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      • 景敎東傳에 관한 一考 : 당대 경교의 전래를 중심으로 Concentrationg the introduction of Nestoianism in Dang Dynasty

        이경규 대구효성가톨릭대학교 1979 연구논문집 Vol.55 No.1

        Nestorianism is called Ching Chiao(景敎)in China. Ching Chiao had as meaning of the light of world. Ching Chiao is based on the east introduction of Christianty, and added Nestorianism. On the Introduction of Ching Chiao in China, Economy is the head of factor, so Nestorians engaged in commerce and manual trade for life. In political scene, China is friends with Persia. In the cultural scene, Nestorions were messengers of western culture and became forerunners of missionaries of Ming-Chins Dynasty. Besides because of Xiyu(西域)'s engagement of Dang Dynasty, religion of a foreign country can spread easily. Depend on 大素景敎流行中國碑, Ching Chiao is introduced at Dang Tai-Jong(太宗, 貞觀 9年:635年), But it is spent much to the introduction of Ching Chiao through Persia, Sinjaing(新疆). So it is spent much time to the introduction of Changan(長安).

      • MIMO 시스템에서의 APP 디코딩의 성능

        이경규,김산해,김홍철,이원철,신요안 崇實大學校 生産技術硏究所 2002 論文集 Vol.32 No.-

        MIMO (multi-input multi-output) systems can achieve high data capacity and high data rate in the third generation (3G) or beyond-3G mobile communication systems. To effectively improve the performance of MIMO systems, new detection schemes which can mitigate mutual interferences from multiple transmit antennas, are highly required. In this paper, we consider a posteriori probability (APP) type detection schemes for the MIMO systems, and compare with other sub-optimal detection schemes based on zero forcing (ZF) and minimum mean square error (MMSE) - ordered successive interference cancellation (OSIC). Simulation results show that the APP outperforms ZF-OSIC and MMSE-OSIC, while the performance discrepancy becomes smaller as the number of receive antennas increases.

      • KCI등재
      • 黃宗羲의 經世思想에 관한一考察

        李京圭 대구효성가톨릭대학교 1993 연구논문집 Vol.47 No.1

        Huang Zongxi is one of the thinkers during the late Ming and early Ching periods. Ming-I-Tai-Faug-Lu that indicates Ching-Shih Thought is his representative Writing. Undergoing a state of disorder of the late Ming, he participated in the Tung-Lin movement and Fu-She. When the Ming dynasty was perished, he was against the Ching dynasty. But after the movement which was against that dynasty failed, he refleted on the factors of the fall of the Ming dynasty. He built up a political system which was more progressive, ideal and practical ones through the whole Chinese history. The fruit of such an effort is Ming-I-Tai-Fang-Lu. In the foregoing writing he rejected absolute monarchy in the field of political thought and proposed a political reformation : that is, sovereign-subject egual, sovereign-peopel equal, local self-government and the participation of people in parliamentary politics, In the aspect of economic thought he escaped from the idea of physiocracy fettered by the natural economic tradition, and took a more serious view of industry and commerce. In addition, he reformed the land system and taxation system. On the whole, his poinions show the contemporary social phenomena, and those are the whole result of political reforms that the thinkers, who took park in Tung-Lin and Fu-She, led ad drove forward, His thought has a close correlation to criticisms under the influence of Yang-ming School and a social phenomenon which called the intellectual objectivity. Hence, his Min-Ben Thought has a very close correlation with his Ching-Shih Thought, and I recognize that is Modern reform thought carried out the function of bridge in the pregress of Chinese history.

      • KCI등재

        일본어 작문에 나타나는 오류유형에 관한 고찰 -「한자어+하다」의 작문을 중심으로-

        이경규 한국일본근대학회 2006 일본근대학연구 Vol.0 No.14

        韓國人の日本語學習者が「漢字語+하다」に對應する日本語の作文をした場合、その誤用を調べ、先行硏究を活用して效果的な作文指導の指摘をした結果、次のように要約することができる。第一に、韓國語と日本語が似通った構造をもつという点に注目した場合、母國語の干涉を受けやすい例の一つが「漢字語+하다」に對應する日本語文であるという点を確認し、これに對する體系的な指導が必要である。第二に、韓國語「漢字語+하다」に對する日本語の對應パタ―ンを理解し、これを積極的に活用できる指導が伴わねばならない。第三に、誤用の中で最も高い比率を占める、日本語の漢語形容動詞に對する體系的な指導が必要である。第四に、誤用のかなりの部分が母國語の干涉から起きているという点で、まず體系的な誤用分析が先行されねばならない。

      • KCI등재

        미군정기 재일조선인 발행 신문의 문화 기사 고찰‒조선문화교육회 『文敎新聞』을 중심으로‒

        이경규 한국일본근대학회 2019 일본근대학연구 Vol.0 No.63

        The articles featured in the culture section of zainichi Koreans-published weekly ethnic newspaper the Bunkyo Shinbun(文敎新聞) cover mainly such topics as Korea’s traditional culture, customs and history; furthermore, its news items also focus on themes to do with the overall trends in international cultural sectors inclusive of arts, film, music, sports and so forth, as well as literature, music, arts and culture in Japan, China and Europe, respectively, in an effort to help its zainichi Korean readers be better informed of and then grasp them. As regards literature in particular, the Bunkyo Shinbun’s culture section endeavors with its thematically diverse pool of writers to introduce to its readers various genres of literary works which include, for example, fiction, poetry, essay, fairy tale and conte. In addition to them, it also provides the readers in such genres as film and sports with a miscellany of articles worth reading, all of which could be produced out of its considerably meticulous and in-depth planning executed in advance. And it has been ascertained that the newspaper-featured serial fictions deal with socioculturally rather sensitive issues with which zainichi Koreans have often been then faced, such as multifarious problems they used to encounter and experience as part of ethnic minority in their day-to-day lives, or the issue on interracial dating between zainichi Koreans and Japanese, let alone its vigorous effort to constantly excavate and secure as diverse a range of news contents as possible in foreign literature, culture and sports. Unlike other newspapers published by zainichi Koreans during the U.S. military governance of Japan, it has been found that the Bunkyo Shinbun provides its zainichi readership with a variety of culture-associated news contents planned and produced in a considerably systematic and balanced manner, at the same time as trying to avoid politico-ideological partiality frequently appeared in the overall editorial stance of its counterparts. the Bunkyo Shinbun has remained an ethnic Korean newspaper with its core mission of aspiring to establish a creative and true Korean culture whereby building Korea as a Kulturstaat(cultural state or civilized country) can be achieved, hence becoming contributable to the betterment of humanity in the long run. Nonetheless, the newspaper ended up being forced to cease publication due to its failure to overcome its limitations derived from financial difficulties, logistical difficulties in its stable securing and supply of news contents, and so forth. In this sense, it could be appraised that he Bunkyo Shinbun manifests limitations as well as possibilities as an ethnic newspaper published by zainichi Koreans-led cultural organizations. 『文敎新聞』의 문화 관련 기사의 주요내용은 조선의 전통 문화와 풍습, 역사에 관한 기사를 담고 있으며, 일본과 중국, 유럽의 문학과 음악, 예술, 문화를 비롯하여 전 세계의 외국 예술과 영화, 음악, 스포츠 등 문화 전반에 대한 국제적인 동향을 재일조선인 독자들이 이해할 수 있도록 하고 있다. 특히, 문학에 있어서는 다방면의 집필진 구성을 통해서 소설, 시, 수필, 동화, 콩드 등 다양한 장르의 작품을 소개하고자 노력했고, 영화나 스포츠 분야에 있어서도 상당히 심도 있는 기획을 통해 많은 읽을거리를 제공하고 있다. 그리고 연재소설에서는 그들이 처한 조선인의 생활 현안 문제나 일본인과 조선인 사이의 국제연애 문제 등을 적극적으로 다루고 있으며, 해외 문학이나 문화, 스포츠에 대해서도 다종다양한 기사 내용을 적극적으로 확보하고자 부단히 노력한 점을 확인할 수 있다. 그 당시의 여타 재일조선인 발행 신문에 비해 이데올로기의 편향성을 지양하면서 문화 관련의 다양한 기사 내용을 상당히 체계적이고 균형감 있게 기획하고 확보하여 재일조선인 독자들에게 제공하고자 했다는 점을 엿볼 수 있다. 『文敎新聞』은 창조와 진리의 조선 문화를 수립하고, 문화국가 조선을 건설하여 인류문화 발전에 기여하는 대열에 앞장서겠다는 창간 취지에 맞추어 부단히 노력한 신문이었다. 그러나 그들이 처할 수밖에 없었던 재정적인 어려움과 기사자료 확보의 한계를 극복하지 못하고 폐간을 맞이하게 된다. 이에 『文敎新聞』은 재일조선인 문화단체 발행 신문으로써의 가능성과 한계를 동시에 보여주고 있다는 점에서 평가될 수 있을 것이다.

      • KCI등재
      • KCI등재

        일제강점기 조선의 「신여성」에 관한 담론 형성

        이경규,이행화 중앙대학교 외국학연구소 2017 외국학연구 Vol.- No.39

        The discourse on the “New Woman” in Chosun, developed from the 1920s onwards, was introduced in public through a series of women’s magazines published around this period, in particular, the Sin Yosong (新女性: New Woman). The term “New Woman” generally indicated a woman who had received a modern education provided by officially accredited educational institutions for women, and then its meaning and usage evolved, after the Japanese annexation and ensuing occupation of Korea, to indicate a woman who was in opposition to the traditional “Old Woman.” These “New Women” were willing to challenge the feudalistic, male- dominated patriarchal system and to actively participate in the women’s liberation movement, by promoting women’s rights and gender equality. This new definition also resulted in a change in the discourse on the concept of what it was to be a woman to emerge naturally in this period, that is, the image of the woman who fought to uphold freedom, equality, and free love, as opposed to that of the traditional hyonmoyangcho (good wife), whom society expected to look after her in-laws and remain subservient to her husband. However, the mainstream view and subsequent appraisal of “New Women” was, for the most part, negative or critical: they were ignored by the very modernity instrumental in forming their own consciousness, whose once-glorious times they had long strived to relish to the fullest. Hence, it can be said that for “New Women,” their great desire for, and concerns about, modernity have been left unresolved.

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