exists just as story that barber can't stand to keep silence about king's secret. There are exposure of true and critical motive as allegoric expression. Tasan's allegoric poetry stand on the basis of his love for the people. Also there reveals his thought deeply with an enormous amount of reading and self-communion. Moreover there are his warm mind with his sharp insight in which captures alive lives as allegoric materials. Most of allegoric poetry satirize actuality of those days to make an excuse for external distinguishing marks of animals and plants. However Tasan's poetry are different from them. After he grasped serious problems from his contemporary actuality, and then choosed allegoric media to express correctly. Because he grasped the special features of lives after minute observation, he could exposure controversial point of the actual. His sharp insight was not limited to allegoric media. He noticed his period and the current of his society sensitively. It made his allegoric poetry as important materials to make us to know the condition of the people in the Joseon Dynasty. Tasan's allegoric poetry is inherited by Baek Seok[白石, 1912~1995] as regular juvenile literature. Baek Seok's juvenile stories are the results of expansion and transition for Tasan's allegoric poetry. Allegoric poetry was the shout of barber to prosecute about social irregularities and contradiction, and the sound of the bamboos to travel moaning of the people in the past. Now allegoric poetry create new emotion to make us to speculate ourselves with our surrounding. This changes are caused by special feature of allegoric poetry as a form to reflect our general lives.

호텔 연회장의 선택속성이 만족도와 재구매의도에 미치는 영향에 관한 연구

이경아 ( Kyung Ah Lee ) 한국문화관광학회 2008 문화관광연구 Vol.10 No.1

북촌가꾸기사업 이후 한옥의 소유권 변화 및 소유자 인식조사 연구

이경아(Lee, Kyung-Ah) 대한건축학회 2012 대한건축학회논문집 Vol.28 No.7

The purpose of this study was to determine transfer of Bukchon hanok"s ownership and changes of building use and hanok owner"s recognition in the past ten years of Bukchon Regeneration Project of Seoul. The results are listed below. Changes in ownership occurred rapidly in the early stage of the project, but have stabilized since the middle stage. The average age of hanok owners has been on the gradual decrease and the building uses have diversified. We are at the turing point of the project and should devise proper measures to maintain identity of Bukchon as well as vitality and supplement customized policies to enhance old and new hanok user"s life at the same time and foster them haman resources of Bukchon Regeneration Project.

전통시장의 기능성 및 사용성 증대를 위한 방문객 중심의 서비스디자인 프로세스 모델 연구

이경아(LEE, Kyung ah),송연호(Song, Youn Ho),장효민(Jang, Hyomin) 한국디지털디자인협의회 2013 디지털디자인학연구 Vol.13 No.3

전통시장은 지역경제의 근원이면서 지역의 문화와 역사 그리고 전통을 계승하고 발전시키는 역할적인 측면에서 그 정체성이 제고되어야할 필요가 있다. 본 연구의 주요 과제인 ‘전통시장의 기능성 및 사용성 증대를 위한 방문객 중심의 서비스디자인 프로세스 모델’에 대한 논의는 다음과 같은 과정으로 진행되었다. 먼저 전통시장에 대한 이론적 배경 및 기능적 변화에 대해 논의 하였다. 그리고 감성-경험 개념 모델(FEEM)의 개념을 근거로 한 전통시장 사용자(방문객) 경험 소비 개념도를 연구하였다. 또한 이를 바탕으로 한 전통시장 방문객 중심의 서비스디자인 프로세스를 논의하였다. 전통시장 이해관계자 개념도(stockholdrs concept map)을 구축하였다. 또한 전통시장에 대한 경험 여정 맵 구축을 위한 방문객의 모먼트 맵핑(moment mapping)과 그에 따른 원인과 결과(Cause & Effect) 개념도를 탐구하였다. 그럼으로써 전통시장에 대한 물리적 관점을 넘어서 사용자의 감각적 경험을 바탕으로 사용자의 감성과 경험을 기반으로 하는 혁신적인 전통시장 서비스디자인 프로세스 개념 모델을 제안하고 이를 전통시장지도 디자인에 확대 적용하였다. Traditional markets which represent alley business district are losing their original function and roles because of decrease of users (visitors). However, it is difficult to find originality and uniqueness of traditional markets because of monotonous modernization excluding locality and placeness. Traditional markets are the source of local economy and the identity needs to be improved from the perspective of succession and development of culture, history and tradition of the place. Discourses of ‘User-centered service design process model to increase functionality and usability of traditional market, which is the major theme of this study were made as the followings. Theoretical backgrounds and functional changes of traditional markets were discussed. Traditional market users’ (visitors) experience in consumption concept diagram was researched based on the concept of Emotion-Experience Concept Model. Based on this, visitor-centered service design processes in traditional markets were discussed. Traditional market stock holders’ concept map was constructed. Additionally, moment mapping of visitors for experience travel map and cause and effect concept diagram were reviewed to construct experience travel map of traditional markets. Through this, we proposed an innovative traditional market service design process concept model based on the emotion and experiences of users using sensual experiences of users beyond physical perspectives on traditional markets and expanded its application to traditional market map design.

두 동의 우종관 주택에 대한 연구

이경아(Lee, Kyung-Ah) 대한건축학회 2013 대한건축학회 학술발표대회 논문집 Vol.33 No.2

두 우종관 주택(1928년, 1931년)의 건축적 특성과 의미에 관한 연구

이경아(Lee, Kyung-Ah),김하나(Kim, Ha-Na) 대한건축학회 2014 대한건축학회논문집 Vol.30 No.9

The purpose of this study is to identify architectural characteristics and meanings of western-style houses that were popular in Korean peninsular during the Japanese colonial period with Jong-gwan Woo’s houses. From the exterior, they had western style but in the interior, they had Korean-style ondol rooms and Japanese-style plan. We are able to notice that Korean, Japanese and western style coexisted uncomfortably in a so-called western-style house even if Korean high-class wanted to live in western style at that time. In the end, mixed style houses built by Japanese architects were regarded as western-style houses in Korea and western-style house Korean owners had to live triple lives in Korean peninsular during Japanese colonial period.

지속가능성 개념을 바탕으로 한 디자인 교육 통합 프로세스 모델 IPCDEM(Integrate Process for Creative Design Eduction Model) 개발에 대한 연구

이경아(LEE, Kyung ah),나건(Nah, Ken) 한국디지털디자인협의회 2014 디지털디자인학연구 Vol.14 No.1

본 연구는 창의적 사고의 종합 결정체인 디자인에 대해 양적 팽창이 아닌 질적 변화의 필요성을 인지하고 실천적 개념의 디자인 교육 통합 프로세스를 개발하는데 궁극적인 목적이 있다. 창의성을 기반으로 하는 디자인이 본래의 역할에 충실하기 위해서는 다양한 분야들 간의 교류와 융합을 통한 실천학문으로서의 변화가 필요하다. 이에 따라 본 연구에서는 환경적, 사회적, 그리고 경제적 가치 혁신을 통한 지속가능디자인과 지속가능한 디자인 교육의 필요성에 따라 지속가능성에 대한 구체적인 논의를 진행하였다. 본 연구의 과제인 ‘창조적인 디자인 교육 통합 프로세스 모델(IPCDEM, Integrate Process for Creative Design Eduction Model)’ 개발을 위한 논의는 다음과 같은 과정으로 진행되었다. 먼저 사회구조와 디자인 산업 패러다임의 변화에 따른 지속가능한 디자인 교육 모델의 필요성을 인지하고 디자인 의미의 변화에 따라 디자인지식의 개념 확장에 대해 연구하였다. 그리고 지식기반사회 패러다임을 이해하고 시대적 흐름인 지속가능주의를 분석하여 지속가능한 디자인과 디자인교육을 정의였다. 마지막으로 지속가능한 디자인 교육을 위한 창조적 디자인 교육 통합 프로세스 모델 개발하였다. 본 연구는 지속가능한 디자인 교육을 위한 방법론적인 측면에서 실천적 프로세스의 개념 모델인 IPCDEM의 개념을 구축한데 의미가 있다 하겠다. Recognizing the necessity of quality changes rather than quantitative expansion of design, an integrated constellation of creative ideas, this study takes it as its ultimate goal to develop an integrated process of design education with practical concepts. In order for creative based design to play its natural role, it needs changing as a practical scholarship in terms of exchanges and incorporation with various fields. Thus, this study specifically discusses sustainability in accordance with the necessity of sustainable design and sustainable design education in terms of environmental, social, and economic value innovation. The task of this study, ‘IPCDEM, Integrate Process for Creative Design Education Model,’has been carried out in the following process. First of all, recognizing the necessity of a sustainable design education model in accordance with changes in social structures and design industry paradigms, this study has worked on the extension of the concept of design knowledge due to changes in the meanings of design. Then, with understanding of the paradigm of knowledge-based society and analysis of the idea of sustainability as the stream of the times, it has defined sustainable design and design education. Lastly, this study has developed an integrated creative design education process model for sustainable design education. This study is significant in that it has constructed the concept of IPCDEM, a conceptual model of practical process on the methodological side of sustainable design education.

동아시아지역 식생활 공간구조 연구

이경아(Lee Kyung-Ah),장호익(Chang Ho-Ik) 한국디자인학회 2004 한국디자인학회 학술발표대회 논문집 Vol.- No.-