전유로서의 번역: 에즈라 파운드의 한시 번역과 이미지즘의 상관성에 관한 연구

윤희수(Yoon, Heesoo) 한국외국어대학교 외국문학연구소 2013 외국문학연구 Vol.- No.49

The study aims to examine how Ezra Pound applies imagistic methods to his translation of Chinese poetry by analyzing poems in Lustra and Cathay. Performing the task of translator, Pound appropriates Chinese poetic models to broaden and deepen the possibilities of his native language and to execute and strengthen the project of imagism which is one of the central axes of Western modernism. Pound applies the strategy of imagism which pursues the direct treatment of the thing to his revision and translation of Chinese poetry. In his revised short poems such as Liu Che and Fan-Piece, For Her Imperial Lord, Pound presents hard pictorial images which crystallize intense moments. The poems from Pounds Cathay suggest the inner feelings of sadness or loss in the original poems through pictorial images which seem to present outward scenes objectively. Especially, Lament of the Frontier Guard juxtaposes pictorial images seemingly stripped of emotional association and creates the matrix of meaning with ideogrammic method to intensify the barren mood of the original Chinese poem. Although Pound is often accused of tampering with the original Chinese poems in the process of translation, it cannot be denied that his translation as appropriation has provided a breakthrough or turning point for English poetry by incorporating the heritage of Eastern literature into Western modernism.

필립 라킨의 상업주의 비판

윤희수(Yoon, Heesoo) 한국외국어대학교 영미연구소 2015 영미연구 Vol.35 No.-

This study aims to examine Philip Larkin's critical attitude toward commercialism and consumerism which buttress the modern capitalist society. The study will reveal another significant aspect of his poetic world hidden beneath two contrasting critical views on Larkin that he is a poet pursuing universal themes of human life beyond time and history, or he is a poet with racial prejudices, misogyny, and right-wing political view. In “Here,” Larkin portrays a changing view of post-war Britain in which people crowd into shopping malls to gratify their desires for material affluence with cut-price goods. In “The Large Cool Store,” he looks into the commercialized society which incites consumers to buy mass-produced cheap clothes and robs them of individuality. “Essential Beauty” contrasts the images of ideal life in huge advertising hoardings with sordid pictures of everyday life composed of "rained-on streets and squares." In “Sunny Prestatyn,” Larkin describes a girl's seductive posture in a commercial poster and criticizes the objectification of female sexuality in consumer society. On the basis of his long-time experiences as a university librarian in which he witnesses quantitative expansion and qualitative degradation of post-war universities, in “Posterity” Larkin satirizes the commercialized academic society in which research is determined by economic factors rather than scholastic curiosity and interest. By analyzing his poems in detail, this study will illuminate another aspect of the poet who looks into the issues of modern capitalist society dominated by commercialism and consumerism, and make a contribution to broaden critical perspectives on his poetry.

A Perspective on the In-between Identity in Cathy Park Hong’s Poetry

Heesoo Yoon(윤희수) 새한영어영문학회 2021 새한영어영문학회 학술발표회 논문집 Vol.2021 No.10

This paper explores the perspective on the in-between identity of Cathy Park Hong, a second generation Korean-American poet, on the basis of her three poetry collections and one book of essays. In “Translating Mo’um,” the title poem of her first collection, Hong defines Korean as the language closely associated with physical experiences caused by pain. In “Zoo, the Korean language equivalent to the foreign body is compared to an unintelligible animal language which discriminates and alienates its speakers from the dominant group. On the contrary, in “All Aphrodisiacs,” Hong attempts to subvert the conventional hierarchical order of major language and minor language by showing the white male lover dominated by the female speaker who turns him on with untranslated Korean words. The “Desert Creole” spoken by the Guide in Dance Dance Revolution is a rhizomatic combination of multiple languages including English and Korean. Crossing the borderlines of various deterritorialized languages, the poet carries out a revolution by which she challenges and subverts the dominancy of the major language. Praising the “beige population” reproduced by miscegenating couples in the Desert, Hong not only presents the image of genuine ethnic diversity, but also suggests the potentiality of racial hybridity which is embodied by Jim as the in-between identity in “Ballad of Our Jim,” the first part of Engine Empire. The poems in this part reveal discrimination which victimizes racial others such as native Americans and the Chinese. By contrast, Jim, the only survivor of the gang, is presented as a potent symbol of racial hybridity holding the indigenous elements that cannot be assimilated by the dominant colonial forces, even though his fate is uncertain. The in-betweenness, however, provides him with the freedom from the sense of belonging, and in turn the poet herself with the creative impulse which enables her to keep up her poetic pursuits.

인종적 정체성의 수용과 확대 : 리영 리 초기시의 몸과 음식의 모티프를 중심으로

윤희수(Yoon, Heesoo) 한국외국어대학교 영미연구소 2018 영미연구 Vol.42 No.-

이 연구는 장미와 내가 당신을 사랑하는 도시에 수록된 시들을 중심으로 중국인 이민자로서의 경험을 바탕으로 자신의 인종적 정체성을 확인하고 자기 확대를 통하여 진정한 자아를 발견하려는 리영 리의 시적 궤적을 추적한다. 이 연구가 특히 몸과 음식의 모티프에 초점을 맞추려는 이유는 이 두 가지의 다분히 인종적 소재들이 단절, 이주, 차별, 소외, 가족의 결속감을 둘러싼 이민자의 삶을 잘 드러내주면서 동시에 진정한 자아 찾기의 여정을 향한 디딤돌이 되고 있다고 판단되기 때문이다. 리영리는 장미의 시편들에서 가족들의 몸을 묘사하면서 이들에 대한 애정과 결속력을 보여준다. 또한 두 번째 시집에 수록된 쪼개기에서 그는 시선을 확대시켜 타인의 몸에서 자신과의 동질성을 찾아내 자신의 인종적 정체성과 유대감을 표현하며, 나아가 주류 문화가 부여한 정형화된 인종적 틀에서 벗어날 가능성을 모색한다. 시인은 음식의 비유를 발전시켜 자기 확대를 시도한다. 감 등에서 음식은 가족 간의 사랑과 결속력 의 매개체였지만 쪼개기에서 그는 음식의 모티프를 발전시켜 자신의 인종적 정체성을 확인하고 동시에 그가 “아무도 아닌 존재” 또는 역설적으로 “모든 이의 존재”로 표현한 보편적 인간으로의 자기 확대 가능성을 탐색한다. 세 번째 시집 이후 존재의 궁극적인 기반을 찾으려는 그의 또 다른 시적 여정은 인종적 정체성에 초점을 맞추었던 초기시의 그것과 뚜렷이 구별되는 것으로 보인다. 그러나 이 여정 또한 다원성을 표방하면서도 이민자를 타자화하고 궁극적으로 소외시키는 미국의 현실에서 자신의 진실한 자아를 찾기 위한 노력이라는 점에서 초기시가 그려낸 궤적과 동일선 상에 놓여 있다고 할 수 있다. This paper aims to explore how Li-Young Lee’s poetry copes with his ethnic identity as a Chinese immigrant by analyzing his poems in Rose and The City in Which I Love You. Focusing on how he uses strong ethnic markers such as body and food, it shows that Lee expresses his love for his families, strengthens the ties with his ethnic group, and searches for the possibility to find his innermost self beyond his ethnic boundary. The body parts of his family members function as the metaphors to express his affection for and solidarity with them. Using hair as an ethnic marker, he emphasizes the generational continuity of his immigrant family. Furthermore, while confirming his strong ties with other Chinese immigrants with various physical features, he discovers the possibility of expanding his ethnic self to reach his truest self in “The Cleaving.” On the other hand, food is not only a means of othering ethnic groups as in “Persimmons,” but it can be a medium for love and bonding between family members. Lee expands food-eating metaphors in “The Cleaving” to confirm the sense of cultural solidarity with his ethnic group and also express his longing to pursue his truest identity beyond race and ethnicity, which is a threshold into his religious quest in later poems. In this sense, there is an unignorable connection, rather than a sharp breach, between his earlier poetry focusing on ethnic identity and his later poetry searching for his foundational place.

Appropriation or Misappropriation? : On Pound’s Adaptation of Chinese Poetry

Heesoo Yoon(윤희수) 새한영어영문학회 2009 새한영어영문학회 학술발표회 논문집 Vol.2009 No.10

유목민의 혁명

윤희수(Heesoo YOON) 한국현대영미시학회 2018 현대영미시연구 Vol.24 No.2

This paper analyzes Dance Dance Revolution by Cathy Park Hong, one of the leading second-generation Asian-American poets, and explores the meaning of revolution in its title and how it is related to the position of the poet belonging to an ethnic minority. To explore the nature of the revolution carried out by the poet, this study will employ some Deleuzean concepts such as nomad, rhizome, and deterritorialization. Dance Dance Revolution is a poem sequence in two voices. The Guide, a migrant or nomad working for a hotel in the Desert, is a former Korean dissident from the Kwangju Uprising of 1980. While she speaks a hybridized language called Desert Creole, the Historian interviews the Guide and annotates her commentaries in standard English. The Desert Creole spoken by the Guide is a rhizomatic combination of multiple languages including English and Korean. Crossing the borderlines of various deterritorialized languages, the poet carries out a revolution by which she challenges and subverts the dominancy of the major language. Praising the “beige population” reproduced by miscegenating couples in the Desert, Hong presents the image of genuine ethnic diversity. The poet also problematizes the validity of official history hiding and erasing many meaningful historical facts. In this poem sequence, Hong presents an imagined place, where ethnically diverse people liberated from the repression of historical and cultural roots use hybrid languages without reserve.

감시 사회와 인간의 소외: 캐씨 박 홍의 「클라우드 세계」를 중심으로

윤희수(Yoon, Heesoo) 새한영어영문학회 2023 새한영어영문학 Vol.65 No.1

유치원장의 건강과 일: 유치원장의 갱년기 증상이 유치원 운영에 미치는 영향을 중심으로

윤희수 ( Yoon Heesoo ),문성제 ( Moon Sungje ),최만규 ( Choi Mankyu ) 한국보건사회연구원 2017 보건사회연구 Vol.37 No.3

This study was aimed at examining what effect kindergarten principals` menopausal symptoms has on their managerial work. We interviewed a total of 10 kindergarten principals aged 40-60 and analyzed the interview data based on the process of the thematic analysis. Regarding the menopausal symptoms, some of the participants perceived physical or emotional symptoms, while the others did not perceived them. As to the effect of health on work, the menopausal symptoms affected their private life as well as the kindergarten management. However, the participants tended to overcome the effect of menopausal symptoms with experience, will, effort, sense of reward from their work, and support from their coworkers. Furthermore, the participants have needs on health. They have not only physical symptoms including fatigue but also emotional pressure due to the role as a head of kindergarten. Moreover, health was not the priority and a subordinate to work.

외국인 환자가 인지하는 의료서비스 품질과 만족도에 대한 체계적 문헌고찰

( Tian Yuzhuo ),윤희수 ( Yoon Heesoo ),최만규 ( Choi Mankyu ) 한국보건사회연구원 2021 보건사회연구 Vol.41 No.3

An increasing number of foreigners visit Korea for various reasons such as tourism, employment, and education. Moreover, medical institutions and treatment are one of the factors which attract foreigners to Korea, and the number of foreign patients is increasing. This study aimed to systematically review the existing literature regarding the quality and satisfaction on medical services perceived by foreign patients visiting Korean medical institutions and to suggest implications for future research and policies. This study analyzed a total of 28 articles which were published on domestic and international web-based electronic databases. The results indicated that the most studies focused on factors affecting satisfaction with medical services, and behavioral intentions. Furthermore, the studies dealt with various population groups from different countries including China, Russia, Japan, and the U.S. The studies which include Chinese who visit medical institutions in metropolitan area as the participants accounted for the largest portion. Among the factors that affect the satisfaction with medical services, the expertise of doctors was the most significant factors affecting satisfaction. Based on these findings, medical institutions should develop targeted strategies based on the nationality of the foreign patients. Moreover, it is also necessary to develop valid scales which reflect the characteristics of foreign patients to measure the perceived quality of medical institutions and satisfaction with medical services. Further studies should also focus on various factors which impact on satisfaction with Korean medical services to attract foreign patients.

인적자원관리비용과 경영성과에 대한 장·단기 효과분석

박정원 ( Jeongwon Park ),윤희수 ( Heesoo Yoon ),최만규 ( Mankyu Choi ) 한국병원경영학회 2021 병원경영학회지 Vol.26 No.3

Purposes: 우리나라 공공의료기관들의 경영실적 보고에 따르면 대부분의 공공의료기관들이 만성적자로 인한 경영난 문제를 겪고 있는 실정이다. 이는 공공의료서비스 제공 등이 주요 원인이겠지만 그럼에도 공공의료기관들의 경영효율화 문제는 지속적으로 지적되고 있음은 공공연한 사실이다. 이에 본 연구는 고정비 성격이 강한 인적자원관리비용과 경영성과 간의 관계를 분석하여 공공의료기관의 경영성과 개선을 위한 경영적 함의를 제공하고자 하였다. Methodology: 분석자료는 2014년부터 2019년까지 39개 지역거점 공공병원의 재무자료를 이용하였고, STATA SE 12.0을 사용하여 다중회귀분석과 패널회귀분석을 실시하였다. Findings: 다중회귀분석을 통한 단면연구 결과에서는 인건비가 높을수록 경영성과가 높은 경향을(2014년 의료수익:1.523/ 2015년 의료수익: 2.002, 의료수익의료이익률: 0.002/ 2016년 의료수익: 1.223) 보였으나 패널회귀분석을 통한 종단연구 결과에서는 복리후생비가 높을수록 경영성과가 의미있게 높은 경향을(의료수익: 3.232582/ 의료수익의료이익률: 0.0014502) 보였다. 이는 인건비는 경영성과에 단기적인 효과가 있는 반면 복리후생비는 경영성과에 장기적인 효과가 있음을 반영하는 것이라고 볼 수 있다. Practical Implication: 본 연구는 이러한 결과를 기반으로 장기적인 효과가 있는 복리후생비의 중요성을 제시하고, 공공의료기관의 경영성과에 영향을 미치는 인건비와 복리후생비의 특성 파악을 통하여 효과적인 인적자원관리방법을 위한 경영적 함의를 도출하였다는 점에서 의의가 있겠다.