내현적 자기애 특성이 대인관계 만족도에 미치는 영향: 정서표현양가성의 매개효과

윤혜지,현명호 대한스트레스학회 2018 스트레스硏究 Vol.26 No.4

Background: The purpose of this study was to explore the mediating effect of ambivalence over emotional expressiveness on the relationship between covert narcissistic tendency of adults in their twenties and the satisfaction of interpersonal relations. Methods: 194 male and female adults in their twenties completed the self-report questionnaires on covert narcissism, ambivalence over emotional expressiveness, and interpersonal satisfaction. A mediated model was tested using the SPSS Macro by Hayes. Results: We verified that the ambivalence over emotional expressiveness played a mediating role in the relationship between covert narcissistic tendency and interpersonal satisfaction. In terms of the characteristics of relationship, except for the superior person, the relationship between lover/spouse and friends/colleagues showed the mediating effect between covert narcissism and interpersonal satisfaction. Conclusions: The covert narcissistic tendency itself affects low interpersonal satisfaction, but the ambivalence over emotional expressiveness affects low interpersonal satisfaction when the covert narcissist interacts with lover/spouse, friends/colleagues. We discussed the directions of intervention for the covert narcissist having low satisfaction in relationships, limitations and future suggestions of this research. 본 연구는 20대 성인의 내현적 자기애 성향과 대인관계 만족도 사이에서 정서표현양가성이 매개역할 을 하는지 확인하였다. 이를 위해 20대 성인 남녀 194명을 대상으로 설문 조사를 하였다. 그 결과, 내 현적 자기애와 대인관계 만족도의 관계에서 정서표현양가성이 매개하는 것을 확인하였다. 관계적 특징 에 따라 나누면, 윗사람을 제외하고 연인/배우자와 친구/동료 정서표현양가성이 내현적 자기애와 대인 관계 만족도 사이를 매개하였다. 본 연구는 대인관계 만족감이 낮은 내현적 자기애자를 위한 개입 방향 과 한계점 및 추후 연구에 대해 논의하였다.

王國維境界類型來看宋代女性詞人詞作品之境界

윤혜지 한국외국어대학교 중국연구소 2015 中國硏究 Vol.63 No.-

Wang Guowei combined the essence of Chinese literature with that of Western literature and put forward a complete theory of literature and art, with the“theory of realm”as its core. The theory of realm, as the core of Wang Guowei's aesthetic concepts, Jing jie(境界) has often been translated and highlighted as ― spiritual realm. During the Song Dynasty, it was common for the women poet’s work, which often has little or nothing to do with the topics of their poems. However, many of its works had been linked to Wang Guowei’s theory. It is because of the style of women writing expressed rendering the beauty of the natural and truths. The study reported in this paper examines the women poet’s work of Song Dynasty based on Wang Guowei's theory of realm. Most of women poet’s work of Song Dynasty has been fundamentally devoted to Ego-involved Realm of Wang Guowei, also related to‘Genuine’ from his theory. Writing Realm(寫境) is more than Creating Realm(造境) outstanding, Also Many more work will be written as Small Realm(小境). 王國維詞論上一直強調的「境界」是作家真心的表現,所以對於在創作上沒有任何外在利害關係的女性詞人的作品中,與「境界」具有更緊密的內在連結。因爲在中國文學史上給宋代女性作家詞作品的價值是,它們切切實實地體現着自然美與真實美。本文將王國維的三种境界類型來看宋代女性作者詞作品中的創作表現,它們在創作上多有與王國維「境界説」中的「真」相應和之處,而其作品的表現以「有我之境」爲主,「寫景」比「造境」突出,用「小境」創作的比「大境」較爲多。

한·중 고대여성작가 시사(詩詞) 작품의 ‘우울정서’ 비교연구-허난설헌, 왕봉한을 중심으로

윤혜지 중앙대학교 외국학연구소 2017 외국학연구 Vol.- No.39

This paper compares expressions of depression in poetry by the ancient Korean writer Huh-Nanseolhun (許蘭雪軒) and the ancient Chinese writer Wang-Fengxian (王鳳嫺), based on the psychology of ancient times. First, these female poets’ works are interpreted based on their formative histories, including family culture, living environment, and personal experiences. Next, the cultural differences between ancient Korea and ancient China and the effect of these differences on female poets are considered. Some similarities and differences in the contents and methods of the two poets’ expressions of depression are identified. Finally, the significance and value of expressions of depression in the poetry of Huh-Nanseolhun and Wang-Fengxian are considered.

宋初 상층 文人詞의 주제 시탐

윤혜지,홍병혜 한국문화융합학회 2022 문화와 융합 Vol.44 No.9

본 연구는 송 초기 사작품의 내용 주제를 대략적으로 살펴본 것으로, 송 초기 50~60년간 사작품을 창작했던 작가는 모두 조정 중신이거나 고급 관리 등의 상층 문인들이었으며, 지어진 작품들은 대부분이小令이었고, 풍격은 만당 오대를 크게 벗어나지 못하고 있음을 알 수 있다. 작풍은 비교적 소박하며意境은 깨끗하고 산뜻한 아름다움이 있다. 또한 사의 완약하고 부드러운 기조를 빌어 개인의 진정한감정과 심후한 情懷를 주관적으로 의탁하는 창작상의 특징을 보인다. 결과적으로 송초 몇십 년은 사단의 적막기로 독창적인 풍격과 유파를 형성하지는 못했지만, ‘以詩爲詞’의 시작 태도 ‘情景交融’의 창작표준, 초기 慢詞의 형태 등은 이후에 북송사단의 중흥기를 형성하는 데 있어서 초보적인 모습을 제시하였고, 무엇보다 송 초기 상층 문인사에서 드러나는 맑고 참신하며 완곡한 풍격은 송사 발전에 있어서도 단초적인 역할을 하였음을 알 수 있다.

中國 山東지역 여성작가시 고찰

윤혜지 한국외국어대학교 중국연구소 2022 中國硏究 Vol.92 No.-

이 논문은 李淸照를 제외한 중국 산동지역의 여성작가와 시작품의 주요 주제를 고찰해본 것으로, 유교적 가족주의를 기반으로 하는 산동지역의 여성작가시에서는 전체적으로 ‘가족관계’와 관련된 시 창작이 두드러짐을 확인할 수 있었다. 서진시기 궁에 들어가 창작활동을 했던 여성문학가 左棻은 시를 통해 가족을 그리워하고 자신을 성찰했으며, 당대 林氏와 청대 徐氏는 시를 통해 아들의 억울함을 대언하고 또 아들에게 당부의 말을 전해 현모로서의 여성성을 보여주었다. 또 孫氏는 남편을 대신해 쓴 축복과 감사의 시를 통해 交友詩의 백미를 보여주었고, 명대의 邢慈靜은 가족을 생각하는 思親詩를 비롯해 서예와 회화 등 다양한 예술적 스펙트럼을 보여주었다. 다음으로 청대의 모녀작가 李長霞와 柯劭慧는 고아한 격률과 심오한 표현으로 청대 여성 문학의 성숙을 보여주고, 孔麗貞과 孔璐華는 시를 통해 고대 여성이 삶의 부조리를 이겨내는 도정을 목도하게 한다. 이 작품들의 가치는 여성 삶의 실제적 현실을 구체적으로 드러내고, 정서의 표현이나 외경의 반영을 넘어 시를 통해 天性과 情緖를 조정하고 인간관계를 발전시키려 했다는 데 있다.

중국 고대 여성작가 詠史詩 試探

윤혜지 한국외국어대학교 중국연구소 2022 中國硏究 Vol.90 No.-

Ancient Chinese female writers revealed their opinions about historical facts, awakened politicians’ wrongdoing and criticized tyranny of past kings. They also projected suppressed masculinity, which is their other shadow, by enhancing values of loyalty and hermits. However, a unique point discovered in historical poems of female writers is that they focused on ancient events or historic figures related to female, their own gender. Female writers empathized female figures’ minds in history and contemplated their own lives through their records to reveal new opinions, which male writers couldn’t grasp. This is a different aspect that male writers embodied historic events in poems through historical poems, and eventually tried to convey moral to people. Comprehensively, historical poems of female writers had high literary value as they contained writers’ insight about past history and current lives, together with sentiment as writers. In a formal aspect, 5·7 word Jueju(絶句) and Lushi(律詩) were mostly used, and some of Pailushi(排律詩) was also used.

금·원대 여성작가 詩詞작품 연구

윤혜지 중앙대학교 외국학연구소 2021 외국학연구 Vol.- No.55

The contents of this study are largely divided into three stages. Firstly, To conduct poetic analysis I discovered female writers in the Jin and Yuan dynasties as much as possible from the Yuan shi xuan, Quan Jin-Yuan Ci and various women literature sources. Secondly, the subject, expression skills, personality and the authors’ current affairs were analyzed from the perspective of the times. Thirdly, I reviewed the value of the female writers works in the Jin and Yuan dynasties from the Chinese Literature History and Women's Literature History. From a feminine perspective, women's persona (social gender role) in their works during this period have revealed in a more passive way than the previous times. In addition, some of the writers showed affirmation of their identity as a writer. And others expressed their social opinions in a confused era. Conclusionally, female writers during the Jin and Yuan Dynasties took the literature to the next level and impact on the feminine literary.

동아시아 고대여성한시에 사용된 전고(典故)비교연구

윤혜지 중앙대학교 외국학연구소 2018 외국학연구 Vol.- No.43

Korea, China, and Japan are located in East Asia; in historical and cultural contexts, the three countries have influenced each other and share much in common, which brought Confucianism to these countries. This paper explores the challenges that ancient women writers faced in the three countries, their position in ancient history, and their performance; based on this exploration, this paper discovers similarities and differences in the women writers from these three countries. Most remarkably, women writers of the ancient East Asia adopted a comprehensive anthology of literary texts, which were considered to be wisdom and knowledge from the past. The texts came from a wide range of ancient sources, and this is known as “literary quotations.” Using literary quotations, women writers in the three countries tried to push the envelope on sexual boundaries and demonstrate their savvy. Through this, there was a tendency to equate them with their male contemporaries. This study suggests that literary quotations from ancient sources reveal three literary values. First, using literary quotations, women writers were able to express themselves and avoid typical feminine narrative conventions. Second, it reflected women writers’ intellectual abilities. Third, it was a way of enhancing their creativity and literary imaginations. However, there were some differences between the three countries. Women writers in Korea focused on character portrayals. In China, however, they improved artistic expressions for visual effects. Women writers in Japan adapted images inspired by historical figures and focused on personal stories.

시계열 분석을 통한 7개질병군 포괄수가제의 환자 비용 변화 분석 - 의료기관의 유형별 특성을 중심으로 -

윤혜지,이창민 보건의료산업학회 2017 보건의료산업학회지 Vol.11 No.3

Objectives : This study analyzed the trends of patient costs in 7diagnosis-related groups(DRG) since July 2013 when the government made it mandatory for all hospitals and clinics. Methods : Data were collected from the 7DRG score chart published by the Ministry of Health and Welfare(MoHW) from July 2013 to January 2017. The average value of the weekday relative value scale was multiplied by unit price, referred to as‘- “patient costs by disease group”-’ and they were analyzed by time series. Results : Patient costs had increased among all patients with a comprehensive disease. Small and medium-sized hospitals (hospitals and clinics) showed a slight increase in patient costs. Conclusions : Enforcement of the Korean diagnosis-related groups has led to management crisis in small and medium-sized hospitals and deterioration medical service quality. To solve this problem, The weekday relative value scale of small and medium-sized hospitals should be increased significantly.

元代 文言筆記小說『春夢錄』속 唱和詩詞 시탐

윤혜지 국민대학교 중국인문사회연구소 2020 중국지식네트워크 Vol.16 No.-

『Chun meng lu』 is an ancient written novel by Zhengxi from Aojiang, Pingyang in the Yuan Dynasty. While staying as a guest of Hongfu in youth, Zhengxi shared heart with Ms. Oh living in the west of Wenzhou through poetry, and then compiled an ancient written novel by organizing the works in 1318 during the regime of King Renzong. Currently, this work has not been introduce d in Korea at all. Instead of the general ancient written novel-style, this is based on the structure of letter-style ancient written novel in which the author writes own preface based on direct experiences, and then inserts the poetry works with Ms. Oh in the novel through the frame narrative. The postscript by surrounding people in the end of the work shows the social evaluation of the main characters’ love in the work of the time. Especially, the work reveals the view of love in the Yuan Dynasty such as free love and love as the first priority, which shows the change in man-woman relationship in the Yuan feudal society, and also contains the sad man-woman sentiments and narratives of broken heart in the Yuan Dynasty as the characteristics of synthetic art. Also, 『Chun meng lu』 is literarily meaningful as the first case of complexly applying the narratives to the overall novel. Fully showing the characteristics of synthetic art such as popularized words and narrative poetic image in the genre perspective of poetry literature, this is valuable enough to research. This thesis understood the literary value of the works and the view of love in the Yuan society reflected into them, targeting total 27 poetry works contained in an ancient written novel 『Chun meng lu』 in the Yuan Dynasty. 본 『春夢錄』은 원대 鄭禧가 쓴 문언필기소설로 정희는 젊은 시절 洪府의 객으로 머무르며 永嘉(지금의 溫州)성 서쪽에 살았던 吳氏와 詩詞로 마음을 주고받았는데 1318년에 그 작품들을 정리하여 문언필기소설로 엮었다. 이 작품은 일반적인 문언필기소설의 형태가 아니라 작가 자신이 직접 경험한 일을 바탕으로 自序를 쓰고, 오씨와 주고받은 시사작품을 액자식 구성으로 소설 속에 끼워 넣은 서신체 문언필기소설이다. 작품 말미에는 주변 사람들의 後序를 수록하여 작품 속 주인공들의 戀情에 대한 당시 사회의 평가도 엿볼 수 있다. 무엇보다 작품속에서 자유연애와 애정지상의 원대사회의 애정관이 드러나고, 좌절된 사랑에 대한 원대 남녀의 애절한 정서와 서사가 담겨 있어 예술성이 높다. 본 논문에서는 원대 문언필기소설『춘몽록』에 수록된 27수의 시사작품을 대상으로 이들 작품의 문학적 가치와 여기에 반영된 원대 사회의 애정관에 대해서 알아 보았다.